The Weaver Sews – Page 7

Nothing stays the same…

This is the season of light, but it has been some of the darkest times this generation has experienced. The promise of a new year, a new administration, a new vaccine, and in 13 days, daylight will begin to build again, all give a sense of hope and possibilities.

After more than 800 blog posts, I’ve had a bit of a glitch, that started humorously and then turned wicked serious as I blew up the hosting company server with one of my posts. The post was called, That’s not why I did it… I wrote it after lots of sturm und drang, summarizing the post with the peace and serenity of making order out of chaos. I thought it was a rather clever post, and then moved on.

Within a week, I got an email from my hosting company, shutting down my blog site, for nefarious activity, and hogging more than 55% of the shared server my site is on, slowing everyone else down. I panicked, called them, had a lovely person talk me through a few things, what I could do on my end, transferred me to their security team, and in the background they updated my site to the newest and latest version of WordPress.

Turns out, a relative, who is a software designer/developer liked the post so much, he posted it on a forum specifically for software designer/developers, and the post went viral. If it wasn’t so devastating, it would be hilarious. This relative forwarded me the string of comments posted by the developers, and truth be told, I almost fell out of my office chair laughing.

There was a bit of weaving language in that post, assuming that it would be read by the weaving community, but the gist of the post could be understood by everyone. The developers’ comments included things like “I googled Differential Sett and came up with nothing. (That’s because my daughter made up the term for her lecture for the Pioneer Valley Guild remote lecture she was working on). There were comments like, “Gee, is this what we sound like to non computer people?” And then following the comments as they tried to take apart the technical jargon I used, so they could more clearly understand the nuances of the post. As of today, there are more than 42,000 views. And you can read some of the comments here. It is enlightening…

The downside of all this once my hosting company updated everything and gave me a list of what my own tech support needs to do to add plugins, etc. is that I opened WordPress to type in this blog, and everything, I mean everything has changed. I am not even sure how to add a picture. (Though I eventually figured that out, I don’t see where to add keywords.) There are all kinds of updates I need to do to plugins that completely confound me, and nothing looks like it did for the last 12 years. This is not my strength, and I don’t want to spend the time to make it my strength.

My strengths lie in my creativity, my hands, and my mad sewing/weaving skills. They have taken a lifetime to perfect, I’m still learning, making mistakes, and I will continue to learn and make mistakes until I can’t do this anymore, my body quits or I die. The future is never guaranteed. Though it looks like 2021 is promising, we are still in a pandemic, we are still in a divided country politically, and winter is just starting. A beloved relative is in the final days of life. I cannot be there beside him. We cannot gather as a family, and that just sucks. Once he passes, we can’t hold a funeral, we can’t hold each other, and all I can do is make the best use of each day I’m given.

The new Youtube channel The Weaver Sews is consuming a lot of welcomed focus. I start thinking about what I want to film the next Friday as we finish filming the previous installment. I keep thinking that future videos should be getting shorter, less theory, more “this is how you do it”, but that doesn’t seem to be happening. I think of more and more things to say. I feel as though I’m taking my half century of knowledge and documenting it so that it can live on even if I don’t or can’t. My daughter, who is my editor, director, producer, videographer, and caption writer, is getting better and better at this, and we have even come up with a way to make my Surface Go act as a teleprompter. I think the dialogue is cleaner if I actually use a script.

Since some of the next content I want to cover, is actually construction techniques, I decided to cut out two jackets, from my 200 Jacket Pattern, one from handwoven (the leftover from my wool/mohair swing coat) and one from a Harris Tweed, given to me by the husband of one of my guild members, deciding he wasn’t going to ever have a jacket made from it. I think he would appreciate that it is being used for educational purposes as well as making a stunning jacket. And it will read better in a video.

And yes, that’s a caviar leather skin in the photo above, I’ll use it for the upper collar, the welt pockets, bound buttonholes and maybe even elbow patches.

The lining for the handwoven jacket is a kimono, which I purchased in pieces from a lovely shop on Whidbey Island, the Jan McGregor Studio. Jan carries all kinds of Japanese items, vintage Japanese textiles and furniture, and it is the most delightful shop I’ve ever been in. I hope it survives the pandemic. The kimono was taken apart carefully, and placed in a bag, which I purchased, and so I was able to use the cloth as a lining. I’ve since ditched the rust which I wanted to use for piping.

