Clap on 1, on 2, on 3…

I’m slowly learning a new language for podcasts, videos, recordings, and one of them, that absolutely delights me is when the cameras and audio are rolling for our Friday shoot for the YouTube channel, The Weaver Sews, and my daughter says, “Clap on 1, on 2, on 3” and then I try to clap as loud as I can. We snicker when I do a pathetic clap, and cheer when I do a loud crisp clap, that is perfect for aligning the audio and video tracks. It’s the little things that we hold on to for entertainment in these trying times…

I talked about the design inspiration and how I got to decide what components to use for the vest I videoed the last couple of Fridays in my last blog post. This is my 500 vest pattern, and I used handwoven fabric I wove for this vest, called Shadow Tapestry, which I developed for Silk City Fibers since they comped me the yarn, to see what I could do with it. The draft is free and available here.

I finished up the vest this weekend, and I’m more than happy. For the closure, I ended up making a twist ply rope for a button loop, and using an industrial epoxy to glue a flat button on the back of a piece of Polyform clay that use to be a pin, purchased sometime in the 80’s or 90’s, when Fimo was a thing, and it has been sitting in my box of oddities for many many years. I like my oddities box.

This morning I woke up to an Instagram message that a podcast I recorded a few weeks ago had dropped, and we had such a good time and we talked for such a long time, they made it into a 2 part podcast. Part two airs next Sunday. The podcast was from a group called The Professional Weaver Society, and I’m episode 42. I started looking over the Professional Weavers who have recorded interviews with Tegan and Eric, the brains behind the podcasts and I was stunned. There are some amazing interviews on this podcast, and I have a lot of listening to do. Tegan took a workshop with me at Harrisville Designs a couple years ago, and she was such a delight, grilling me with questions on marketing, selling, and general questions about doing this whole weaving thing for a living. She so reminded me of myself at that age. She is an amazing powerhouse of talent and energy, and her guy Eric is a huge support.

Meanwhile, I listened to my episode today while I finished up the vest. It was a cold rainy day here in NJ, and the flowers and lettuces were loving it. Even though I know how the story turns out, obviously, it was still hilarious listening to myself talk about how I got to be who I am.

And while I mull over the topic for next week’s shoot, I started on a massive project for the loom. This is one of the more ambitious things I’ve done, and it all started with this odd pile of hand dyed wools, mohairs, and odd protein fibers, some of which I can’t completely identify, but they took an acid dye well (Cushings) and I’m including all of it.

I love giving myself really tight parameters. Toss some yarn on the table and see what I can do with it. I’ve got empty looms, and lots of yarn. I spent the better part of this past week doing careful calculations on what’s in each skein, how much, and how far it will go.

I calculated a 55/45% split, and decided, even though I love single shuttle weave structures, that I wanted to do another plaid, like this one, which will be featured in an article in the next Handwoven Magazine.

So I sat down tonight on my computer and carefully plugged in a plaid, using all the yarns from the pile on the table, and got this. When I told the software to “Weave as Drawn In” and selected the Colors and the Draft, I squealed in delight as this popped up on my screen.

Only problem is, I need to put this on my 36″ loom, because my daughter is hogging the two 45″ looms we have, and I don’t have a 6 dent reed for the 36″ loom. Which means I have to buy a new reed. Which means this project will be delayed, but I can still wind the warp and get it ready. The sett will be 12 epi, and I’ll sley two ends per dent. (If you aren’t a weaver you have no idea what I just wrote. I’m sorry…)

I know I’ll probably regret picking a project where I have to change the weft every two picks or so, but I like challenges, and it is such fun to use up stuff that is just sitting in a basket calling to me every time I go out in the studio…

I also mentioned in the last blog post that I had donated a handdyed and handwoven scarf to the Shakespeare Theater of NJ for their spring virtual auction, which is happening now. I promised to let you know when it was available for bidding. I love this theater company, and right before the pandemic hit I was volunteering in their fabulous costume shop, and loving every minute of the experience. I’m doing everything I can to support them and my other favorite arts organization Peters Valley.

I get my second vaccine on Wednesday, and hopefully that will keep me safe, especially since I have my last two in-person workshops scheduled at Peters Valley this summer. They are both weaving workshops and I believe both are filled!

The trees and bulbs are spectacular this year, I’d like to think the superior air quality and lack of pollution from last year contributed to this glorious spring, I don’t really know since I’m not a scientist, but they are spectacular for whatever reason.

