Blog Entries – Page 7

Loom Karma

This has been a couple of weeks of tying up loose ends. Always a good thing at the end of the year, but finishing up projects, and crossing things off the list makes me feel, in this crazy world, like I saw something through to completion and that’s a good feeling.

Last post I showed a 1/4″ inkle band I wove, from Sulky 12wt cotton, for a guild project during the December meeting. One of the members showed how to make the famous Anni Albers necklace, a weaver from the Bauhaus, who believed that simple everyday items would make lovely jewelry and embellishments. Kits are available, and I posted that link in the last blog post, but I chose to get my own washers and weave my 84″ ribbon.

So during the December meeting I wove this lovely necklace, which is not heavy at all, trust me, I have a lot of 80’s craft fair jewelry and some of that is pretty weighty. I wore it proudly the next day to an event, and love the simplicity and subtlety of it.

A couple of guild meetings ago, we had a Zoom hands on workshop with Deborah Jarchow, on clasped weft, using Rigid Heddle looms, which I don’t have, so I warped up my small 4 shaft floor loom and carried on. I blogged about that here. A few days ago, wanting the loom cleared, and wanting to tie up loose ends, I finished it off. It is a lovely sampler, though not one I would gift or sell, but it works as a warm winter scarf for me. I’m not a fan of clasped weft with more than two wefts. Maybe with different yarn weights and yarn types…

For many years, in January, which always turns out busier than it should be, I’ve held a beginning weaving class for my guild, to attract new weavers, and give curious participants a taste of the weaving rabbit hole! We suspended the class in the couple of years of Covid, but the class has returned, and is already filled with a waiting list, but I needed 15 Structos (or little 10″ Leclerc Sample looms) to be able to give each participant a loom and a warp for the day. My daughter will assist, and though it is a pain to haul 15 looms, and all the accompanying paraphernalia, it is a gift to my guild, and we all do whatever we can to promote weaving.

I wrote in a blog post a couple months ago about purchasing a half dozen Structos and Leclerc sample looms from a school in southern California, along with all sorts of parts. The looms were reassembled, and put on the shelf, but they really needed tender loving care, new aprons, 15 dent reeds, (not all of them had the correct size reed), and heddles. Those are the wire things in the shafts that make the threads move the way you want them. I wrote an extensive blog post about Heddle Etiquette, and how the direction of the heddles is important as the eyes are canted in a specific direction. This makes threading so much more efficient.

Here is a pile I took off one of the Leclerc looms. No order whatsoever…

The shafts pop out from the Leclerc loom easily, but reordering the heddles, so they cant in the same direction takes patience and time. And I had to add additional heddles, which fortunately I had extra of, the heddles for a Leclerc loom are different than heddles for my Tools of the Trade looms, which are different than the heddles for a Structo, and even more different than my Macomber.

The looms seemed so happy when they were restored, and usable for a beginner class, and though each of my looms (49 now I think) are mostly named after Star Trek characters, I added an additional label that shows it is set up for the Learn To Weave class. (LTW) So grabbing them from the 30 Structos I have will make sense come January.

There is something satisfying about restoring a loom, and getting a warp on it. Looms don’t like to hang about idle, and I have a lot of idle looms at the moment. I cleared a lot of them this past year, broken shoulder and all, and they are all calling me to put something on them, which I will in the new year. I promised them.

And my favorite loom, which I’ve had since the late 70’s, is a 25″ Tools of the Trade, 8 shaft, with a double warp beam. It has seen a lot of warps over the years, and continues to do the job for me, whatever I ask of it. Sometimes with reluctance, but if I had to just keep one loom, this one is my trusted friend. I will say it was highly incensed when I brought in a stray Macomber, also 25″ and 8 shafts with a double warp beam, seriously in need of refurbishment, (I wrote about that in a blog as well), but they sit next to each other and have become studio mates. I had promised the Tools of the Trade loom that once I got the Macomber restored, I had plans for a very complex warp, that would test its soul, and it rose to the occasion.

