My new favorite place…

I blogged a lot about the major studio changes last winter, HVAC was installed as I was walking out the door to teach in Oregon the beginning of March.  I returned from Oregon just as the world was beginning to shut down and so embarked on a five month effort to convert all my patterns to digital downloads.  So though I had this brandy spanking new shiny place for all my looms and fiber equipment, with the basement as the new sewing room, I never really got a chance to use it.  It kept calling me.  I felt really guilty.  I kept thinking about all those gorgeous magazine worthy studios in houses where I stayed, and their owners admitted that they didn’t actually do much in them.  I hoped that wasn’t the case with mine.  Most of my days since the quarantine began have been sitting right here at my computer in my office generating some kind of content.  Sigh…  Creative in a way, but not what I really want to do.  

Enter an email from Silk City Fibers.  I’ve had a very long relationship with them, and I’ve blogged about recent encounters with them, but this time they wanted me to consider being a “weaving influencer”.  My discussions with the head of Lion Brand Yarn marketing turned into, send me yarn and I’ll see what I can do with it.  And blog about it, or write about it, or give them usable content, or whatever.

What a shot on the arm that was, and in one of my last posts I blogged about the fabric Summer Rain that I got on and off the loom in record time.  It was the first time I had set up a loom since I built the new studio.  I ran into a lot of, gee, where did I put that tool…  but ultimately the studio did its job and created a brightly lit, comfortable and easy place to do what I do best.  So as I wrote in my last post, the Summer Rain fabric is finished and sitting on the cutting table in the basement waiting to be cut and sewn into something fun.  The draft is available in my store, and any of the drafts/fabrics that result from the relationship with Silk City Yarns, especially if they are giving me the yarn, will be available for free.  Add it to your cart, and there won’t be any charge at checkout.  You’ll get a link in your inbox and you are ready to go!  Find the PDF notes and draft here.

Meanwhile, having discovered the joy of my new studio, and having finished the scarves that were on the 8 shaft small floor loom, I decided to wind a new warp, this one called Autumn Harvest, based on a forecast from my Handwoven Column back in 2004.  It is on the loom, and it just glows!  The draft is available here.

I got more yarn from Silk City Fibers.  A lot of it.  I think of nothing else…  I gave them a general idea of what I’d like to work with based on what they want to promote, mostly their newest yarns, and I gave suggestions of color combinations, but I get what I get.  Which is just wonderful fun.  I work best designing with what’s immediately in front of me.  

Right out of the box I grabbed this orange Cotton Bambu, (one of their new yarns) which is a little heavier than I like to work with for garment yardage, but I successfully used it in the Summer Rain fabric in a 4 shaft mock supplemental, and I thought I’d like to expand on that for a full yardage.  So I added Saphira, a viscose and polyamide variegated with very cool slubs, and a gorgeous copper metallic called Radiance.  The weft is a beautiful cotton yarn called Nomad, which I actually prefer to Bambu 7, it has way more body and the same 2100 yds/lb yield.  Under the studio lights the fabric just glows, but it doesn’t really show in the photo.  Trust me it is head turning when you see it in real life.  It is a 4 shaft structure, and I’ll eventually post the details as a PDF download like above.  I’m calling it Confetti.

Meanwhile Silk City wanted to know if their SuperMerino yarn would work in a Rigid Heddle loom with an 8 dent reed.  I don’t do Rigid Heddle weaving, but I have a table loom with an 8 dent reed, and I can set up a two shaft plain weave.  There is enough for two scarves, the first one we doubled the yarn (Brianna did the grunt set up here).  She has a heavy hand with the beater, so I’ve taken over and using a double weft, the effect is quite lovely.  I believe their SuperMerino is superwash, but I’ll let you know once the scarves are off the loom.

Meanwhile in the bag of yarn from Silk City were these two, Nile cotton tape in Onyx, and Skinny Majesty variegated in a color called Antique Jewelry.  I wound the 6 yard warp alternating one of each, and after it was wound, I changed my mind.  Nothing like redesigning after the warp is wound.  I used every inch of both cones, which is always fun, to have no leftovers!  And if you are wondering about the contraption on the back beam, I use the Harrisville tensioning device for perfectly tensioned warps every time.  (I’m a front to back warper).  Problem is, this is the new to me 32″ Tools of the Trade loom, one of his really old ones, and I have tensioning rods made for the 45″, the 36″ and the 25″ looms.  Not the 32″ loom.  So using the second back beam from the 36″ loom to support the set up of the tensioning device with the 36″ rods, and a number of C Clamps, we got the job done.  (I confess it was all Brianna’s idea).  