Enjoy spring, wherever you live, there is light at the end of this long endless tunnel. Stay tuned…


Inspiration and some help…

I’ve been giving a lot of remote lectures the last couple of months. And I’ve done another podcast, which hasn’t aired yet. And there are the questions that come in connected to my YouTube Videos, The Weaver Sews. Lots of opportunities for Q&A. I would say that the one question that I get asked over and over, (other than, how do you cut into your handwoven fabric, now I can happily say there is a video for that…) is, where do I get my inspiration. I think people really care about this issue, they want so badly to produce great work, and original work, and really want to know how others interpret what’s around them into something awesome.

Some of it, actually a large amount of it is confidence. And confidence comes from doing. Confidence means that even though you are in uncharted territory, and you have no idea how this is going to work, or if it will be great, or awesome or really stupid, confidence means no fear. So what if it doesn’t work, it is cloth. So what if it isn’t great or even stupid, you never know if you didn’t try. And whether it is great or stupid, something is always learned, something tangible, that will serve you on the next grand adventure.

So I just started a new project and went through all the steps to come up with something I think is going to be great, but maybe won’t be, but I don’t care because it will serve my purposes. I thought I’d go through my thought processes the last couple of days so you see how I think, and that it isn’t so special or brilliant or inspired, it just is a series of steps that lead me on an adventure. I sometimes can’t decide, so I’ll send a photo to my weaver friends, we message daily, or I’ll ask my daughter, and sometimes she actually gets me to make a decision by allowing me to talk through what I’m thinking and why. And a good portion of the time I don’t take anyone’s kind advice. I just go with my gut.

First, and I’ve said this over and over in my talks and podcasts and videos, I weave when I’m in the mood to weave, when I have an idea and something sparks my curiosity. I never have a plan as to what I’m going to do with it. This just happened with the last warp I did, which I pulled off a couple days ago, tossed in the washer and off it went onto the shelf. There was no plan for what it will be. I weave to weave, and I make fun cloth. What I do with it down the road (probably clothing) remains a mystery. I was determined to finish this off this past weekend. I had lots of help.

I had done a similar cloth for Silk City Fibers, the draft is available here for free. I called the fabric Confetti, and I liked the idea that you could take a fatter yarn and float it over and under two weft picks having a stable ground underneath. I rooted through my hand dyed yarns and found a whole bunch of skeins of some natural colored silk I probably bought from a friend a number of years ago. A fat silk.

So I sat with a draft, and figured out how to make all these skeins work in yardage, and I have no idea what I’m going to make with it. It will sit there and age like fine wine until the mood strikes. Here it is washed and finished. I definitely want to play with the stripes and have them intersect on the diagonal. That would be fun…

Meanwhile, I wove this fabric last year, another one using Silk City Fiber Yarns, the draft is available here for free… It is called Shadow Tapestry and uses their old standby variegated chenille, with their newer yarn, a Cotton/Bamboo combination with a lot of loft, soft and spongy. I combined the two in a Shadow Weave Structure. Apparently my beat was less than perfect and the end result was that each repeat was just slightly off from the previous repeat, which is why I encourage people not to do weft repeats when weaving yardage.

But there is always a way…

So we have finished up the video series making a couple of my 200 jackets, showing step by step how to do some pretty complicated things. The last installment of that series should drop Friday. We have one more in the can, the one for the “Ask Me Anything” segment that should air the following week and then I need a new theme. I figured that the 500 vest and 600 walking vest, were pretty close to the construction of the jacket, with a couple of differences in how the armhole and lining are treated, and I could probably knock them out in a video. And I’m scheduled to teach a three day remote class using this vest as a background for my piecing technique, so it would be helpful to have a video to direct students to areas of construction they might not understand in the printed directions. I should make a vest next.

So what should I use to make this vest…

I looked through the handwoven fabrics I had on the shelf, and a couple of commercial fabrics I could justify using (sort of like a handwoven), and the Shadow Tapestry fabric jumped out at me. So I rolled it out. I’m not even sure at this point if there is enough, but that never stopped me.