In the meantime, looking for hand dyed skeins in my studio for a particular project, I came across a number of skeins of the same very fat silk, all of which I had dyed in different colors at different times, that I thought might be fun in the Confetti draft I developed for using some Silk City Fibers yarns. The draft is free in my eShop.

I did a lot of planning and calculations, and used weaving software to figure out a layout, that would be stripey, but minimally. I’m hoping to eventually play with miters in upcoming garments, so this can help mess around with that option. I spent the weekend winding all the warps…

…sleying, threading and ultimately beaming the warp, and testing out a couple of different wefts.

Meanwhile (Everytime I write that word, I can’t escape Steven Colbert’s segment called “Quarantinewhile” he features on A Late Show.) I’m progressing nicely on the 15 yard warp of towels, which will be my holiday gifts. And then of course, I hit a snag. Something that almost never happens

I had a couple of new cones of Webs 8/2 cotton in black, which I used for the weft, and probably didn’t have enough, but didn’t take the time to actually do the calculations, because there was another unmarked mill end cone of 8/2 in black behind it. And after pulling that cone from the shelf, and doing a quick test, I decided it was probably dry rotted and not a good idea to use, black yarns can be problematic anyway, black dye is so harsh, so I have an order out to WEBS for more 8/2, but it may take a week or two to get it. So the towels will just have to wait. I’m guessing I have about 4 yards to go…

I’m carrying on, texts are flying regularly updating me on family situations, and all I can do is keep busy. Just a couple more weeks and we will pass the shortest day of the year, and we will start moving towards the light.

Stay tuned, stay safe, and stay busy…

Zoom Jacket

Dearest readers and followers on facebook…

You make me laugh. Oh the uproar when I posted my near completed jacket and mentioned that I wanted to wear it around the house over my pajamas. Best laugh I’ve had in a week. Like handwoven anything can only be used for special occasions. So here’s the thing…

We are trapped at home in quarantine and I have no plans to leave the house for any reason for the remainder of this year, and probably well into the next.
I have a bulging wardrobe of handwoven stuff to wear for special occasions. Even culling the early stuff, there are 30 years of gorgeous handwoven garments in there, that I have no place to wear. (And some of them are not fitting me too well either, given that the last nine months has padded my lower half just a bit more than I’d like…)
Being trapped at home spending my days either working in my office at the computer, like I am now, or in the weaving studio, or the sewing room, or the kitchen, means that comfy flannel pajamas, now that the weather is cold (I keep my house at 64 degrees) are my wardrobe of choice.
I only dress for Zoom meetings, and trust me there are about 50 options for what to wear.
My beloved go-to knockaround commercially purchased jacket that I throw on when I get out of bed in the morning, and take off at night, hanging it on the coat tree in my room, is getting worn, old, boring, and it needs to move on.
I want something cuddly, roomy, with large pockets, and can also hang on the coat rack every night without getting the center back neck bump from the hook.

Enter this fabric which recently came off the loom.

I blogged about it in the last post, and there is a link in the last post to the details, what I used as a draft, the warp and the weft, in the last post from when I first put this fabric on the loom almost two years ago. I love the colors, and this fabric I knew would be challenging to lay out. The coloring was formed from the engineered gradient in the Noro Taiyo Lace skeins I was using. Though they were engineered to repeat themselves, when a dreaded knot in the skein would appear, or I had to change skeins, the sequence was thrown off. So I did the best I could…

I had lots of unwanted assistance, trying to lay this out, stretched all across the sewing room floor which is in the basement, and all the way into the utility closet. The cat was very amused…

It took two days of moving pieces around to get what I wanted. The fabric wasn’t really wide enough, but fortunately last Friday’s YouTube video shoot was on that very topic, What to do When You Don’t have Enough Fabric. So I shared some of the tips I did in this garment to try to make the most out of what I have. That video should drop next Friday. It is still in edits. (Who am I kidding, she hasn’t started editing yet, she waits until the day before…)

Anyway, I wanted something unfussy, and perhaps crocheted around the perimeter, so I wouldn’t have to fuss with hems, or facings, or bands, whatever. And I wanted big pockets. I pulled my 100 Jacket, chose a larger size than I would normally take, so I’d have roomier sleeves to fit over whatever I was wearing, overlayed the neck from the 800 vest pattern, and extended the fronts 3 inches so they would fall back into a mock collar, but still could overlap to keep my chest warm when I really wanted to snuggle. (It is on my list of topics for my YouTube channel The Weaver Sews, to illustrate how to combine patterns, putting a sleeve on the swing dress, combining patterns for different necklines, etc.)