So I threaded the updated design, beamed and then began to test a number of wefts they offer that have a wool/protein content.  I’m a big fan of putting something in the weft that will give a modest amount of fulling to really keep slippery rayon fabrics under control.  I have used Zephyr merino/silk from Jaggerspun, and Webs Colrain Lace Merino/Tencel, but wanted to try out some of the Silk City Fiber offerings.  Left to right is Nature’s Way Merino doubled, Eco Cashwool, SupraMerino doubled (which I believe is a superwash), Baby Alpaca doubled, and Wool Crepe Deluxe (80% Wool and 20% Viscose Rayon).

I kept the first sample right off the loom (top), the middle sample shows some hand washing in warm water, and the last sample was thrown in the washer and dryer with a load of towels.  I love knowing what a yarn can do.  I’m ultimately going to use the black Wool Crepe for this particular fabric, but the Nature’s Way Merino (far left in navy) is awesome.  The Baby Alpaca (the ivory one) didn’t shrink or full, but it is fluffier than an angora rabbit’s butt.  I’m not a fan of superwash, so I probably wouldn’t use the SupraMerino (the middle one) unless the goal was a washable baby blanket, it is really lovely for that kind of purpose.  And I liked the Eco Cashwool as well.  This was a test I’ve wanted to do for a long time, and I’m grateful for the opportunity.  

And of course, this loom still has fabric on it that I really should weave off, but there is something about full looms that make me smile.  My babies have been naked for far too long.  This is a wool warp with Noro Taiyo Lace weft.  January of 2019 to be specific. I’ve blogged about it here.

Assuming the internet gods are cooperating on Tuesday September 1st, I’ll be the featured guest on the Shi Show, which airs live at noon daily on the Lion Brand Yarn Facebook page.  I’ll post the link when it shows up on Youtube or you can tune in at noon EDT.  I say if the internet gods are cooperating because three times in the last week, there was an area outage, and though I still have some unresolved internet issues, Like I can’t get my printers to connect, the tech guy came yesterday morning and the whole system went down as he started to work, area wide I was told, and so he could accomplish nothing.  He is supposed to come back today.  He texted me that he is having issues at his house, different carrier, but his power and internet are failing.  And there are no storms, nothing that should cause these constant outages, but there are seriously weakened trees and limbs just randomly fall and take out the grid for whatever period of time you need it.  We were successful last weekend in running new lines in the walls, upgrading switches and network cards so all the important rooms and devices are hard wired for ethernet at 1GB of speed.  Brianna ran the last line herself much to her complete amazement and satisfaction.  She is her father.  

And so, I’m looking in corners of the studio to see where I can pitch a sleeping bag.  This is my new escape, a place that the world stops spinning out of control, actually the only place in the whole world where I have some control, and nothing in there needs electronics or power to actually operate.  Maybe the bobbin winder, but I do have hand cranks for that…

Stay safe, wear a mask and stay tuned…

 

 

I’ve been to technology hell and it is hot down there…

At some point, my sister said to me, you’ve replaced everything in the house and nothing more should go wrong…   Hahahahah!

There are days when I think my house is haunted and the technology or computer gods really  hate me, and there may be some truth to that because more than one person has told me that my late husband roams the house taking care of us.  I have a bone to pick with him.  He was probably the best tech guy I’ve ever met, the downside of that was two fold, this was a pretty advanced house technologically (especially since it is more than 100 years old) and I was as a result pretty lazy learning and staying on top of technology and how the house ran because he took care of everything.  In the three years since my husband died, I have still not figured out how to work the downstairs TV.  Which wasn’t really an issue because I rarely watch TV.  I record my beloved Project Runway on TIVO, upstairs in the bedroom, which I did figure out how to use thanks to my current tech guy and that’s all I know.

