Nothing stays the same…

This is the season of light, but it has been some of the darkest times this generation has experienced. The promise of a new year, a new administration, a new vaccine, and in 13 days, daylight will begin to build again, all give a sense of hope and possibilities.

After more than 800 blog posts, I’ve had a bit of a glitch, that started humorously and then turned wicked serious as I blew up the hosting company server with one of my posts. The post was called, That’s not why I did it… I wrote it after lots of sturm und drang, summarizing the post with the peace and serenity of making order out of chaos. I thought it was a rather clever post, and then moved on.

Within a week, I got an email from my hosting company, shutting down my blog site, for nefarious activity, and hogging more than 55% of the shared server my site is on, slowing everyone else down. I panicked, called them, had a lovely person talk me through a few things, what I could do on my end, transferred me to their security team, and in the background they updated my site to the newest and latest version of WordPress.

Turns out, a relative, who is a software designer/developer liked the post so much, he posted it on a forum specifically for software designer/developers, and the post went viral. If it wasn’t so devastating, it would be hilarious. This relative forwarded me the string of comments posted by the developers, and truth be told, I almost fell out of my office chair laughing.

There was a bit of weaving language in that post, assuming that it would be read by the weaving community, but the gist of the post could be understood by everyone. The developers’ comments included things like “I googled Differential Sett and came up with nothing. (That’s because my daughter made up the term for her lecture for the Pioneer Valley Guild remote lecture she was working on). There were comments like, “Gee, is this what we sound like to non computer people?” And then following the comments as they tried to take apart the technical jargon I used, so they could more clearly understand the nuances of the post. As of today, there are more than 42,000 views. And you can read some of the comments here. It is enlightening…

The downside of all this once my hosting company updated everything and gave me a list of what my own tech support needs to do to add plugins, etc. is that I opened WordPress to type in this blog, and everything, I mean everything has changed. I am not even sure how to add a picture. (Though I eventually figured that out, I don’t see where to add keywords.) There are all kinds of updates I need to do to plugins that completely confound me, and nothing looks like it did for the last 12 years. This is not my strength, and I don’t want to spend the time to make it my strength.

My strengths lie in my creativity, my hands, and my mad sewing/weaving skills. They have taken a lifetime to perfect, I’m still learning, making mistakes, and I will continue to learn and make mistakes until I can’t do this anymore, my body quits or I die. The future is never guaranteed. Though it looks like 2021 is promising, we are still in a pandemic, we are still in a divided country politically, and winter is just starting. A beloved relative is in the final days of life. I cannot be there beside him. We cannot gather as a family, and that just sucks. Once he passes, we can’t hold a funeral, we can’t hold each other, and all I can do is make the best use of each day I’m given.

The new Youtube channel The Weaver Sews is consuming a lot of welcomed focus. I start thinking about what I want to film the next Friday as we finish filming the previous installment. I keep thinking that future videos should be getting shorter, less theory, more “this is how you do it”, but that doesn’t seem to be happening. I think of more and more things to say. I feel as though I’m taking my half century of knowledge and documenting it so that it can live on even if I don’t or can’t. My daughter, who is my editor, director, producer, videographer, and caption writer, is getting better and better at this, and we have even come up with a way to make my Surface Go act as a teleprompter. I think the dialogue is cleaner if I actually use a script.

Since some of the next content I want to cover, is actually construction techniques, I decided to cut out two jackets, from my 200 Jacket Pattern, one from handwoven (the leftover from my wool/mohair swing coat) and one from a Harris Tweed, given to me by the husband of one of my guild members, deciding he wasn’t going to ever have a jacket made from it. I think he would appreciate that it is being used for educational purposes as well as making a stunning jacket. And it will read better in a video.

And yes, that’s a caviar leather skin in the photo above, I’ll use it for the upper collar, the welt pockets, bound buttonholes and maybe even elbow patches.

The lining for the handwoven jacket is a kimono, which I purchased in pieces from a lovely shop on Whidbey Island, the Jan McGregor Studio. Jan carries all kinds of Japanese items, vintage Japanese textiles and furniture, and it is the most delightful shop I’ve ever been in. I hope it survives the pandemic. The kimono was taken apart carefully, and placed in a bag, which I purchased, and so I was able to use the cloth as a lining. I’ve since ditched the rust which I wanted to use for piping.

In the meantime, looking for hand dyed skeins in my studio for a particular project, I came across a number of skeins of the same very fat silk, all of which I had dyed in different colors at different times, that I thought might be fun in the Confetti draft I developed for using some Silk City Fibers yarns. The draft is free in my eShop.