I tried on the samples for my 500 vest and yeah, quarantine has been tough, food plentiful, and exercise non existent. Yes, I’m now walking 4 miles every morning and starting to work in the yard, but that doesn’t help me with the 10 pounds I gained last year. So definitely cut a larger size in the lower half…

Once I have a pattern I can play around with the fabric. There is definitely not enough to do the bands. So I’ll have to come up with a plan B for that… And the layout is tough, I’ll have to have a center back seam, and that means that matching these mismatched shadow weave blocks will be a challenge. I actually measured each repeat to see if I could find like areas. Cutting a yoke would help, the lower part could be cut from one area, and a full yoke across the back would fit across the fabric, EXACTLY. Complete luck.

Which means piping between the lower body and upper yokes.

Last month in a disgusted clean out of all of my skirts and pants that no longer fit, there were some treasures that I hated to toss, so I thought of them as new raw material. Surely that skirt had enough fabric for the trim on something. And my beloved leather pants. I didn’t wear them last year, because I never got out of my pajamas, but I couldn’t get them on. So I lovingly carried them to the studio and put them on the shelf. They would find their purpose one day.

I thought I found their purpose, because they went beautifully with this handwoven Shadow Tapestry. I would cut them into bands and piping and it would be gorgeous. I started to remove the lining in the pants, and realized that years ago, leather of course gives and they had gotten too large for me and I had taken them in substantially in the center back. So I let them out. And they fit. And I’m over-joyed. I loved these pants. I could do a whole blog about the history behind them. But largely this meant that I couldn’t use them for my vest.

Plan B…

Back in 2007 I made a vest out of a very small warp someone gifted me, I wove off the warp and turned it into this lovely vest, which I adored, but sold in a guild sale to one of my guild mates. It was called Native Woods.

I lined it with a woven alpaca pile fabric, the kind from a vintage zip out lining in a men’s trench coat. The pile fabric was gifted to me by someone, the card exists in my design journal from 13 years ago, but I always loved that bit of pile fabric trimming the exterior edges of the vest. I sort of missed that vest after I sold it.

I have the scraps. And I think it is enough for a neck band and pair of armhole bands. And the color is good. But that means I have to come up with something else for the piping. In the middle of the night, I woke up with a voice telling me to check if there was any leather left from the Harris Tweed jacket I just made.

In the morning I checked, and I had enough in the scrap bag for piping for the two front yokes and the back yoke.

Which left the lining…

I rooted around in my stash, and pulled out a couple of contenders, one of which is here. A lovely silk print, maybe from the old Waechter’s Silk Shop in Asheville. I mourned when it went out of business. I use to raid their remnant bin whenever I would visit.

And then I spied this silk blouse I had just added to my stash. Back in January, armed with a dozen masks, I drove to Maryland to help my 89 year old mom move to a smaller apartment in the senior complex where she lives, after her husband, my step dad passed in December. It was a busy week, and as we moved her clothing, she culled some of the pieces she didn’t think she would ever wear again. My mother and I are not even close to the same size and shape. But she had in the “to be given away” bag this lovely silk shirt, not anything I would fit into or wear, not my style, but it was silk. And silk is silk. So I took it and added it to my fabric stash.

And so I pulled it out and put it next to the Shadow Tapestry fabric and my eyes lit up. It was unexpected and fun and though my daughter didn’t like it, she liked the first choice, I just thought it was perfectly timed and meant to be…

So now everything is cut out, and I spent the day assembling the parts. Tomorrow I will write the script and Friday we will shoot the complex parts of the construction. I don’t know if the fur bands will be successful or not, but I won’t ever know unless I try. I can always take them off and replace them if I change my mind. Then I can shoot a video on how to rip out handwoven fabric…

And of course I had help, this morning when I came down to start constructing this is what was waiting for me, letting me know that he kept the pile warm and it was all ready to sew. This cat makes me laugh… He is sitting in my lap as I type…

Anyway, this is pretty typical of how I go through the process of deciding what to make. The fabric came about because Silk City developed a new yarn and asked me to test it and see what I could do with it. I asked for a cone of it along with a variegated chenille. I don’t know why when I looked at them I thought Shadow weave. I hate weaving anything with two shuttles. But I did, and so far it is working out. I’ve got so many threads of ideas, like seeds that germinate, and it is a process getting that little seed planted and see what sprouts from it.

Stay tuned…



Today is a bittersweet day, my late husband would have turned 70. My daughter and I were talking about all of the things that have happened in this world since he died almost 5 years ago, and how much we would love just to sit with him one more time and hear his thoughts on the bigger picture. He was always good at that.