My current tech guy is really good.  And he tells me that my husband talks to him and tells him when he isn’t on the right path to figuring some things out.  But there have been issues in this house that neither my tech guy, or my late husband whispering to him have been able to solve without some incredible amount of angst.  And one of them has made me crazy these last few weeks.  My internet had become really unstable, going in and out randomly, causing everything hooked to the internet to fail, like my buddy Alexa (there are three throughout the house), leaving me bereft and silent.

The cable guys weren’t helpful, because I don’t use their router, they dismiss everything as the fault of whatever isn’t their equipment.  They did run a new line to the street, claiming it had some water issues.  No surprise there…  That solved the problem for a couple of hours.  Sigh.

My tech guy came and looked at every possibility.  Could it be the router.  It checked out, seemed to be doing its job and he found some malware lurking in the system.  That solved the problem for a couple of hours.  Sigh.

After another week or two of intermittent internet, I asked beloved tech guy if I should just buy a new state of the art router so I could call cable guy and say, look, it really can’t be a router issue.  He told me what to buy, I ordered it on Amazon and had it in a couple of days.

Side note.  Do not buy technology from Amazon unless you really make sure in the fine print that it isn’t refurbished.  Sigh.

After waiting almost two weeks for tech guy to come and install it, because if it could go wrong with our schedules it did, I gave up, and my beloved office assistant Cynthia said, I installed a router once, how hard can it be?  Hahahahahah!  This is technology hell house.

She got the box open, and all the parts seemed to be there, on what was obviously a refurbished item from Amazon, but I swear I didn’t know that at the time.  And she doggedly went step by step trying to install the unit.  We got as far as registering the serial number, remember that without a router, nothing works in my house.  Unfortunately previous owner of my refurbished router had already registered the unit to themselves, and it would take a couple of days to prove that I had legitimately purchased it and, oh come on….

Cynthia drove to Best Buy and bought me a brand new router, and started over.  The refurbished one got shipped back to Amazon this morning.  To her credit and her unbelievable determination, she did it, she got it installed but if you know anything about technology, everything in my house runs off the WIFI and now everything had to be reprogrammed to work with the new network.  Four hours later, and at least a half hour of that was on the phone with TIVO trying to figure out how to program both TV’s (the positive side of this I guess is that I now know how to work the downstairs TV.  At least to get TIVO and my recorded shows).  We were mostly successful, I have a couple of WIFI boosters that I haven’t figured out yet how to reprogram, but I thought we did an outstanding job.  Until I came home from my knitting group last night, and there was no heat in the house.  ACKKKKK!  I forgot the thermostats hook into the WIFI.  So I spent another 40 minutes trying to figure out how to reprogram them.

So for the last 36 hours, the internet has been blissfully stable, and hopefully internet hell is well behind me.  I would not even have attempted this were it not for Cynthia, who is older than I am, but it isn’t like I could ask my son, he is deployed to the middle east (though he would have loved this router), and I learned a lot about perseverance in technology.  Most companies do have tech support for dummies, but I struggle to understand what they are talking about.  Cynthia just plowed ahead.  

Meanwhile, my daughter drove to Massachusetts to pick up Tools of the Trade loom number 11.  I know at this point my friends and family think I’ve gone over the deep edge with all these looms.  But they find me.  And maybe one day my daughter and/or I may have our own weaving school.  We certainly have enough looms.  The loom is lovely, it is a rare small frame floor loom, 32″ wide and stained a beautiful cherry color.  I thought it was originally cherry but there were hints that it was really rock maple in disguise. Rock maple is sturdier.  No matter, as I scrubbed and cleaned this lovely thing, it came to life and begged to go live in my den.  Where I can watch TV and weave rugs.  Because there was a lovely rag rug shuttle in the bench.  And I now know how to watch TV in the den.  The loom knows…

And while Cynthia was playing superwoman I finished beaming and started sampling a new warp on the 36″ 8 shaft TOTT loom, because it kept me from drinking heavily (though I succumbed later in the afternoon and fortunately ran out of wine before I did too much damage).  

I’m teaching a five day yardage class at Peters Valley in July.  I’ve taught this class before there, and though it isn’t a beginner class, I encourage those with a minimum amount of experience to take the class, especially if all you’ve woven is towels and scarves.  I started by pulling yarns from the shelf I wanted to use, small bits of things that went together, and did some very exact calculations so I knew within a few yards, what I had of each yarn.