I got exactly what I wanted, and posted it on facebook last night.

Hahahahahah! The responses were wonderful. I love you all. The outrage that I’d wear this over my pajamas was truly hilarious. Of course it is a beautiful jacket. Of course it should be seen out in the world. But that isn’t realistic right now. I’m not going anywhere. I need to keep safe, healthy and not burden the hospital system because I was stupid. It is worrisome enough that my son, who is an interim general manager at a local Target is exposed every day, so far has tested negative, but is going into the retail season from hell. He is not allowed near the house. NJ lived through hell last April, and we are there again, I’ve lost count of how many have died, almost 17,000 in our state alone. It is as if my whole town got wiped off the map, and half of the next one as well.

And so, I will wrap myself up in a lovely comfy handwoven sweatery coat, and go about my day in comfort. And smile dreaming of a time when I can go out and about and show it off.

So here are some of the observations and details. Because you really don’t know how comfy and snuggly something is until you wear it.

First, since the fabric wasn’t wide enough, I moved the side seams towards the back so I could get a full back from the fabric, and used a crocheted seam finish, overlapping the seam with the fronts. I cover this in the video that will drop next week.

You can clearly see in the photos above where I’m wearing the jacket that the collar points and lower front edges tend to curl inward. There isn’t a facing for support, so I’d expect that. I kept thinking about my late husband’s dress shirts and the little collar stays that would keep points crisp, and I remembered I have a drawer full of zip ties, and there are some really tiny ones in there. I’ve used zip ties as boning in garments that call for that, so why not as collar stays. I slipped a few behind the crocheted edges and I’ll let you know how well they work. Already there is an improvement, time will tell if they hold.

And I dug through my box of inkle bands, and found this lovely narrow black band I wove to help support the sloppy neckline in a sweater I knit. There was enough left to make a loop at the back neck for hanging my jacket at night on the coat tree. That’s the sad very well worn jacket it is replacing on the left of the coat tree.

There are a couple of negatives that I really can’t do much about, one is that the wool (Harrisville Shetland singles from the 80’s) in the warp isn’t the softest. That yarn typically isn’t meant for next to skin. So the jacket is a bit scratchy, but I have a good tolerance for scratchy wool. The good news is it should wash and dry pretty easily, I tossed the original fabric in the washer and dryer twice to get it to full up. That will be important wearing it every day.

And the other negative of course is that I have a bunch of animals, that insist on curling up when ever I sit down, right in my lap, even the ones that weigh 60 pounds. Animal hair sticks to it. It was challenging crocheting around the edges and constantly pulling cat hair out of the yarn as I pulled up loops. And I do vacuum often I can assure you. But the good news is that unlike a fleece jacket, the hair comes off easily with a lint roller, it doesn’t seem to embed itself into the structure. So I’m hopeful my new comfy jacket will prove to be my best friend in the coming months. I want to wear this so much I wear it out!

And speaking of Zoom… I’ve spent many hours on Zoom meetings over the last number of months, and found that knitting wasn’t really for me a great idea, I was making mistakes on the sweater I was knitting in the decorative patterned border. I don’t multi task well. Really.

So instead, I started pulling out my bags and baskets of thrums from past warps, most of which were hand dyed yarns, maybe 18-24″ lengths, and started tying them together. I keep the large basket of thrums now under the table where I Zoom. Years ago, one of our beloved guild members, who has since passed, came to a September meeting fresh from a MAFA conference. She had taken a workshop with Tom Knisely, a beloved weaver and teacher who has written a number of books, and one of the techniques she learned was something called Zanshi. It is a Japanese technique for using leftover thrums and yarns so nothing goes to waste. Tom talks about it in his book about Table Linens.