That warp was the drunken squares towels I put on quite awhile ago, at least more than a year, maybe fall of 2021? (I’ll have to check my blog…) I periodically would sit down and weave more drunken squares, but there was 8 yards of 10/2 warp on it, and it was slow going. My 33 year old son, who loves my towels, wanted one, and with the broken shoulder, it wasn’t happening last year for his birthday in February, but I was determined to weave this baby off, and clear this loom, and my little Tools of the Trade and I spent a lot of hours in the last couple weeks just plodding along.

There was joy and celebration when the knots came over the end of the back beam.

And though after initial sampling, and washing and drying, the 8 yard warp yielded 7 generous towels, I only have 7, so regularly recipients of my towels probably won’t get one, and I also have the ones I did earlier in the year for my article in Heddlecraft magazine, so I have a decent amount towels in general for gifting.

My loom looks at me quizzically every time I walk by… They all do…

I hope for the upcoming holiday celebrations that all of you dear readers find joy in the mundane, good karma in the restoration of something that needed help, and the satisfaction of creating something from your hands from whatever is around you. It is the simplicity of life that keeps us centered and moving in a forward direction.

Stay tuned…

Above all, be flexible…

These last couple of weeks nearly killed me. So much so that today, I went back to bed after taking care of all the animals, and I curled up with a very trashy novel and had a real day off… I haven’t done that in years. The trashy novel was book four of the Bridgerton series, got it cheap on my Kindle, and it was the perfect thing to curl up with, and actually catch my breath..

This all started the weekend before Thanksgiving. I promised my 91 year old mom a long overdue visit. She lives about 3 1/2 hours from me in Maryland. I arrived on a Friday for lunch, she had chicken soup waiting for me. It was the best. From a completely weary and overworked daughter, coming home to mom and having chicken soup put in front of me, well I’ve never been so grateful for anything in my life.

We had lots of fun over the next couple days, picking up puzzles at the barn sale at her complex, she gave me half, and she kept half and we will eventually swap. I took her around for her errands, and Sunday afternoon, we had a lovely lunch of Crab Imperial. I carried the lunch dishes to the sink, and I heard an oof and then a thud, and I turned, and just like that, mom tripped over her rug, and landed flat on her face, taking out a dining chair in the process.

I can’t begin to tell you the myriad of things that went through my mind. And of course, the first thing was, damn, this happened on my watch, and my sisters are going to kill me. The ambulance came, she was transported to the hospital, x-rays, CT scans, lots of blood work, and because no one is available for rehab on a Sunday night, I sat with my mom in the ER, who broke her right shoulder in two places, same as me almost a year ago, in the hospital, for 30 hours. I’d like to say it was the longest day of my life, but I’ve had worse. I adore her, and she was really trying to keep her spirits up.

Above all, be flexible…

I stayed an extra day in Maryland, making sure mom was safe in the rehab in her complex. My Maryland sister will take over. And my heart bled for my mom. My broken shoulder was my non dominant side, and I’m only 67. She broke her dominant side. Though when she said to the medical staff, actually anyone who would listen, that this is the 14th broken bone she has had since she was 14, I did break a smile. I come from a strong stock of women who always find a way. But this will be a painful year to come. Ask me how I know this.

Above all, be flexible…

So I made my way home on Tuesday, two days before Thanksgiving, not what I planned. But I did my best to prep the house, buy the food, and though my guest list was small, just my kids and my NY sister and her husband, I was hosting Thanksgiving.

I set the table, with my favorite dishes, a wedding present back in the 70’s, with my new handwoven napkins, and my lovely daughter did all the cooking. My son made his infamous charcuterie boards. We had a 2 pound slab of fresh organic salmon with crab meat stuffing. The house was presentable, though I didn’t invite anyone upstairs.

Above all, be flexible…

Friday after Thanksgiving I promised I’d work a day at the Shakespeare Theatre of NJ, where I volunteer as a stitcher in the costume shop. They are in the final prep for costumes for Shakespeare’s Twelfth Night, which opens next week. They save all the really hard stuff nobody wants to do, for me! Which challenges me and makes me think!

My private student Kyrie, whom I’ve rescheduled three times, once because I broke my shoulder, then a conflict with her schedule, and the last time, two days before she was to come, I got Covid, was due in Sunday night. I had two days to grocery shop, and clean the house again, including upstairs. I have multiple animals, I’m always cleaning the house…

Above all, be flexible…

Sunday morning, I was about to head to the grocery store, and I got an email, Kyrie was sick. Covid negative. But she wasn’t well enough to travel until Tuesday.