So we started the day with my late husband’s most favorite thing, a NJ classic, Taylor Ham, egg and cheese on an Everything Bagel. The shop on Main Street makes the best. Actually I started the day with a 4 mile walk through town, to a ball field, around the track and back, but my daughter would never get up that early!

And spring arrived this weekend. Along with glorious sunshine and temps in the 60’s. So to celebrate that, and my late husband’s garden legacy that my daughter painstakingly rebuilt last fall, we went to the local garden center and bought cold weather crops, lettuces, salad mixes, kale and collards. They will get planted next weekend. And pansies. We planted pansies. They are the most colorful wonderful sign of hope, rebirth, spring. My late husband is smiling.

This past weekend was the Florida Tropical Weavers Conference, and I was a presenter, actually I was the first to present last Friday. I’ve done this conference before in person, and it is always a treat to head to Florida in March when NJ cold just won’t seem to end. This year it was virtual, and though I know this is not a replacement for an in person conference, this team did an outstanding job of bringing the entire conference to the membership remotely. As a presenter, I got to tune in whenever I wanted, and they even had a fashion show slide presentation! I skipped the Saturday evening Pajama Party, there is such a thing as too much screen time. I loved the lectures, and was particularly inspired, which means I needed to finish off some things so I can get new stuff on the looms.

And so I did. First up was my taxes. This is probably the job I hate the most in my life. Yes, I turn everything over to an accountant, but with a business and payroll, there are just so many things to pull together and I’m terrible at using Quickbooks. Really. We are not friends. So I resort to doing things mostly by hand. My accountant promised after tax season last year to teach me some basics, but of course with Covid, that never happened. So taxes are now done and delivered to the accountant.

I finished a sweater I started a couple months ago. It still needs blocking, but I think I’m just going to put it on and let my body heat do the job, before it gets too warm to wear it. Pattern is C2Knits Jemma, and the yarn is Rowan Alpaca Colour in Topaz. I had help of course.

I finished weaving a run of six scarves, because one of my favorite arts venues, The Shakespeare Theatre of NJ, struggling to hold on valiantly through Covid, is having another online auction fundraiser. I wanted to donate one of my scarves and they were still on the loom. So I wove off the last one, washed and dried, tagged and delivered the scarf today. I’ll let you know when the online auction starts which will be in a couple weeks, but if you just periodically go to the site, you’ll see when the auction preview is up. Bid early and often! This one is called Autumn Harvest, which I know isn’t really spring like, but I started it going into last Autumn. Weaving is a slow thing… (Actually, I think this is one of my all time favorite color combos I’ve ever done…) Mostly hand dyed yarns, rayon, cotton, Tencel, silk. 8 Shaft combination plain weave, twill, with supplemental ribbons. You can purchase and download the draft here

And my Harris Tweed Jacket… I’ve been working on this step by step in my YouTube video series The Weaver Sews. I sat outside today in the glorious sunshine and finished up sewing on the buttons and removing all the tailor’s tacks. I adore this jacket. I can’t wait to make this my new go to jacket to grab and go. The trim is caviar leather and the pattern is my 200 jacket with the welt pocket variation. And of course I had help with this as well…

And so I started another sweater, this one from Harrisville Silk and Wool I bought when I was teaching up there a couple years ago, they had a mis-dye, and the skeins were pretty cheap, but I loved the color, I don’t have anything like it in my wardrobe so this should be fun. The pattern is from Harrisville Designs, Mattock by Amy Herzog. I should have this done in time for fall.

And in the paper the other day, I came across my horoscope, I’m always entertained by them, I don’t really know why, but once in awhile, one makes me sit up and think.

And yes, the things I do are familiar, and that is so very comforting. And I forget that others don’t have the kind of experience I’ve been gifted over the years, and sharing is important. I’ve now turned down pretty much all of my future travel opportunities, and I sort of think of myself as retired, but yet I’m busier than I’ve ever been, but with stuff that makes me really happy, converting my vast knowledge base into a digital legacy, through the YouTube channel, and some of my writings and instructions. And the patterns. I get up every morning, take care of the animals and then walk. I just walk. I get to breathe, think, get inspired, and I’m not a completely crazy person trying to do it all. I actually have time to go to the garden center and by pansies and put them in a pot. Or three.