I did a lot of planning and calculations, and used weaving software to figure out a layout, that would be stripey, but minimally. I’m hoping to eventually play with miters in upcoming garments, so this can help mess around with that option. I spent the weekend winding all the warps…

…sleying, threading and ultimately beaming the warp, and testing out a couple of different wefts.

Meanwhile (Everytime I write that word, I can’t escape Steven Colbert’s segment called “Quarantinewhile” he features on A Late Show.) I’m progressing nicely on the 15 yard warp of towels, which will be my holiday gifts. And then of course, I hit a snag. Something that almost never happens

I had a couple of new cones of Webs 8/2 cotton in black, which I used for the weft, and probably didn’t have enough, but didn’t take the time to actually do the calculations, because there was another unmarked mill end cone of 8/2 in black behind it. And after pulling that cone from the shelf, and doing a quick test, I decided it was probably dry rotted and not a good idea to use, black yarns can be problematic anyway, black dye is so harsh, so I have an order out to WEBS for more 8/2, but it may take a week or two to get it. So the towels will just have to wait. I’m guessing I have about 4 yards to go…

I’m carrying on, texts are flying regularly updating me on family situations, and all I can do is keep busy. Just a couple more weeks and we will pass the shortest day of the year, and we will start moving towards the light.

Stay tuned, stay safe, and stay busy…

Everyday feels like a year…

This is the weirdest year I’ve ever experienced, and there have been a lot of them.  You’d think by 65, especially having lived through the 60’s and 70’s that you’ve seen it all.  Hahahah!

I’m not going to comment on any of the current world situation.  You don’t need one more voice in the cacophony of voices and events and situations screaming at you for attention.  Because you all know or should know that the world is imploding like some sci-fi novel and that we just all have to buckle our proverbial seatbelts and hold on for the ride.  A bottle of wine or something more powerful would help for fuel.

That said, my last couple of weeks have been wild and crazy, and that has nothing to do with all the drama and sturm und drang happening in the world.  

In case you missed it, I did finish my Confetti vest, lined with a vintage leopard coat.  It makes me smile in so many ways when I look at it.  I’m ready for winter, this will be warm as s**t!  

So this week is Spinning and Weaving week.  It is a big deal in the fiber community, usually full of events, and gatherings and all sorts of fibery happenings.  The Handweavers Guild of America is giving it the valiant try of doing a bunch of fiber related events virtually.  While not ideal, in essence it allows participation by anyone, anywhere, in the comfort of your own home.  I know our homes are getting too comfortable and we are looking to get out and go anywhere, but inspiration comes in odd packages, and basically all this is free and all you have to do is register for a specific event.( I think it helps if you are a member, because everything is free, but there are modest fees if you aren’t a member.)  All this coming week, the HGA is sponsoring studio tours of various fiber artists they have selected, whose studios they think might be of interest to the fiber community at large.

And guess who is featured Thursday at 4pm EDT.  Yeah, so there is that hanging over me.  In preparation for a virtual studio tour, I mistakenly said, when they inquired if I would be willing to be a part of this, that sure, I’ll even have something on every loom that I can talk about and explain, and fill up space for an hour.  I need to learn restraint!

So, in anticipation of Thursday’s live virtual studio tour, filmed by my daughter who will be tethered to the laptop, camera and sound system, we will walk through my wonderful new garage space, and then on to the basement where I have my cozy sewing room.  But all the looms had to be warped…

So, my 8 shaft 36″ loom was unwarped and very lonely.  I still had a couple of cones of Silk City Fibers yarns to test out, one was a Cotton Bambu, in Silver, and the other was a Chenille Tapestry variegated called Japanese Red Maple.  I envisioned a light dark shadow weave, something sett well enough to keep the chenille from doing silly things like worming out of the structure.  Some day I’ll recount my early experiences with chenille, but with a lot of experience behind me, I thought I’d give it another go.

I used the Powell book for inspiration, but since I’m aiming to publish the draft and specs for this fabric, I needed something that was mine.  I started out with this 8 shaft version, and wasn’t completely happy.  (Actually I started out with 24 epi, alternating the CottonBambu and the Chenille.  Resleyed to 20 epi, and then resleyed again to 16epi.  Don’t ever be afraid of changing course mid stream.)