I thought I’d have a couple days to breathe. Hahahahah!

Above all, be flexible…

Monday night I got the first draft of my long awaited Heddlecraft article, all 36 pages, to start my editing. I suppose the timing was perfect, since Kyrie was delayed, but dear Lord, is there no rest for the weary?

Anyway, I furiously edited, checked links, checked .wif files, compared my original manuscript. We got through five versions as Kyrie was walking in the door Tuesday afternoon. The issue was released shortly after, and I’ve never been so proud of anything in my life. Here is the link if you don’t have a subscription (if you are a weaver you should) or you can get a single issue.

My student was an absolute delight. She was still getting over the remnants of some respiratory crud, but I’m beyond caring anymore. We wore masks and carried on. we worked hard and she proved to be a wonderfully adept student.

She brought a gorgeous handwoven fabric, using hand dyed warps from Blazing Shuttles.

She finished the jacket, all but the handwork, late Friday night, and was out of here Saturday morning, making a five day class work in three.

Above all, be flexible…

And that gave me the opportunity to frantically do multiple final rehearsals for the Montclair Early Music holiday concert, last night, Christmas in King Arthur’s Court. Beautiful music from the English Renaissance. I played bass recorder. It was so very much fun, I remembered why I love playing recorders with a group, and we even got a standing ovation.

Meanwhile…. There is a difference between what I need to do, what I have to do, and what I want to do. And sometimes there is a very grey area between those things.

Mostly what I need to do, is to constantly create, and life is certainly interfering. Silk City Fibers, whom I’ve had a long relationship with, periodically sends me yarn they are thinking of bringing in, or have brought in, or are just curious about. I’m always happy to make a test run, because that’s something I adore doing, I need to do, and I excel at; throw something at me and I’ll see what I can invent.

This yarn is a lovely silky rayon, two four ply yarns loosely wrapped together, in an exquisite purple. I had about 9 ounces, and so I immediately thought of a Spot Bronson structure, and did some fast calculations, and wound a warp.

I started weaving and my sett was spot on, pun intended. I ultimately made three samples and washed them in different ways, and then wove a lovely scarf. Took about a day, which was just before the Heddlecraft proofs arrived…

Meanwhile… My guild meeting is Wednesday night. We usually have some make it-take it project for the December meeting, and since we are still meeting via zoom, it was decided that we would all make an Anni Albers Bauhaus necklace.

You can buy them as a kit from the Philadelphia Art Museum. The kit is simple enough, a 1/4″ ribbon, with a bunch of washers. I’ve always been curious how this necklace works, but I really didn’t have the time or thought to plan ahead and order the kit. I was sort of busy… And besides, I’m a handweaver… Duh…

I bought a sample pack of some 60 different Sulky 12 wt. thread colors many years ago at a sewing conference. It remained untouched. Until now.

This was something I really needed to do, to keep my hands busy, and I knew that once my student started sewing her jacket, I would just be hanging out at the ready for a number of days, to make sure questions got answered, and that any mistakes were rapidly fixed, and she could keep going.

So I designed a 1/4″ ribbon, full length on my Bekka inkle loom, which is longer than the 84″ necessary to make the necklace.

Easy weaving…

And ultimately, I have long ribbon for my necklace project for Wednesday night’s meeting.

I keep trying to figure out how my life has become so out of control, and I’m hoping that things will quiet down soon. I needed today, to curl up with a trashy novel, but this afternoon, I tackled the last of the major projects on my overdue to-do list. I finished the Index for my YouTube channel, The Weaver Sews. You can find it here. Alphabetical by video, and alphabetical by topic. There were many labors of love I completed this past week, the Heddlecraft article finally got published, the Shakespeare Show will open next week but my work there is done. The concert was last night, my student finished and made it home safe, and the Index is finished. And I have a 1/4″ inkle woven ribbon for the meeting Wednesday night.

I’m tired. But above all, I’m flexible…

Stay tuned…

Checking it twice…

Have I ever mentioned that I hate checking my work? Always did. Even back in Middle School, I’d work on complex math equations, and then get the answer wrong in the last step because I made some stupid addition error. Still, it would make me nuts to go back and check my work.