Anyway, the guild member showed her sample from the workshop and I was intrigued. Thrums were tied together with overhand knots and the tails just got woven in. Plain weave, couldn’t be simpler. So I started tying my thrums together. Mindless but productive while I sat through endless meetings. I had a beautiful rayon/cotton discontinued yarn from Silk City Fibers called Marbella, in a greyed brown color called Bison for the warp. I kept the warp narrow so I’d have a bit of color building from the short thrums. I’m loving this. And no, I have no idea what I’m going to do with this fabric. I just like to weave…

Stay safe everyone, celebrate this season with whatever silver linings you can find. Life is getting curiouser and curiouser, feeling more like Alice in Wonderland every day, there is some whacky crap in that story, worth a reread!

Stay tuned…

Simple days, complex world…

The days pass quickly in a routine that is pretty pleasant truth be told. I’m not missing traveling, not missing even leaving the house. I see friends and family enough via zoom, and with all the remote lectures I’m giving, I feel as though I’ve just attended the world’s largest weaving conference. Each day I bounce around to some part of the country, and each lecture there are old friends and familiar faces in those tiny boxes on the screen. I’ve been corresponding with someone in MO, who was supposed to take a workshop with me in August in Kansas, but appeared in a lecture in western MA. We weavers get around…

Having my daughter here, working with her, developing new content, shooting a new video every Friday for my YouTube site The Weaver Sews. It has kept us busy. The biggest challenges are keeping the animals quiet, and hoping the landscape people don’t come through in the middle of filming the way they did last Wednesday in the middle of a class I was teaching remotely. Those leaf blowers right outside the garage doors were pretty noisy.

So the election in the US is Tuesday. I don’t hold hope that things will be resolved by Tuesday night. I don’t hold hope that things will be resolved for a very long time, no matter who is declared the winner. I’m sad for the polarization, I’m sad for the divisive language used by both sides, I wish we could all get along and move forward. We are in the middle of a couple of international crises and I’m a firm supporter of science (having a daughter with a science degree means I can’t even cook without a science perspective thrown into the recipe), and no matter the results, I hope moving forward that we as a nation can come together to solve some of these major issues. I’ve just heard of another weaver who lost their entire studio to one of the fires in Oregon. She took a workshop with me just in March of this year, my last stint before the world shut down. I sent her digital files of everything we could piece together that she lost from my workshop, but that doesn’t replace yarn, samples, looms, weaving equipment, spinning wheels, and a life time of knowledge in physical form. My friends in California, Oregon, Washington, as well as Louisiana have taken the brunt of this year’s climate disasters. I wish the world had a plan moving forward. For me, I voted within 24 hours of receiving my mail in ballot (only mail-in voting in NJ this year because of the pandemic), so on Tuesday night, I’ll be teaching remotely for a guild in Toronto. I can only do my best to keep moving forward, being kind, paying attention to the science, fighting for equality for all, and embracing my countrymen no matter what and who they are passionate about.

Since Tuesday night’s lecture is on Doup Leno, a technique I wrote about a couple years ago for Heddlecraft Magazine, (January/February 2019), I needed to have something set up for a live demo. The warp that I had been using was mostly used up. So I rewarped this week, with a couple of handdyed skeins of cashmere I had sitting around, one a dark and the other a variegated turquoise. The goal is a couple of scarves, the leno structure will keep them lacy, but the structure will hold together.

That said, I’ve been rather busy with my simple days. Simple means I can fill my days up with juggling 40 things at once, because I can’t imagine a day when 40 things aren’t happening simultaneously!

I’ve been working for the last couple of weeks on a new project. The last two vests I made both had welt pockets. It has been on my to do eventually list for a couple of years. I finally sat down, designed a diagonal entry welt pocket and then once I did a few of them, drew illustrations and wrote up the 12 page directions.

Now you can actually purchase the Welt Pocket Variation as a download. The download contains the 12 page heavily illustrated directions, the two pattern pieces full size for the welt and pocket, and replacement pages for the 100 jacket, 200 jacket and 800 vest. By substituting the pages in the pattern digital files, you’ll see where the pocket goes. So if you’ve purchased the 100, 200 or 800 vest, you might enjoy this variation. Of course it will work for any jacket or vest you make from anyone’s patterns, you’ll just have to figure out where to position it.