I did a yarn wrap to see what I could get, I like to work in repeats in this type of warp, and I’ll be encouraging and teaching that in the yardage class.

I decided the most efficient way to warp this was to do it in sections, there were four parts to each repeat, which I wound together using a warping paddle. (side note, the warping paddle I’m using, the white one on the table was printed on a 3-D printer by a weaving friend’s son)

Then I sleyed the four bundles, through the reed, pulling the repeats as needed and combining them.

Then I threaded.

Then I beamed the 6 yards.  I like the Harrisville tensioning system, it works well for me.

So while Cynthia was saving my butt, I was sampling.

I ended up choosing the green cotton flake, the first yarn I tried, because it looked like faded worn denim and I loved the look.  This draft has plain weave areas and twill sections.

And so another loom is dressed and happy.  

And then this happened…

I got a call from Suzie at Eugene Textile Center in Oregon.  She had another TOTT table loom 4 shaft, and did I want it.  Duh…  So I had her ship it across the country, along with some other used equipment that was on my list, Suzie buys weaving estates and is one of the best resources for used looms and parts.  And old issues of weaving magazines.  I got two beautiful original AVL front end feed shuttles with the Honex tensioner.  These are my favorite shuttles and they are really expensive and hard to find.  She had one of each size.

So I have loom number 12, all TOTT looms.  And there are the 2 Leclerc 10″ baby looms, I call them Structo Wannabees, and use them along with the 16 Structo 4-8 shaft 8″ looms I use for teaching.  Brianna also has a folding 8 shaft Ashford Table loom, and a 12 shaft Dorothy.  There isn’t quite a loom in every room, but close. We are up to 32 shaft looms.  That ties Madelyn van der Hoogt. (Though she has three draw looms and I think all the rest are 8 shaft Schacht floor looms and a Glimakra, and a Louet and an AVL computerized, so she wins).   Keeping them warped is of course a full time job.  Which I’m failing miserably at… But it makes me happy and some people collect cats, and I like TOTT looms.  No litter boxes or vet bills, they are work horses and have kept me sane through a lot of crap in my life, along with my beloved sewing machine and at the moment, life is calm and functioning.  I can’t ask for more.

Though I did start another knitting project too .  This is a recycled silk, cotton and rayon yarn from Rowan I bought last summer at Harrisville.  The tank was prettier on the dressform than in the photo.  The pattern is from Harrisville, Riddle.

Stay tuned…

Uh Oh, empty looms again…

Actually, in spite of an epidemic of empty looms again, this was a fantastic week so far.  Like the planets aligned…  You know when you work on something really really hard, and finally, finally it comes to fruition?  I had a whole bunch of things finish up and birth themselves right into the stratosphere in the last 48 hours.

First off, last October I mentioned that I had shot a whole string of videos for Threads Magazine for their Insider subscription service.  Actually it is a great service, $19.95 a year for unlimited viewing of their archive of videos on sewing and fit related topics.  My group will slowly be added that archive over the next few months, but the first one was released yesterday.  I watched it today and it was really spot on.  I did a good job.  I covered everything that needed to be said about the topic and the editing was smooth and clean.  This video shows how to cut and piece bias strips.  You can subscribe to Insider and view it here.  Thank you Threads!

Also released yesterday was the latest issue of Heddlecraft Magazine.  Many of you know how hard I worked over the last few months on this 30 page article.  I felt like I had done a Master’s Thesis…  This lengthy article is on a topic near and dear to my heart, one I explored in my early days of craft fairs back in the 1980’s, called Doup Leno.  It is a way of crossing threads back and forth to create a loom controlled lace fabric.  Heddlecraft Magazine is available in digital format only.  You can subscribe here

I needed to get an image of the piece I am submitting for the summer faculty exhibit Making Matters: Fresh Perspectives in Fine Craft at Peters Valley, by the weekend.  The work doesn’t have to be finished by then, but you can’t take a photo of that which does not exist.  So my 36″ 8 shaft Tools of the Trade loom is now empty and the fabric is drying…  This is a mixed warp in a combination weave with supplemental warps, some of it is hand dyed, and the yarns are mostly cotton and rayon.  The weft is 3 ply worsted wool from my stash.  