And of course, I became a weaver. And in weaving, you HAVE TO CHECK YOUR WORK! There are just so many times you find a threading error in the middle of 750 ends and start to say, yeah, I need to check my work.

I’m in addition to other things, a writer. I’ve written more than 100 articles, both print and digital, and I know this sounds weird, but I’m a writer, not an editor. I love to write. I don’t have to edit. They have people for that. I’ve been offered editor jobs, and flatly turned them down, because, I’m a writer, NOT an editor. Editors are like God. I just provide content. And I’m pretty good at it. But someone else always does the final check of my work. (Actually I check the final copy right before it goes to print, but I can count on one hand the amount of times I ever found errors, and then it was a fluke. Usually a photo in the wrong place.)

That said, I offer a lot of digital content on my own site. I’ve recently upgraded all the digital monographs, especially the ones that have to do with garment construction for handweavers, to include links to techniques illustrated by my YouTube channel The Weaver Sews.

And of course, I sell patterns. The year we took to develop them was mind blowing days of constant checking and editing and checking again. All of those patterns needed directions, and needed measurements in both imperial and metric. More mind numbing days of editing my own work. I actually decided that in everyone’s best interest, I would pay someone else, a real tech editor, to do the final edits on the extensive directions for each of the patterns. All 12 of them. The directions, often more than 30 pages, would be kept separate from the patterns, so I could edit without too much complication.

It became quite clear to me, after I was asked to teach a two day remote workshop in Canada, making my 500 vest pattern, that as I updated the prospectus, and looked over the directions, that I really needed to include all the YouTube Channel video links for each of the steps where I recorded content that explained them in further detail. It took the better part of a week, and I was terrified that I’d have mistakes, yet I knew there would be because I am so bad at checking my work. Still, I carried on, and knew it was inevitable that I do the other 11 patterns, updating those directions to include video links. But my calendar was too full and I didn’t see getting to this until winter.

Then this happened…

As best I figured, since I never go anywhere, I caught Covid at a fabulous packed house production of On Your Feet at the Papermill Playhouse. Everyone had to wear a mask. And 48 hours later, I was coughing with a fever. My first instinct was to test for Covid. And it was negative. So I went to bed, felt lousy for a couple of days, and then started to feel better. The night before the guild sale, my daughter had already dropped off our work, she encouraged me to test again, just to be sure I really didn’t have Covid.

Yeah…

By the time I knew it was Covid, I was feeling better, and there didn’t seem to be a need to go racing off to the doctor. I knew my sense of smell was gone, but I assume I’ll eventually get that back. Problem was, not only was I going to miss working the sale, my daughter couldn’t go either, because, we assumed it was just a matter of time before she showed symptoms. (She lives with me and was also at the theatre. Fortunately she never got it, and continued to test negative). I had to cancel my week long private student that was due in last Sunday night.

Which was really really unfortunate. She worked hard to get her fabric finished, and set aside the week. And this was already rescheduled from last spring since I was still undergoing treatment for my fractured shoulder. Which left me with a free week, absolutely nothing on the calendar, because I assumed I’d have a student all week.

Since I was fine by the weekend, this was an unusual dilemma for me, to have a “snow” day turn into a “snow” week, no snow, but unexpected change of plans.

I decided, as much as I really really didn’t want to, that it was time I redid all the directions for my 11 remaining patterns, and added the links. Problem is/was that I needed to rewatch some of the videos to remember what was actually in them. There are 80 of them. I’m working on, and have been for the last year, an index of the YouTube channel, both by video in chronological order and alphabetical by topic. It is a huge huge job. I’m actually paying someone else to do this. But she is struggling to find time as well. We got to 68%, which is currently posted on my website, but it is taking forever to complete it. You can find what we have completed here.

So I started last weekend, determined to use this week to update all the directions for my sewing patterns, which are free to download from my website. And while I was at it, watch as many videos as my brain could stand, and mark topics and time codes, and then enter them into a very large Excel spread sheet.

So I’m sure you know where I’m going with this. I’ve spent a miserable week, staring at a computer screen, checking my work, rechecking my work, converting to a PDF, and checking my work once again. And I know there are errors. There always are…

And I’m within 10 videos of completing the index. Ann Marie is working on four of the last ones, and I have five more to view.