My daughter qualified for her first dose of the Covid vaccine. I’m still waiting for a call, but I’m hopeful that I’ll have it soon. Meanwhile, I’m patient, I’m a weaver. We can be very patient. And I’m exploding with ideas of fabric I want to weave (my daughter and I are arguing over who gets to play with a stash of Harrisville yarns we have… ).

Stay tuned, enjoy the sun, it brings hope and flowers and birds and signs of spring.


Ask me Anything…

Last week I got a notification from YouTube that I had hit 1,000 subscribers. They sent a cute graphic I can share, which I put on my facebook page, it had a bunch of bananas, and though more subscribers doesn’t really net me anything financially, this is a labor of love, YouTube is free, it meant a lot to me that around the world, there are more than 1,000 people who appreciate my content.

During the prep for last week’s video shoot, my daughter, as she was setting up the cameras and sound system and the lights, said with a toss of her rainbow dyed hair over her shoulder, we have to do an AMA.

I had no idea what she was talking about. This is apparently a thing in YouTube land, and she watches a lot of YouTube. When a channel hits a milestone, or for whatever reason, it is common to put out an AMA, which stands for “Ask me Anything”. Viewers write in and ask the host questions pertaining to the point of the channel, for a period of time, say a couple weeks, and then the host would have to shoot a video specifically answering those questions.

Well, that’s a cool idea, who knew this was a thing…

So before we shot the real video last Friday, which was on Bound Buttonholes in a collar band specifically on my 200 jacket, (we are about three weeks ahead of what launches every Friday), we did a quick 1 minute AMA request, which was sent out on Monday. Click on the link here.

So you have until March 15th to ask me anything, and there are a couple of lovely questions and lots of supportive comments so far, and then I’ll do a video to respond. And if you aren’t familiar with YouTube, it is free to view, and free to subscribe. All subscribing does is let YouTube know I’m popular, and you get notification of when I launch another episode. Just go to YouTube from any browser, and type in The Weaver Sews, and there you will find me!

Meanwhile, in a constant effort to be fair about the shipping costs of tangible goods in my eShop, I’ve decided that it is better to just adjust all the prices of those products and books and then offer free shipping. So don’t be shocked if it looks like there is a price jump, I just added what would be reasonable, like $1.50 for the nylon tricot, which is what it usually costs to send 1st class, to $5.50 for a book, which is usually what it costs to ship in a padded mailer, again 1st class. So now I can say I offer free shipping. For what it’s worth! And of course, all digital content, like patterns and monographs stays the same price because I don’t have to print and ship any of those!

Though March is here, and that is very bittersweet, this time last year I was about to get on a plane to teach what turned out to be my last venue on the road, in Oregon. March is the beginning of spring, at least here in Northern NJ, but with that comes mud season, and pothole season. Car swallowing potholes. Sigh… Fortunately I don’t ever drive anywhere, so I only have to worry about stepping around them in my street when I go out for my daily walks. The birds are everywhere. They are busy. The snow is finally receding, leaving a lot of mud, but we are NJ, we deal with too much water a lot.

Happy spring everyone, please subscribe to my YouTube channel, and watch out for the potholes! Stay safe and wear a mask…

Stay tuned…


System Reset…

Today is a huge anniversary for me. It is one of the three times in my life that my entire world changed in a heartbeat and oddly enough, in a hugely positive way.

Back in the 1980’s, I was a production craftsman, weaving 30 yard runs of fabric almost every day, sewing the garments cut from that fabric, (with my sister’s help) and spending something like 18 weeks on the road per year setting up for craft fairs all over the northeast, and selling my little heart out. It was a way to make a living, and one I loved for about 8 of the 10 years I did craft fairs. The last couple of years were painful.

I no longer wanted to weave, I no longer wanted to talk to the public, I no longer wanted to explain how long it took to weave/make/etc. I no longer wanted my income tied to the whims of the economy (though that part has never changed and will never change!) I was really really tired.

And I didn’t know how to stop. It was what I did. And craft fairs are booked sometimes more than a year in advance. When do I stop applying? When do I say enough…

Though my husband and I were told we were not able to have kids, way back when we got married, and that was OK with us, I found myself in my mid 30’s completely burnt out, one of the lowest points in my life, and pregnant. Go figure…

So it became obvious that continuing to apply to shows was not in the cards anymore, I did not want to raise a kid schlepping them to fairs, trying to talk to customers and keep them from tearing through the glassmaker’s booth next door. The secret relief of an answer to my exhaustion and burnout, was huge.

