Balloons and Fireworks…

I should be celebrating, this is five months of hard work, and it is finally completed.  But I’m already onto the next adventure, so much to cram into this quarantine that doesn’t seem to be going away.  Oddly enough there are deadlines looming, pun intended, more about that later.

So we launched the last of the 12 patterns I use for my classes.  At this point, you can purchase my  patterns, all of them, on my website.  This has been a huge deal, we have never worked so hard.  It took a team, I created the content, my daughter created the layered files that actually created the patterns, and I hired a tech editor for the instructions.  The instructions are, as always available for free on my website.  There is a lot of great information in there about sewing with handwovens, but I’m really looking forward to creating YouTube videos on specific areas of support.  Like how to actually print and create the full size patterns.  

Because so many have written me and asked, and many in the handweaving community haven’t ever purchased a downloadable pattern before, I want to do a video explaining how to basically print and tape together all the sheets into a full size pattern.  Yes, you have to print them yourself.  Yes, you can have a place like Staples print the file for you.  Yes, you have to tape all the pages together.  And no, I don’t sell the printed pattern.  Only the download.  I’m even wanting to get away from printing and shipping the monographs which at the moment are available digitally and in print form.  Printing and shipping costs are ridiculous, and with the delays in the post office, I’m wanting to get away from shipping altogether.  

Anyway, huge celebration.  The last of the patterns is up.  This is the 1800 jacket which is like the 800 vest only with sleeves and waist darts.  There is a look book available here.  There aren’t a lot of images in it because the pattern is only a couple years old.  But you’ll get the general idea.  You can purchase the pattern here.

Meanwhile, my relationship with Silk City Fibers continues to grow.  I’ve always adored their yarn, and I’m getting to really play with styles I normally wouldn’t have looked at.  And really loving the possibilities.  I wrote in my last post about the yarns that they sent me, new yarns to the collection for me to explore.  So refer to the last post about what I actually used.  The fabric came out fantastic.  I called this Summer Rain, because I was weaving it during tropical storm Isaias, and lucky for me I was one of the few that never lost power. So I kept weaving.  The fabric is exactly what I envisioned.  It has been washed and dried, and is a gorgeous drapey but stable rayon, cotton, linen, and bamboo fabric that will make a great summer top.  I’m thinking I want to combine my 1000 Swing Dress with the 200 Jacket for the armholes and sleeves and make a basic top with short sleeves.  At this point, I’m having fun seeing what my patterns can produce by combining them.  

Silk City has promised me more yarn.  Oh, goodie!

Meanwhile, I finally cleared a loom that has had a bunch of my handdyed scarves on it for more than a year.  I was able to move the loom to the new studio with the warp intact, so there it sat.  I ended up netting six 2 yard scarves from a 14 yard warp.  I love these soft retro looking scarves.  They are mostly all handdyed rayons and cottons.  The weft is tencel.  Actually three of the scarves have a tencel weft, three have a bamboo weft.  It is hard to tell the difference. 

Normally these scarves would be donated to arts organizations for fundraisers and tricky trays, and whatever makes me feel like donating a scarf worth a couple hundred dollars.  I’m really careful whom I donate to.  But sadly all of the arts organizations I support have had to cancel major fundraising events this year for obvious reasons.  And even my lovely guild show and sale in November has had to move online.  So I’ll be populating my eShop with whatever scarves I have, and things like totebags from scraps, that’s my project for the next couple of weeks.  We are setting up a lightbox and photography area in one of the guest rooms.  Since I can’t have any students or guests, one of the rooms can easily become a photo area.

With that loom cleared, and more yarn from Silk City Fibers coming in the next couple of days, I’m wanting to get another warp on the loom I specifically use for these scarves.  It has to have a second beam for the 14 yards of supplemental warps.  So I looked through my huge binder of all the color forecasts I developed for Handwoven Magazine, back in the early 2000’s and picked one that appealed to me.  Mostly it appealed to me because it was called Autumn Harvest and fall is coming.  And I can’t wait.  Normally fall means I live on planes and travel and I’m not doing any of that this year.  I’m doing different things.  I have a huge amount of bookings for guild remote lectures, and some remote workshops and I’ve had to rewrite most of my prospectuses to indicate what can be done remotely.  Actually most of them so far.  You can look at what I have to offer for remote learning here.  I just have to figure out how to do some of my garment classes remotely, especially now that you can buy the patterns… 🙂 

So anyway, here is the Autumn Harvest palette drawn from a 2004 column in Handwoven Magazine, and I pulled some yarns to see if I had the right combinations. 