And so dear readers, this is my gift to all of you, updated directions with live links in the PDF to appropriate videos for many of the steps, and soon a completed index of what to find where. In return, please let me know whenever you find an error, missing link, whatever. I say this of course with fear, because I know you’ll find them. Many of you are actual editors, and though I bow down to you, I also know you will find the mistakes! Email me at theweaver@weaversew.com

There are no cool pictures to share. All I did was work all week on the computer until I couldn’t see anymore. I’m well beyond Covid at this point, and my work sold well at the guild sale, I’m writing checks tonight to the participants, since I’m the treasurer. I’m checking each check twice to make sure I got the amount right, and didn’t do something stupid like leave out my signature.

Some of the work that didn’t sell at the sale will be donated to the Shakespeare Theatre’s annual holiday bazaar, check that out if you live in the north Jersey area. Work will start soon on the costumes for their December production of Shakespeare’s 12th Night.

And I rescheduled my student for the end of November. So now I have to clean my house all over again. Fortunately housework doesn’t require checking your work…

Stay tuned…

Quiet and focused…

My mom always calls and asks when she doesn’t get a copy of my blog in the mail, if she missed something. My 92 year old mom, who taught me to love fibers, sewing and garment construction, has no internet access, no cell phone, nothing electronic. By choice. If you want to talk to her, you call. So I dutifully make a paper copy each time I blog, and send it to her in the mail. The old fashioned way. She always calls when she gets it and tells me how much she loved reading it, over and over, and how lovely the pictures are, and we always have a good chat about it.

I of course haven’t blogged in a couple weeks, so she was wondering.

Truth is, I’m hyper focused. I always have good intentions that in the spring, I’ll start making stuff for my guild sale, and actually I did somewhat this year, with the 18 yards of mohair, netting me seven mohair blankets, a run of hand dyed scarves, and some mats woven with water iris leaves from my garden. But still, just a few weeks before the sale, I found myself once again, locked in the sewing studio, churning out whatever I could with whatever leftovers I found. And I am always stunned at how many, or how much scrap I have tucked away. That’s one of the benefits of weaving yardage. Once you make the garment, you have lots of smaller hunks of fabric to just play with. I have a whole guild lecture I do on what to do with leftovers, and of course there is my digital monograph of the same name…

I did craft fairs, for 10 years. By 1990, I was done and swore I’d never sell my work again. But the guild show and sale, is somehow different. It is actually fun for me to make a bunch of zippered bags…

…tote bags…

…greeting cards…

…and something new I tried this year, really fun to make, from a Simplicity pattern, #2450, I made a half dozen of these mug buckets, adapting the pattern to handwoven fabric, because actually, this is a fund raiser for the guild.

Ultimately what doesn’t sell of the 132 items I tagged, (don’t be too impressed, 40 of them are greeting cards) will either be donated to causes I support, for their fund raisers, or as gifts, not that I go many places that require hostess gifts… but I do have friends…

The guild sale is a great place to move-on stuff that can be loved in other people’s homes. I just have fun making it all.

So everything is tagged, we are using bar code tags now, and I’ve written and printed a custom hang tag with the story behind each piece, and what garment the leftover came from. That was a lot of work, but fun for me to go back through the archives. And I even learned in a class during Spinning and Weaving Week with the HGA, how to print my own sew-in labels, because no two are alike. And I know by law I have to have the percentage of fiber content, and country of origin of the fiber, but that information isn’t possible to know. I use too many different unknown yarns, and this is from leftovers and that’s as best I can offer. I didn’t have any poplin inkjet treated fabric, but I had a number of packages of 10mm silk habotai, which honestly is better for wearables, since it won’t be pokey and itchy. The Daryl Lancaster labels are from a stack I had left from the 1980’s. They still work. Did I mention I am a pro at sewing in labels? From my days working in a high end exclusive department store during college, we took out manufacturers labels and sewed in our own. In between customers, I was the best at sewing in labels. And I still do it volunteering in the costume shop at the Shakespeare Theatre of NJ.

If you live anywhere near the north Jersey region, the Jockey Hollow Annual Show & Sale will be at Brookside Community Center in Mendham on November 5th and 6th, 2022. Please check www.jockeyhollowweavers.org for more information.