The second vest I finished is the one I’ve been using for demonstrations during my last few YouTube videos. The fabric was a remnant I bought somewhere, can’t remember, but it was a gorgeous sleezy Chanel type tweed, really challenging to work with, like your worst case handwoven. My handwoven fabrics aren’t nearly as challenging! I made up the 200 jacket but left off the sleeves, bringing the lining to the edge of the armhole. With the shawl collar and welt pockets, it is a much different look than my other vests.

I realized of course that I haven’t updated my gallery on the website with the last couple of pieces I’ve made, the Summer Rain Top, and of course the leopard trimmed and lined Confetti vest shown above. It is much more important to be timely in those updates because my daughter references those details and images when she creates the show notes for each video I do. We took one of our guest rooms, since we aren’t getting a lot of guests (none actually) and turned it into a temporary photo studio. So I popped the Summer Rain top onto the dressform, and perched it on top of the table to take a quick shot of the top. The free draft for the fabric for this top, using Silk City Fibers is available here. The pattern is a combination of my 1000 Swing Dress, very modified to take out the “swing”, and the armhole and sleeve from my 200 Jacket.

Meanwhile, now that all my looms are full, I filled them up for the HGA remote studio tour the beginning of October, I need to start clearing looms because I’m getting more ideas of stuff I want to weave. So I cleared one of the table looms first. This one had a test for Silk City Fibers, their Supermerino yarn, sett in an 8 dent reed, plain weave, to simulate what one would experience with a rigid heddle loom set up. One was a single end in an 8 dent reed, single weft, spaced a little far apart for my taste, but that was the point of the test. I gave that one to Silk City and kept this one, which is two ends together in an 8 dent reed with a doubled weft (I used a double boat shuttle for that scarf). Supermerino is a superwash yarn. It doesn’t say that in the description, but it doesn’t full at all when washed. The result is actually quite soft and lovely, and I’m glad they let me keep one of the scarves. I suspect I’ll be venturing outside a bit this winter, if only to walk the property and pick up dog debris, and I think this will be quite warm.

I did a round robin sort of day earlier in the week, I wove a yard of two on each of the other floor looms, just to get them moving forward. I can probably just sit and weave and finish off a couple of them in a day or two. To have time to just sit and weave is such a gift. And that means I’ll have yardage to sew. And empty looms to rewarp…

There is this one, which has been on the loom for way too long. The yarn is Noro Taiyo Lace, a pain to work with but really beautiful in its gradient effect as the weft. 4 shaft, warp is vintage Harrisville singles Shetland wool and vintage Maypole Nehalem worsted. I’ve probably got less than two yards to go…

This is another test for Silk City Fibers, their new Cotton Bambu yarn mixed with their Chenille Tapestry yarn. I modified an 8 shaft shadow weave draft, it is a bit slow to weave because of the two shuttle complicated repeat but it is moving along nicely.

And this one is also using Silk City Fibers, their new Nile cotton tape mixed with Skinny Majesty variegated. The weft is their Wool Crepe. I can’t wait to weave off this fabric, it is weaving like butter and I want to make swing dress out of it. Over a black turtleneck, this could be fun for winter, something new to wear, even though I don’t go anywhere and only dress for the upper third of my body for remote Zoom meetings. And for the videos, I get to dress up, put on makeup and look remotely professional, but everything has to be 2-piece to support the remote microphone pack clipped into my waistband.

Days are cooler now, we have finally had frost in NJ. I cuddle up with the gas stove in the living room, and a 1000 piece puzzle and some wine in the evenings, or watch late night political satire on the TV with my daughter. We need to keep laughing, we need to surround ourselves with art, humor and good food and drink. And of course animals, there is a cat asleep on my lap as I type, with one paw draped over my typing hand. And yarn and good books. I have all of that, and new flannel sheets coming this week from LLBean. My daughter stole my other set. Life is OK for now in my small neck of the world. I quietly keep making up new stuff, and keep an eye out for important things to know about.

See you all on the other side of this election, stay safe, wear a mask, and don’t forget to vote…

Everyday feels like a year…

This is the weirdest year I’ve ever experienced, and there have been a lot of them. You’d think by 65, especially having lived through the 60’s and 70’s that you’ve seen it all. Hahahah!