My new rule in the house, with so many looms, is that once a loom has been cleared, whoever cleared it has to oil/wax it (I use Howard’s Feed and Wax) and tighten all the bolts and screws.  My loom looks so happy and refreshed…

Also due this week is a scarf which I promised to donate to The Shakespeare Theatre of NJ for their Annual Gala silent auction.  I adore this organization and gave them one for their fundraiser last year, and I’ll be attending the gala this April and am pleased to donate another scarf.  Which meant I had to weave off all five.  Which means another loom is empty.  But it is also very happy because it has been cleaned and waxed and all the bolts and screws have been tightened.  It is looking fresh and cheery for another warp. (There are only four scarves in the photo because I made it to the post office with five minutes to spare, the fifth one is on its way to The Shakespeare Theatre.)

And last night, I sat by the fire and finished a lovely cable knit vest, I had been worried I wouldn’t have enough yarn, but I knit as fast as I could and turns out I beat the yarn fairies…  This vest is Berroco Artisan Merino and Silk.  I picked up a half dozen skeins last fall at Sievers, on sale because the yarn is discontinued.  The yarn is butter smooth and so pretty.  The vest is one I’ve made before.  It is a Drops Design, 123-10 waistcoat.  It is actually a free pattern from Garn Studio.  I started this vest last fall, sometime after I taught at Sievers, so again, it is funny that I finished it last night as well.  It is still drying on top of the washer.

And about 10 days ago, my lovely daughter went on a mission to pick up yet another loom.  They are finding us.  I don’t know why.  If you Google Tools of the Trade Looms, my name comes up.  Probably because between my daughter and I, we now own 10.  I bought my first one back in 1978.  I mention them a lot in my blogs.  They aren’t made anymore, but it is a solid versatile jack type loom that has stood the test of time, solid rock maple, unless you find one in cherry, and you can’t kill them.  I sent my daughter down to Bedminster NJ to pick up a lovely 8 shaft 25″ wide table loom, a great teaching loom and perfect for workshops.  She (the loom,  not my daughter) joins two other looms that size, one a four shaft and the other a fraternal twin in cherry.  I had to do some tweaking, restore some of the parts, and I’m about to add heddles to the back four shafts, but it looks in good working order and it seems happy with the crew.  Incidently, I have received word on two other Tools of the Trade looms that are needing homes and my daughter is all over it.  I do not know where these looms will all fit, it is clear that we are building inventory to open some kind of school or teaching venue, but that’s far down the road and I can’t even fathom that right now.  I’m happy meeting my deadlines.  FYI, between us right now we own 29 shaft looms. 15 Structos three of which are 8 shaft, two Leclerc 10″ 4 shaft looms, a 12 shaft Leclerc Dorothy, a folding Ashford Table Loom, 8 shafts, and of course, the 10 Tools of the Trade Looms. We win…

Stay tuned…

Heddle Wars…

This has been a rather tough week.  Not for me.  I’m fine.  But in a series of really sad, and horrifying events, accidents, deaths, unwanted health diagnoses, and other calamities, none of which I have any control over, it has been rather tough to carry on as if everything in the world is fine.  Sunday alone I went to two visitations at local funeral homes.  None of these events are my stories to tell, but my heart is broken for my friend with a cancer diagnosis, my other friend who lost her father, and a pretty horrific event that, if you live in my area, you know about, and if you don’t, you don’t want to know about, all of which has left me distracted and in mourning.  And there is my daughter.  I haven’t said much about her issues, again it isn’t my story to tell, but she is struggling with her own health diagnosis.  She has left her job to reevaluate her life, and is living in my basement now, safe, but lacking focus and purpose.  She will be OK, of that I’m confident.

When my husband was dying, one of the only things I could think of to keep my brain from exploding with grief, was to steal away moments in my studio and calculate the most intense fabric design, one that even I had to struggle to execute but honestly it kept me sane. It is the banner fabric across my facebook page.   If you read my last couple of posts, you know my goal was to fill all of my beautiful looms with colorful cloth because they have been naked for way too long.  My original 45″ 8 shaft Tools of the Trade loom from the 70’s had been given to my daughter when she moved out a couple of years ago, which left me with glorious space and room for all of my textile-y things.  When she moved back in, she brought the loom back and a second one almost identical which she picked up for $350.  That one got shoved in the guest room. So between us we own 9 Tools of the Trade Looms, manufactured in the 70’s – 90’s.  The great thing about having 9 of the same brand loom is that all the parts are interchangeable.  Which gets to the meat of the story.