The change might not be obvious, but I redesigned it to reverse in a more pronounced way, and to better square up with the sett.  I’m pretty happy with this.  Now I just have to weave it off, but not before Thursday…

And my big loom, the 45″ 8 shaft Tools of the Trade, my first loom and first love, still with me after all these years, purchased in 1977, delivered in 1978 was also naked and really not happy.  Since every fall I put on a run of dishtowels for holiday gifts, I decided that that would be an appropriate thing to put on the loom, and then at the end of October into November, I could weave it off and have my holiday gifts.

Social media can be really challenging and full of untruths and misinformation and a lot of passionate people on both sides of the fence no matter what the subject.  But the social media sites dedicated to fiber and specifically weaving has some very dedicated moderators and some very talented contributors and every morning when I wake up I feel like I have just been to a fantastic inspirational gallery opening.  

The Facebook site Strickler in Color has been a tremendous source of inspiration.  Carol Strickler wrote a lovely book, now considered essential for every weaver with 8 shafts on their loom, full of patterns, all black and white, and you could spend a lifetime with this book and not make a dent.  So this Facebook site has talented contributors who post what they’ve woven, but in color, with a nod to the draft.  Strickler 728 keeps coming up, and if you looked at it in the book, you would have just turned the page.  It really is rather boring and not very inspiring.  But I’ve seen so many people use this draft in eye catching ways that it was on my list to try.

In keeping with the need to stash bust, because I’ve acquired a lot of 8/2 cotton in the last year or two, I pulled a length from all of my cones and sat with weaving software until I was happy.  I decided to put 15 yards on the loom because turns out, I can never have enough dishtowels.  I’m always needing one as a gift, and I’m tired of running out in July. (I still have two left from last year because I haven’t been anywhere since March, but hey…)

My table top warping mill technically holds 10 yards.  I’ve successfully pushed it to 14, but I decided that my AVL warping mill, now 20 years old, would probably serve for this purpose.  I rigged up way to make a cross, and I wound 15 yard bundles in 2.5″ widths.

I threaded the loom.  My ott-lite magnifier has changed my life!  

I beamed the 15 yards.

And I started weaving.  I am completely in love.  This is why we do this.  I am so thrilled to have been forced to fill up my looms, because now, after Thursday, I can walk in my studio and just weave.  A lot.  I have a whole fall’s worth of looms to clear.  Which will mean, except for the dishtowels, a lot of sewing this winter.  I can’t wait when we reemerge from this protective cocoon to wear half the stuff I’ve made this year.

Speaking of…

In addition to studio tours and virtual vendor halls, the Handweavers Guild of America is also sponsoring a virtual fashion show next Sunday.  Not the same as sitting in an auditorium at a conference and watching cool handwoven garments strut across the stage, but they are trying to put together a virtual fashion show.  That would be next Sunday at 2pm EDT.  Of course I’ll have a piece in the show, but I hear they could use more participants.  WHERE ARE ALL MY STUDENTS, AND WHY ARE THEY NOT SHOWING OFF THEIR WONDERFUL GARMENTS!  This isn’t like where you have to be juried.  Just sign up!  You need the ability to Zoom, log in and they will tell you what to do.  The rehearsal was today, but I think they still want more participants!  Come on guys, you have some great work!  The link to enter is here.  I know the deadline has passed, but I believe they are still looking for participants.  The link to view the virtual fashion show next Sunday is here

And finally, there is my new Youtube site.  We now have four episodes of The Weaver Sews.  Every Friday we film a new episode on something related to sewing handwoven fabric.  Four are launched with Closed Captioning, which my daughter writes, so it is accurate and synced.  Two more are shot and I’m planning the topic for next Friday as I write.  I will create a script, which makes it easier for my daughter to write the Closed Captioning, and then I work all week on creating the samples and supplies I need for the video shoot.  We are having fun with this and I hope it is helpful and informative.  Sales of my patterns are certainly picking up!

So my head is spinning with all that is on my plate.  I’m old enough to remember The Ed Sullivan Show, and the guy from some Baltic country that did plate spinning.  He would keep 10 or 20 plates spinning all at the same time.  I remember watching with fascination and thinking, “How does he keep them all going at once?”  Well now I know.  Somehow that skill managed to rub off on me and I’m doing that every day.  And I wouldn’t wish for anything different.  My days are full, I have plenty to keep me busy.  I am lecturing virtually almost every other day, somewhere in the country.  It is so great to log in and see familiar faces.  I can do this… (though sometimes I wish I could redesign the plates).

Stay tuned…