I’m not going to comment on any of the current world situation. You don’t need one more voice in the cacophony of voices and events and situations screaming at you for attention. Because you all know or should know that the world is imploding like some sci-fi novel and that we just all have to buckle our proverbial seatbelts and hold on for the ride. A bottle of wine or something more powerful would help for fuel.

That said, my last couple of weeks have been wild and crazy, and that has nothing to do with all the drama and sturm und drang happening in the world.

In case you missed it, I did finish my Confetti vest, lined with a vintage leopard coat. It makes me smile in so many ways when I look at it. I’m ready for winter, this will be warm as s**t!

So this week is Spinning and Weaving week. It is a big deal in the fiber community, usually full of events, and gatherings and all sorts of fibery happenings. The Handweavers Guild of America is giving it the valiant try of doing a bunch of fiber related events virtually. While not ideal, in essence it allows participation by anyone, anywhere, in the comfort of your own home. I know our homes are getting too comfortable and we are looking to get out and go anywhere, but inspiration comes in odd packages, and basically all this is free and all you have to do is register for a specific event.( I think it helps if you are a member, because everything is free, but there are modest fees if you aren’t a member.) All this coming week, the HGA is sponsoring studio tours of various fiber artists they have selected, whose studios they think might be of interest to the fiber community at large.

And guess who is featured Thursday at 4pm EDT. Yeah, so there is that hanging over me. In preparation for a virtual studio tour, I mistakenly said, when they inquired if I would be willing to be a part of this, that sure, I’ll even have something on every loom that I can talk about and explain, and fill up space for an hour. I need to learn restraint!

So, in anticipation of Thursday’s live virtual studio tour, filmed by my daughter who will be tethered to the laptop, camera and sound system, we will walk through my wonderful new garage space, and then on to the basement where I have my cozy sewing room. But all the looms had to be warped…

So, my 8 shaft 36″ loom was unwarped and very lonely. I still had a couple of cones of Silk City Fibers yarns to test out, one was a Cotton Bambu, in Silver, and the other was a Chenille Tapestry variegated called Japanese Red Maple. I envisioned a light dark shadow weave, something sett well enough to keep the chenille from doing silly things like worming out of the structure. Some day I’ll recount my early experiences with chenille, but with a lot of experience behind me, I thought I’d give it another go.

I used the Powell book for inspiration, but since I’m aiming to publish the draft and specs for this fabric, I needed something that was mine. I started out with this 8 shaft version, and wasn’t completely happy. (Actually I started out with 24 epi, alternating the CottonBambu and the Chenille. Resleyed to 20 epi, and then resleyed again to 16epi. Don’t ever be afraid of changing course mid stream.)

The change might not be obvious, but I redesigned it to reverse in a more pronounced way, and to better square up with the sett. I’m pretty happy with this. Now I just have to weave it off, but not before Thursday…

And my big loom, the 45″ 8 shaft Tools of the Trade, my first loom and first love, still with me after all these years, purchased in 1977, delivered in 1978 was also naked and really not happy. Since every fall I put on a run of dishtowels for holiday gifts, I decided that that would be an appropriate thing to put on the loom, and then at the end of October into November, I could weave it off and have my holiday gifts.

Social media can be really challenging and full of untruths and misinformation and a lot of passionate people on both sides of the fence no matter what the subject. But the social media sites dedicated to fiber and specifically weaving has some very dedicated moderators and some very talented contributors and every morning when I wake up I feel like I have just been to a fantastic inspirational gallery opening.

The Facebook site Strickler in Color has been a tremendous source of inspiration. Carol Strickler wrote a lovely book, now considered essential for every weaver with 8 shafts on their loom, full of patterns, all black and white, and you could spend a lifetime with this book and not make a dent. So this Facebook site has talented contributors who post what they’ve woven, but in color, with a nod to the draft. Strickler 728 keeps coming up, and if you looked at it in the book, you would have just turned the page. It really is rather boring and not very inspiring. But I’ve seen so many people use this draft in eye catching ways that it was on my list to try.

In keeping with the need to stash bust, because I’ve acquired a lot of 8/2 cotton in the last year or two, I pulled a length from all of my cones and sat with weaving software until I was happy. I decided to put 15 yards on the loom because turns out, I can never have enough dishtowels. I’m always needing one as a gift, and I’m tired of running out in July. (I still have two left from last year because I haven’t been anywhere since March, but hey…)

My table top warping mill technically holds 10 yards. I’ve successfully pushed it to 14, but I decided that my AVL warping mill, now 20 years old, would probably serve for this purpose. I rigged up way to make a cross, and I wound 15 yard bundles in 2.5″ widths.