I just couldn’t come up with enough of the right muted dusty purple.  Everything was too blue, and I needed something softer that leaned warmer.  So I dug out the dyepots and for the first time used my new dye sink/area in the new weaving studio.  Lots of firsts here.  I did have to ask my daughter where we put stuff, but this worked remarkably well.  The sink was built high enough so I didn’t have to lean in.  It is stainless so I don’t have to worry about stains.  And I can hang skeins to dry right over the sink.  I think this color will work, if not, I’ll dye another batch.  I’ve got plenty of white yarn…  And you can purchase the 8 shaft draft I use for all my scarves here.

And the push is on because I’m booked to be the guest on the Shi Show, if you aren’t familiar with this, it is a half hour daily live show on Lion Brand Yarn’s Facebook page.  Shira is a descendent of a long line of family that owns Lion Brand Yarns.  She is young, and savvy and enthusiastic and represents the next generation of makers.  I’ll be the guest host on the September 1st episode that airs 12 noon EDT, I’ll let you know when we get closer, but I need my YouTube channel up and functioning, and the page in my eShop as well, with my lovely scarves and other items that I would have sold at the guild show and sale.  This year has been about reinventing myself in fast forward timing.  I’m doing my best.  

And speaking of my best, my daughter and I came up with a new logo for the videos I want to produce.  I’m pretty proud of this.  I designed the concept and my daughter turned the whole thing into a vector drawing in layers in Illustrator.  Everything is falling into place.

Stay tuned for more adventures of “The Weaver Sews…”

Full Days and Future Possibilities…

Once again, I’m prepping for my next trip, if it is fall, I’m probably somewhere.  This fall I’ll be bouncing from NH to WA to WI to NC and points in between.  To say I feel like a bit of a yo-yo would be putting it mildly.  I have so loved having these last four weeks to myself, to be busy and productive and unencumbered by house stuff and contractors and children.  My only issue if you will, is that my beloved Ranger is mad at me because I’m holed up in the studio most days and he has taken to lifting his leg around the house and marking his displeasure.  I know he needs to be neutered, but the breeder wants to breed him once more and she owns those rights.  So I have to put up with a dog who is pissed at me and give him as much me time as I can.  And I have discovered what a black light can uncover…

Meanwhile, I have been working fast and furiously on updating a couple of my class patterns with details that have been requested and were sort of at the bottom of my very lengthy to-do list.  I took advantage of some uninterrupted time and really dove in.  Drafting a small detail like a hood on my tunic pattern is more complicated than it seems.  Drafting the hood was nothing.  I did that in about 15 minutes.  Then comes drafting all the sizes.  And while I was at it, I’ve had requests for more of a drop shoulder, common on men’s shirts, so I redrafted the tunic body as well with that option.  Then I had to test it.  I did it in a sheet first, and made it to fit my daughter, who is quite a different body than me, and a lot younger, apparently having a hood on everything is popular among millennials.  She loved it.

Then I tested it on a version to fit me, with the drop shoulder, in a lovely wool I had in my stash, and I have to admit, I would wear that…

Once I know it is correct, then comes the fun part, not only do I have to copy all the patterns multiple times, but I have to design cover sheets for the pattern and redraw the handout.  That meant another dozen or so illustrations, and then once the handout is reworked, converting the whole thing to  PDF and uploading to my shop so students who want the directions for the pattern they have traced, can always have the latest version. If you have already bought a version of one of my pattern directions, you should be able to click on the link you were sent and download the latest version.  It is free, and available here, but of course, you have to take my class to get the pattern.  Please don’t write me nasty letters about me not offering the patterns for sale.  Know that I want to, and that I haven’t had the time or expertise to do that conversion, but it is in the works.  I just need to hire someone…  More about that later…

And while I was on a roll, I went ahead and drafted the pattern for the combined jacket and collared vest.  I had made this jacket a couple years ago, by combining two of my class patterns and a number of students jumped on it, but I had to physically help them do the conversion and there were of course no directions.  So on my list was “draft Noro jacket pattern and write directions.”  Here is the original jacket, woven with Noro Toiyo Lace in the weft.

I managed that last week, making copies of the patterns on Monday and writing directions, which I will say I do enjoy, and I love making those little illustrations, but my eyes were bleary and my brain was fogged by the time I got the proofed version.  And there is no telling that I got it 100%.  Just today I got a lovely note from one of my students who had downloaded my directions for the bias top she had traced in a class.  I had added a swing dress to the pattern, and built a handout.  I apparently left out a couple of critical steps, oops, she figured it out, but wrote to tell me.  So this afternoon, I edited that, reprinted all the incorrect pages for the handouts I prepared for Harrisville next week, and updated the store file here

Here is the test version of the collared jacket with zipper.  This is a lovely woven wool that I bought from Mood fabrics many years ago.  It worked out perfectly for this jacket.  The directions are here.