They just seem to find me…

A couple of weeks ago, I got a call from someone on the west coast. This happens often believe it or not, or I’ll get an email from someone who Googled Tools of the Trade Looms, which I have a lot of, or Structo Looms, because not only do I have a lot of them, but they get mentioned frequently on my blog, so I’m apparently the “it” girl for looms of those brands.

Anyway, my friend on the west coast, and I say friend, because I recognized the name on the caller ID, she had taken a number of workshops with me in the past, works with a weaving school, with more looms than I can even count, and found a number of small looms and assorted parts, unused and unloved, in a closet, and called me to pick my brain. Again, not unusual.

Turns out, after sending photos back and forth, she had three Leclerc 10″ sample looms, from way back, like the little green ones I love and have two of. They don’t often some up for sale. And she had three little Structos, which I have a lot of, like I said, one was the standard four shaft, perfect condition, no rust, one an eight shaft (woo hoo!) and one was one of the original black ones with the wing nut tensioning devices, which I hate, and usually am not interested in. As a matter of fact, as I recall, there are a couple like that in my attic, which I stripped for parts, and actually, I wondered what’s up there…

Meanwhile, the discussion went back and forth, and after asking her to check out the cost of shipping (USPS was the cheapest by far, with 2 looms in a box for $147 each box), this happened.

They were packed and dropped at the airport last Friday, which is a holiday weekend, and were on my doorstep 9am Tuesday morning, in perfect condition, after a 3000 mile journey. Yeah USPS… The Post Office, go figure…

I paid a good amount with the shipping for these looms. When I posted the whole episode on Facebook, the comments were quite hilarious, including one person who really wanted to know why? Why did I need more? It is a legitimate question, and I thought about my answer for a long time. I don’t really need to explain, we all have our vices. I had 23 small looms already, between the Structos and the two Leclerc Sample Looms. And maybe like some people rescue stray animals, I have this thing about rescuing looms, rehabbing them, and bringing them back to life. A loom has a soul, and an aura, and there is definitely an energy, a really positive one, when it gets loved and used frequently.

But the real reason, sort of dates back to a time before Covid, when I was using my Structo collection as a traveling studio, along with my daughter, teaching for my guild an annual beginning workshop (we got a lot of new members that way) and regularly scheduled beginner classes at Silk City Yarns, part of Lion Brand in their Secaucus outlet. I was constantly asked after a participant had taken the class numerous times, for a Part 2. I kept thinking about when I took Madelyn van der Hoogt’s class on Whidbey Island back in something like 2018, where she had 32 looms, prewarped in a structure each, and participants went loom to loom and explored all kinds of different things, over the five days of classes. That will never happen in my studio, but I did have these Structo’s, just not enough of them and still be able to teach beginners.

Covid changed all that. Lion Brand closed its outlet and moved its warehouse to Georgia. And I swore I would not ever travel to teach again. I’m thinking though, that in service to my guild, I really should do another Learn to Weave class, because that’s how new weavers are born.

Meanwhile, I took about 10 of my Structos and started warping them with various structures, which I talked about earlier in the year. I was looking for gamps that would allow treadling exploration, and though it was for my own purposes, those little Structo spools hold a lot of 20/2 cotton warp, and those warps will probably outlive me…

I think about having a group of students come in for an evening weekly, or whatever, and I can fit a half dozen at my dining room table…

Anyway, as I think about these things, the looms to make that happen are showing up in unexpected ways. I had an alarm system contractor up in my attic upgrading my heat and smoke detectors, and while he was up there, I dragged out all the odd Structo parts I had stuffed up there. And I re-evaluated their status.

It took quite a few days to carefully unpack all 6 looms, which had their castles removed for easier shipping, and I started to assemble. The Leclerc looms were fairly straightforward. As was the four shaft Structo.

I replaced some of the parts on the eight shaft, like the reed mechanism, which was not standard. I’ll still need to upgrade all the rusty heddles, which I’ll do when I decide what to put on each loom, depending how many heddles each structure needs, but the little black original Structo kept haunting me.

I looked at the parts from my attic, and I looked at the one that had been shipped from the west coast, with the wing nut tensioning devices and I started stripping them allowing me to create a perfect 8 shaft FrankenStructo with real cranks. And I can swap out the hex beam from one of the other four shaft ones I have and fit spools on it. I have lots of spools, and no, I’m not sharing.