I threaded the loom. My ott-lite magnifier has changed my life!

I beamed the 15 yards.

And I started weaving. I am completely in love. This is why we do this. I am so thrilled to have been forced to fill up my looms, because now, after Thursday, I can walk in my studio and just weave. A lot. I have a whole fall’s worth of looms to clear. Which will mean, except for the dishtowels, a lot of sewing this winter. I can’t wait when we reemerge from this protective cocoon to wear half the stuff I’ve made this year.

Speaking of…

In addition to studio tours and virtual vendor halls, the Handweavers Guild of America is also sponsoring a virtual fashion show next Sunday. Not the same as sitting in an auditorium at a conference and watching cool handwoven garments strut across the stage, but they are trying to put together a virtual fashion show. That would be next Sunday at 2pm EDT. Of course I’ll have a piece in the show, but I hear they could use more participants. WHERE ARE ALL MY STUDENTS, AND WHY ARE THEY NOT SHOWING OFF THEIR WONDERFUL GARMENTS! This isn’t like where you have to be juried. Just sign up! You need the ability to Zoom, log in and they will tell you what to do. The rehearsal was today, but I think they still want more participants! Come on guys, you have some great work! The link to enter is here. I know the deadline has passed, but I believe they are still looking for participants. The link to view the virtual fashion show next Sunday is here…

And finally, there is my new Youtube site. We now have four episodes of The Weaver Sews. Every Friday we film a new episode on something related to sewing handwoven fabric. Four are launched with Closed Captioning, which my daughter writes, so it is accurate and synced. Two more are shot and I’m planning the topic for next Friday as I write. I will create a script, which makes it easier for my daughter to write the Closed Captioning, and then I work all week on creating the samples and supplies I need for the video shoot. We are having fun with this and I hope it is helpful and informative. Sales of my patterns are certainly picking up!

So my head is spinning with all that is on my plate. I’m old enough to remember The Ed Sullivan Show, and the guy from some Baltic country that did plate spinning. He would keep 10 or 20 plates spinning all at the same time. I remember watching with fascination and thinking, “How does he keep them all going at once?” Well now I know. Somehow that skill managed to rub off on me and I’m doing that every day. And I wouldn’t wish for anything different. My days are full, I have plenty to keep me busy. I am lecturing virtually almost every other day, somewhere in the country. It is so great to log in and see familiar faces. I can do this… (though sometimes I wish I could redesign the plates).

Stay tuned…

Balloons and Fireworks…

I should be celebrating, this is five months of hard work, and it is finally completed. But I’m already onto the next adventure, so much to cram into this quarantine that doesn’t seem to be going away. Oddly enough there are deadlines looming, pun intended, more about that later.

So we launched the last of the 12 patterns I use for my classes. At this point, you can purchase my patterns, all of them, on my website. This has been a huge deal, we have never worked so hard. It took a team, I created the content, my daughter created the layered files that actually created the patterns, and I hired a tech editor for the instructions. The instructions are, as always available for free on my website. There is a lot of great information in there about sewing with handwovens, but I’m really looking forward to creating YouTube videos on specific areas of support. Like how to actually print and create the full size patterns.

Because so many have written me and asked, and many in the handweaving community haven’t ever purchased a downloadable pattern before, I want to do a video explaining how to basically print and tape together all the sheets into a full size pattern. Yes, you have to print them yourself. Yes, you can have a place like Staples print the file for you. Yes, you have to tape all the pages together. And no, I don’t sell the printed pattern. Only the download. I’m even wanting to get away from printing and shipping the monographs which at the moment are available digitally and in print form. Printing and shipping costs are ridiculous, and with the delays in the post office, I’m wanting to get away from shipping altogether.

Anyway, huge celebration. The last of the patterns is up. This is the 1800 jacket which is like the 800 vest only with sleeves and waist darts. There is a look book available here. There aren’t a lot of images in it because the pattern is only a couple years old. But you’ll get the general idea. You can purchase the pattern here.