Because of my daughter’s health issues, and work schedule and general life style, she had slowly gotten away from the things in life that brought her joy.  I know how it happens, and I suspect dear readers that this kind of situation has happened to all of you at some point in your lives, and sometimes,  many times throughout your life.  I just got off the phone with a coordinator for Florida Tropical Conference which is happening in about two weeks.  I suspect that every person who has ever coordinated a conference has gotten so far away from the simple things that bring you joy, reading a book, designing a project, setting up a loom, knitting a scarf, whatever, that suddenly they, actually we, find ourselves rudderless drifting in a stormy ocean with nothing to ground us.  I would look in my daughter’s eyes and see nothing.  There were no lights on.  Rudderless…

Having left her job for a bit of a sabbatical shall we say, mostly to get her health back on track and to finish school, she woke up last weekend and I reminded her, having just updated the schedule on one of the guild websites I maintain, that the guild challenge was due in April.  She looked at me aghast.  When she signed up last year, life looked very different.  Suddenly her eyes sparked and the lights went on and she dove into her basement dwelling and came up with her laptop, weaving software and the plans she had shelved for her challenge project.  

Meanwhile, I needed to dress one more loom, my 36″ 8 shaft Tools of the Trade also sat naked in my studio.  It was depressing every time I entered the room.  And so it began. I came up with a really complicated warp design, spent hours with my weaving software.  She wound her 12 yard warp using my mill (hers is packed in the attic) while I used a small 4+ yard warping board propped on  my ironing board.  I was building my cloth around a 4 1/2 yard warp I had obtained in a Kathrin Weber Dye Class.  I’m not sure if I dyed it or if Kathrin did as a demo, but there it sat and it was my trusty assistant who said, “When are you going to use that warp?”  I pulled all kinds of things from my shelf, including some cupcake dyed skeins I also did in that class.  For those who are curious, cupcake dyeing is where you wind a ball on a ball winder, and then pop it in a deli container with about an inch dye and let it absorb into the ball.  Flipping the ball over and putting in a different color makes some great effects.  I wound a total of 11 warps for a cloth about 32″ wide.  Most of the warps were rayon, and very slippery rayon, the kind that you have to really keep under tight control, and then of course, my daughter’s cat had to be in on all the fun.  I won’t bore you with cat photos, they are all on my facebook page.

She had a narrower warp, dishtowel width, so she finished before I did.  Next step before sleying the reed is to find out if you have enough heddles.  Those are the wire things with eyes on each of the shafts that the warp ends go through, which allows you to create patterns.  This is where the story has a bizarre twist. 

Sidebar:  I’ve had trouble with my smaller Tools of the Trade looms, and breaking warp beams and brakes because I load too much on them and require too much torque to get the tension I like for weaving.  My little 25″ looms weren’t probably designed for 12 yards of warp.  I had done some alterations to the brake on one of the looms and had the bolt shear off.  Some of this is because hardware from other countries is getting cheaper and thinner and not able to withstand what I need said hardware to do.  But I digress.  I have a number of sectional beams in addition to standard beams for my small 25″ looms, which are of course interchangeable.  The sectional beams have more substance but the kind of warp I’m putting on doesn’t work well on a loom with no packing. Too much variation in the warp threads.  I got the idea a number of years ago to pull the sectional pegs from one of the warp beams and use it as it if was a standard warp beam.  In the photo you can see a second warp beam still with the pegs and the upper one has had the metal pegs pulled out.  

It worked well for what I needed, except when the bolt for the ratchet sheared off, and I had to replace it with the original handle.  It is hard to tighten a beam with 12 yards of warp and paper packed on it with that little L shaped handle.  I would have much preferred a ratchet like on my large looms.  Meanwhile my daughter had moved away with my large Tools of the Trade, for more than a year and I had the room renovated and bookcases installed and a lot of detritus tossed in the process.  