I snuck away this weekend back to Peters Valley to take a class, something I promised myself I would do every summer.  Sharron Parker is a wonderful feltmaker, and I had the privilege of rooming with her when I traveled to Cuba back in 2018.  When I saw she was teaching at the Valley, I jumped on it.  It was terrific fun.  I have done a fair amount of felting in my day, but I’d rather thread 1400 ends on a loom than do the physical effort it takes to roll felted fabric.  So I assumed I’d be quite sore by the end of the three day class.  

Sharon actually had a lovely plan for helping get from point A to point B, the class was mixed levels and everyone had fun playing along.  First we made geodes and cut them apart.  

By slicing them further, and laying them on stacked batts, and further felting them into the batts, we made some lovely designs.  The geodes did all the work.  Later Saturday night I used my sewing machine back in the studio to outline parts and my needle felting machine to make certain areas more secure and flatter.  I can still go back and do more work, something to look forward to…

She gave us each a page from a Wolf Kahn calendar, and told us to try to replicate the colors by blending, either with a drum carder or hand cards.  I really worked at this to see how closely I could replicate it.  I’m pretty happy with how close I came…

And then with another half dozen ideas for directions to go, I  spent all of Sunday playing with wool and hot soapy water.  I made a small stacked batt piece, and instead of slicing linear like I usually do, I cut into it horizontally and vertically, and loved the effect.  I made a second batt, this one much thicker and more colorful, but I’m so in love with the surface I’m not ready to cut into it yet.

The scraps from cutting out the piece above got felted into a lovely work, because with wool, you don’t have to waste anything…

Meanwhile, I watched my daughter in action as the fibers assistant for the class.  She didn’t disappoint. Felted unicorn horn and matching ears…

She has been up at Peters Valley all summer as the fibers assistant, and has been exposed to so much, but when I taught my yardage class up there three weeks ago, she had signed up to take a metals class working with tin cans way back in January so was unavailable to help me.  Let me just say that I completely get it when she says after each class that the teacher wants to adopt her.  And lucky me, I get first dibs and have made the decision over the last couple of weeks that I do need help taking my own business where I want it to go, especially after losing my beloved Cynthia who moved to southern NJ.  My daughter is really really good.  Of course if you have followed my blog regularly over the last ten years, you’d know that.  There is a lot for us to work out, especially with the financial arrangements, and the thought that I’m taking on the responsibility for an employee and that she is related to me.  Like today, when I was training her (she is between classes at the Valley and came home to help with the final prep for Harrisville), on how to create the composite handouts and upload to the eShop, she kept rolling her eyes and saying, MUTH-ER…  I’m a millennial and I know my way around a computer…  

One of the jobs I gave her today besides binding all the handouts, was to relabel all the Texturized Weft interfacing I sell, because when I bought another 400 yards, I got caught in the trade war with China and had to pay an additional 30% tariff on the two rolls.  I knew the company who designed it was French, but the fabric actually is made now in China.  Sigh…  Anyway, I needed her to cut more of the Fusi Knit, and package and label, and handling 200 yard rolls x 60″ wide interfacing is brutal.  Those things must weight 70 pounds.  She did about two packages and said, I have an idea and she disappeared…

She returned with a bunch of poles and connections from my old craft fair booth, which we keep in old ski bags in the garage because well, you never know what fun things you can do with poles and connectors.  She rigged up this…

 

And then after cutting another package, she disappeared again and came back with more poles, because she wanted an underneath support, so came up with version 2.0…

This is why I need to hire my millennial daughter, who is as bright as her late father, and needs to be in a position to grow her own brand and develop her own life as an artist and develop her own workshops and seminars and I wouldn’t be who I am today without the support of my late husband, and I feel like I owe that to her, she is talented and really really good.  And I’ve already downloaded the classes for her to learn Adobe Illustrator which will allow her to convert my patterns, once scanned into vector drawings…  Stay tuned for that…

And I’m even managed to do some weaving.  The towels are progressing, and I love this pattern, from Webs, their Kaleidoscope towels, because you can change the weft and get all sorts of different effects.  I think I’ve completed seven so far, on a 14 yard warp.

And I finally got the Retro Palette scarves up and running.  I love the subtle coloring of this one, and I got to play with my new toy.  Peters Valley had one of these and I immediately ordered it.  It is a large lit magnifying glass that really helps for tasks like threading and in this case hemstitching on the loom.  I want one in every room…

And because I desperately wanted to squeeze in one more thing, I made a padded bag from the leftovers from a towel run I did a few years ago.  The last bit wasn’t big enough for a full towel, and the guild show and sale is coming in a couple months, and I have a lot of scrap to get creative with…

Stay tuned…