Meanwhile, my relationship with Silk City Fibers continues to grow. I’ve always adored their yarn, and I’m getting to really play with styles I normally wouldn’t have looked at. And really loving the possibilities. I wrote in my last post about the yarns that they sent me, new yarns to the collection for me to explore. So refer to the last post about what I actually used. The fabric came out fantastic. I called this Summer Rain, because I was weaving it during tropical storm Isaias, and lucky for me I was one of the few that never lost power. So I kept weaving. The fabric is exactly what I envisioned. It has been washed and dried, and is a gorgeous drapey but stable rayon, cotton, linen, and bamboo fabric that will make a great summer top. I’m thinking I want to combine my 1000 Swing Dress with the 200 Jacket for the armholes and sleeves and make a basic top with short sleeves. At this point, I’m having fun seeing what my patterns can produce by combining them.

Silk City has promised me more yarn. Oh, goodie!

Meanwhile, I finally cleared a loom that has had a bunch of my handdyed scarves on it for more than a year. I was able to move the loom to the new studio with the warp intact, so there it sat. I ended up netting six 2 yard scarves from a 14 yard warp. I love these soft retro looking scarves. They are mostly all handdyed rayons and cottons. The weft is tencel. Actually three of the scarves have a tencel weft, three have a bamboo weft. It is hard to tell the difference.

Normally these scarves would be donated to arts organizations for fundraisers and tricky trays, and whatever makes me feel like donating a scarf worth a couple hundred dollars. I’m really careful whom I donate to. But sadly all of the arts organizations I support have had to cancel major fundraising events this year for obvious reasons. And even my lovely guild show and sale in November has had to move online. So I’ll be populating my eShop with whatever scarves I have, and things like totebags from scraps, that’s my project for the next couple of weeks. We are setting up a lightbox and photography area in one of the guest rooms. Since I can’t have any students or guests, one of the rooms can easily become a photo area.

With that loom cleared, and more yarn from Silk City Fibers coming in the next couple of days, I’m wanting to get another warp on the loom I specifically use for these scarves. It has to have a second beam for the 14 yards of supplemental warps. So I looked through my huge binder of all the color forecasts I developed for Handwoven Magazine, back in the early 2000’s and picked one that appealed to me. Mostly it appealed to me because it was called Autumn Harvest and fall is coming. And I can’t wait. Normally fall means I live on planes and travel and I’m not doing any of that this year. I’m doing different things. I have a huge amount of bookings for guild remote lectures, and some remote workshops and I’ve had to rewrite most of my prospectuses to indicate what can be done remotely. Actually most of them so far. You can look at what I have to offer for remote learning here. I just have to figure out how to do some of my garment classes remotely, especially now that you can buy the patterns… 🙂

So anyway, here is the Autumn Harvest palette drawn from a 2004 column in Handwoven Magazine, and I pulled some yarns to see if I had the right combinations.

I just couldn’t come up with enough of the right muted dusty purple. Everything was too blue, and I needed something softer that leaned warmer. So I dug out the dyepots and for the first time used my new dye sink/area in the new weaving studio. Lots of firsts here. I did have to ask my daughter where we put stuff, but this worked remarkably well. The sink was built high enough so I didn’t have to lean in. It is stainless so I don’t have to worry about stains. And I can hang skeins to dry right over the sink. I think this color will work, if not, I’ll dye another batch. I’ve got plenty of white yarn… And you can purchase the 8 shaft draft I use for all my scarves here.

And the push is on because I’m booked to be the guest on the Shi Show, if you aren’t familiar with this, it is a half hour daily live show on Lion Brand Yarn’s Facebook page. Shira is a descendent of a long line of family that owns Lion Brand Yarns. She is young, and savvy and enthusiastic and represents the next generation of makers. I’ll be the guest host on the September 1st episode that airs 12 noon EDT, I’ll let you know when we get closer, but I need my YouTube channel up and functioning, and the page in my eShop as well, with my lovely scarves and other items that I would have sold at the guild show and sale. This year has been about reinventing myself in fast forward timing. I’m doing my best.

And speaking of my best, my daughter and I came up with a new logo for the videos I want to produce. I’m pretty proud of this. I designed the concept and my daughter turned the whole thing into a vector drawing in layers in Illustrator. Everything is falling into place.

Stay tuned for more adventures of “The Weaver Sews…”