I got the idea that if I could put the perimeter metal pegs back in, it would give me a better grip on the beam when I wanted to tighten it.  So I went to find the pegs.  I remember storing them in a container, a small basket I thought, and though the room had been redone, it shouldn’t have been hard to locate that container.  Gone.  I’ve been searching for two years for that stupid container of pegs.  I don’t lose things.  I’m fastidious about cleaning up after myself, putting things back in their place, and if I wasn’t, I could never do the job I do traveling around and having everything I need to pack right at my fingertips.  

Fast forward to last weekend…

My daughter was removing the shafts from the large loom to count the heddles on them.  She needed  about 700 heddles for her project.  So each shaft got pulled, and she started the count.  She had developed a counter weight system for the project she had previously been working on using suspended film canisters on the front shafts, filled with whatever, pennies, I had no idea.  She needed more weight on the front shaft for whatever she was doing, I didn’t much pay attention because the loom wasn’t with me for the last couple years.  

She started peeling off the pink duct tape wrapped around the film canisters and cried out, “OMG”!  I looked over and there, stuck to the duct tape wrapped around each of the film canisters were all of my missing sectional pegs.  All of them.  She had pulled them off the shelf a few years ago, needing additional weight and never happened to mention it because, well why?  I wasn’t sure whether to kiss the earth in celebration for the return of something I definitely needed for this new run of scarves, or to kill her.  There are no words.

So at this point, I’m beginning to count my heddles as well.  I need something like 1200.  It was pretty obvious that between us, we did not have enough.  All of our nine Tools of the Trade Looms use the same 10 1/2″ inserted eye heddles.  But all of them were warped with the exception of one of the table looms which I was keeping in reserve in case I need an emergency warp for an article I’m working on.  There were extra heddles on the other looms, but they can’t be removed once the loom is warped.  So I ran to the internet and knowing WEBS ships pretty quick, I ordered another 400.  I hadn’t gotten notification that they had shipped, and it is now Thursday and I’m getting desperate, we were battling for who got the heddles, there were enough for one of the looms but not for both.  I called them, and the order hadn’t been shipped, and wasn’t going to be shipped until the following Tuesday, so I added another 200 and spent a ridiculous amount on overnight shipping which still meant that the heddles wouldn’t arrive until Monday because unlike Amazon, UPS doesn’t deliver on weekends.  We are getting so spoiled!

Meanwhile we did what any self respecting couple of desperate fiber artists would do, we stripped the poor remaining table loom of all of its heddles.  Poor thing.  We had enough to get us going and when the heddles came in yesterday, I carefully put the table loom back together and all is well.  

So I sleyed my warp…

Then I threaded it.  

Meanwhile she was all warped and starting to weave.

Then I beamed my warp.  It is so luminous, shimmering and just plain pretty.  

And now, my 36″ loom has a pretty four yards of warp for a fabric that will one day become a garment, but first it has to travel around, I just got an email that Peters Valley needs a faculty piece from me for the summer faculty exhibit.  So I have to get cracking on the weaving…

And Brianna’s dishtowel warp which is built off a photograph my husband took at Baltimore Inner Harbor of the beautiful lights reflecting on the water in the Harbor, is on its way as well.

Stay tuned…

A Tale of Two Dish Towels, 4000 pages later, and other random stuff…

A good weaving buddy of mine recently contributed to a series of interesting comments on my  Facebook page after I wrote on my Wall the following query:

Daryl: Do two days off equal a vacation?

Ginnie: Does it feel like it? What’s a vacation?

Daryl: I don’t know exactly, but I see some people talking about them on Facebook.

Ginnie: Maybe you and I need to research this!

Daryl: Sounds like a plan, I’ll add “research the definition of a vacation” to my to-do list.

Daryl again: Actually, I just heard that when you have off on a Saturday and Sunday, that some people call that a “Weekend”. I’ve never experienced something like that, so I can’t verify.

Ginnie: Ah, I have heard of “weekends”, said to be invented by labor and teacher unions…. There’s a banner in our town to that effect!

Daryl: I don’t think there is any such thing as a labor union for the self employed artist. That’s probably why I am not familiar with the term “weekend” or “vacation”. Might be something else to research, it was great to have two days NOT in my studio.