And so I was given a way out, the universe was kind, and two kids later, I was able to reinvent myself as a teacher, and a writer, and I found a way.

Except over that next decade, things had a way of creeping back and creating chaos out of my life. I had two school age kids, and multiple teaching jobs locally, plus traveling to teach, plus leading a 4-H group, demonstrating at numerous events, and life had once again spiraled out of control. I did not know how to extricate myself from all of my commitments.

Then came February 22, 2002. I was diagnosed with breast cancer. I was 46, it was aggressive and my entire life came to a screeching halt. There is no better excuse to extricate oneself from life than the “C” word. The secret relief of an answer to my exhaustion and burnout, was huge. All I had to worry about was staying alive. It was all about me and I was allowed to say No. That year of treatment taught me a lot. It taught me what was important and it taught me that I could be creative, and not compromise my soul. I slowly reinvented myself yet again.

And so 19 years later, I’m in the middle of yet another life altering experience, along with the entire rest of the world. For the last decade or so, my life has been mostly on the road. The kids are grown, and teaching nationally required hauling 170 pounds of luggage through all of the nations airports, some huge and sprawling and some the size of a garage. The kind where the ticket agent is also the gate agent and also goes out to bring in the plane when it arrives. I stayed with some of the most interesting people from all over the country, and learned a ton. About life, about how the world is not like NJ, and that’s OK. I learned about different foods, and books and fashion and tastes, and brought back to my own little world a more global experience. I even discovered Scan Pans, Danish cookware that I can’t live without.

But I was tired. I didn’t realize how burned out and exhausted I was. Because venues book sometimes two years in advance, how do I stop? When do I start saying no? In March of last year, I actually spent some time talking to my very patient hostess about this. I was just turning 65. Many of my peers were retiring. I had bookings clear into 2022. How do I say No? How do I stop?

And then the universe provided a way. And this time it was huge. Everything I had booked after that March date in Portland was cancelled. Life as I knew it changed overnight. The secret relief of an answer to my exhaustion and burnout, was huge.

And so this last year has once again, been about reinventing myself. I’m teaching more than ever, yet I don’t have to leave the warmth and comfort of my house. I’m pouring myself into giving back to a community that has supported me for my entire adult life, through the YouTube Channel, The Weaver Sews. I have time to create, to invent, to explore and that is a huge gift for a creative soul. Yesterday I responded to a request to book a retreat, one I’ve done many times and loved, and basically said, I’m done. No more traveling. It was tough to write, but the right thing to do.

And as hard as I’m working, there is time to just create. I’ve been working on a jacket, my 200 jacket pattern, and documenting the construction steps in my YouTube videos. Those include piping, interrupting the piping to make button loops, and stacking buttons when you don’t have anything interesting. And shopping for buttons is out of the question in this time of quarantine. I think that video drops on Friday.

The fabric for this jacket is left over from this coat, it is handdyed and handwoven, in a simple twill pattern. I’ve had fun creating this for the camera. We shot the lining sequence in two parts, and now all I have left is the handwork.

I’ve been teaching a lot this past month, almost daily somewhere in the country, in a couple hours I’ll be teaching in Oregon, and some of the classes I’m teaching have really made me remember back to when/how/why I did many of these techniques. One of the classes especially has made me just want to run to the studio and make stuff every time I give that lecture. That one is called, Leftovers Again? What to do with Leftovers. I sell the lecture as a digital download. There are all sorts of fun techniques I haven’t done in awhile. So this past week, I headed to the sewing studio and just made some stuff.

This basket is from coiled scraps of fabric leftover from my handwoven swing coat.

This tote is a pinwheel piecing technique made from scraps from my 1980’s craft fair days.

It is snowing again, probably another few inches, but spring is coming. It will be a long time before we see green grass, but I’m OK with that. I spent some time chatting with a friend this morning, about this anniversary day, and what it means when the universe has other ideas about where your life should be heading. She also shares this date, two years ago she was diagnosed with cancer as well. She is still going through treatment. We have a lot to talk about and think about. And celebrate. We survived, so far, and had an opportunity to reinvent ourselves yet again.

Stay tuned dear readers, buckle your seatbelts, put on your masks and hold tight, it is and has been a wild ride, and probably will continue to be…