And, though I wouldn’t use a loom with the wing nut tensioning system, I did manage to piece together a seventh loom from leftover parts. So, as expensive as this whole escapade was, I got a lot of looms, which will totally do the job should I really want to do both a level 1 Learn to Weave, and a level 2. I suspect the universe has this plan and is not allowing me to say no.

That leaves this poor little rusty 2 shaft Structo from my attic, which is so old that all the movable parts are riveted, so not easily changed out for more contemporary beams, cranks, beater, etc. Every time I walk by it sitting on the counter, it cries out, “Please don’t put me back up there…” I need my daughter, who has mad metal skills to take a look and see what we can do with it. She is in Idaho at the moment at a large animal sanctuary, finishing up her finals for her Vet Tech degree.

Meanwhile, my gardener, whom I can’t live without, brought me outside this morning to discover this.

How we missed this, is beyond us.

The activity in an out of this wasp nest was constant, and after a bit of research, we decided that this is a rarely used area of the property, only the lawn crew use that south side entrance, and that wasps are actually beneficial. They will all die out once winter sets in anyway, but it was remarkable. Then my gardener, who was pruning one of my Kousa Dogwoods found the remnants of a wasp nest, and I brought it in to dry it. What a remarkable piece of nature. The nest is actually chewed up wood pulp, built in layers. Wasp Spit! I don’t have the heart to have this nest removed.

Meanwhile, after sitting on a panel last week for Spinning and Weaving Week, that had to do with getting into juried shows, I thought a lot about my response to the question about one good piece of advice to anyone wanting to get into juried shows. I commented that it is all about having good images, because that’s usually what a juror sees first.

Back in 2006 for the Grand Rapids Michigan Convergence, I actually put together a seminar on Photographing your Work. I know my way around a camera, or rather a film camera, since that was my second concentration in art school. The first was of course fiber…

I gave that seminar to many guilds and conferences over the years, but stopped because technology changed so much in the last 10 years, that I really wasn’t in the mood to rework the whole thing. So I stopped offering the monograph as well. After sitting on that panel, and remembering how important good visuals are, I decided that as a public service, I’d dust off that monograph, because the main content is still very valid, and offer it in my eShop for free. So if you are interested, the link is here.

While I was at it, I’ve spent most of the last couple weeks, along with all my other adventures, updating all of my digital monographs, checking links, adding images when I have something better to show, and eliminating the print versions. Largely I’m tired of printing, shipping is getting ridiculous, and if any of the links or content changes, then the book is outdated. The digital version I can keep fresh, have an index, and include live links you can just click on in the PDF file. I’ve also posted in the description of each of the digital monographs the date of the last update. So if you’ve bought any of my digital monographs, and still have the email with the download information, you can get the updated version anytime. Many of the monographs that have to do with sewing with handwovens, all now have links to my YouTube videos that talk more extensively about that particular topic or technique. I’m always upgrading something…

And finally, one of the questions on my facebook page about the acquisition of 6 little looms was from a couple of different friends who know me and know my space, “Wherever are you going to put them…”

I thought about this as I assembled all the little looms, and wandered around my studio for a couple hours. I decided that one of the shelving units, that had some Ikea bins full of spinning fibers and equipment would be appropriate, if I could find someplace else for the spinning detritus. There was space under the work bench that had looms, a bobbin winder etc., across the studio. those are the square cubes on the floor.

The shelves weren’t high enough for the Green Leclerc Sample looms, so I could put them on top of the book cases, replacing Structos up there.

Then I was able to perfectly fit 8 more looms on the shelving unit in the corner. I still have to replace aprons, and some of the heddles, (fortunately I have a good supply and no, I’m not interested in selling any of the heddles, looms or assorted parts) but that can wait until I know what I’m actually doing with them.

And there are more Structos here… I think I now have 30… 🙂

Life just gets curiouser and curiouser, and I’m not one to question what the universe has in store for me. The last three years have shown me that. I’m busier than ever, and really having fun, and yes, the studio is now bulging at the seams, but I’m a good garment maker and know how to let those seams out…

Stay tuned…