Truth is, I had two glorious days last Saturday and Sunday, where no one expected anything from me, and there was nothing on the calendar for me to worry about or deal with, or get in a car or on a plane for, and I sort of didn’t quite know what to do with myself.  A gift.  There is nothing more to be said.

So I spent the last three days, gearing back up for the next event, a conference in Northern California, CNCH 2010, I leave April 8th.  I cranked up the trusty HP printer, and printed no less than 4000 pages of handouts and monographs, bound everything, packed two large Priority Flat Rate Boxes, and shipped them off to California this afternoon.  Huge exhale, that job is complete.  I paid all my bills, and now have to tackle a pile of documents due tomorrow.

On a completely different note, in a recent string of emails, about the tie up on a Tools of the Trade Loom, of which I own four, see blog post from last year, I ended up solving the problem and then deciding to purchase the loom from the person who posted the original email.  This is a sister loom to my TOTT floor looms, I own two 25″ and one 45″ floor loom and regret never having purchased the 36″ version.  I have found that, although I don’t have space for another loom there have been times where I wished I had a second bigger loom.  It would of course have to have 8 shafts, and big bonus, it has two back beams.  I wish one was a sectional, but I can deal with that.  So I will head to Maryland in April, to pick up my newest addition, and then figure out where the hell heck I’m going to put this puppy.

A Tale of Two dish towels…

I don’t weave dish towels.  I have been weaving since 1974 and I have never actually woven a dishtowel.  Is that some sort of record?  I did weave place mats, runners, scarves, throws, all kinds of products on my loom when I was in production in the 1980’s, selling my little heart out on the weekends in craft fairs, I may have mentioned that, but I never wove much less sold a dishtowel.  I don’t know exactly why that is.  It isn’t like I don’t use dishtowels.  I go through them like water, use them until they fall apart, and buy new ones at the grocery store and use them until they fall apart.  I can’t say I’m one of those who go by the motto, “It’s too good to actually use”, for goodness sake, I chop up my handwoven fabric, and make garments and wear them until I’m tired of them, they wear out, or they go out of style and then I cut them into something else.

For some odd reason, I’ve never made a dish towel.  But in the last couple of months, I’ve actually acquired two.  The first one came from Laura Fry (hey, if you are going to have someone else’s handwoven dishtowel in your house, you might as well have one from the best!).  Laura was offering an incentive on her blog, after the disastrous earthquake in Haiti, a dishtowel, to anyone donating to Doctors Without Borders.  I had planned on doing that anyway, I donate on a monthly basis now, just like I do for public radio, but I took her up on her offer and she sent me a lovely aqua cotton dish towel.  I didn’t use it, just looked at it.  OK, to be fair, we have a dog.  And this has been the rainiest March in the history of the state of NJ (and for those whose US history is a bit cloudy, we were one of the original 13 colonies.  George Washington slept in almost every town in the state in the late 1700’s or so they say…) Which means that our lovely back yard is a swamp.  Swamp + dog = muddy paws.  Dog comes in, nearest textile gets grabbed, and by the back door off the kitchen, it is usually the dishtowel.  So I haven’t actually wanted to put my lovely Laura Fry dishtowel out because it would be covered in mud within about 10 minutes.

On the drive back to the airport after my recent trip to Columbia, MO, Debbie Schluckebier, my lovely workshop coordinator and airport chauffeur, presented me with a thank you gift from the Columbia Weavers and Spinners, one of her beautiful handwoven dishtowels.  The universe was trying to tell me something.  That and the three hour trip to the Kansas City airport allowed Debbie to convince me that it was silly to have handwoven dishtowels and not love them and use them.  So I’m using them.  Both of them.  No one has died, and none have been covered with mud yet, and they are really pretty and I feel good when I use them.  I am getting dangerously close to actually wanting to warp up one of my numerous looms, all of which are naked at the moment I’m embarrassed to say, with some cotton warp, and weave some actual dishtowels.  They don’t have to be prize winning, and they don’t have to color matched to my kitchen.  And I don’t have to turn them into clothing.  I can just use them in the kitchen, and be happy, and if they get used on muddy dog paws, there is always the washing machine…  I hear they won’t disintegrate in the washer and dryer…