The social season is in full swing…

The last days of any year are always a mixed bag.  I find it hard to get any meaningful work done in the studio, there are so many social events on the calendar, some seasonal celebrations, some gatherings of friends, and on the other hand, there are so many social events on the calendar, seasonal celebrations and gatherings, that I’m forever grateful that I have opportunities like this to celebrate and see the world outside of the four walls of my studio.

BlankCanvasBenefitAlmost every night, since my last post (was it really almost a week ago?) I’ve had a major event on the calendar.  Saturday had three events back to back!  Friday night, I attended the reception at the NJ Center for the Visual Arts in Summit, NJ, for the artists who donated work for the Blank Canvas Benefit.  You may remember my blog post last month while I worked on my piece.  Since the handwoven scraps used in the artwork were from one of my jackets, I thought it would be fun to wear the jacket to the reception.

It was great to see all of the other interpretations of the claybord we were given to work with, we could pick the size, and many of the artists chose to use the claybord as a flat box/container, as a standing shadow box, as a canvas, some two sided, and there was my piece, wrapped like a present, completely encased in fabric.  The food was delicious, and in any art venue, there are always interesting people to meet and chat with.

Saturday morning was the holiday party for my American Sewing Guild neighborhood group.  It was a pot luck luncheon, and a lot of fun.  Hand-LoomWeaving

One of the members had been to a book sale, and she saw this little tome and because it said Hand-Loom Weaving on the front, she thought it was something I could use.  She herself isn’t a weaver.  It is little kindnesses like this that make the world a better place.  I was THRILLED!  I have never seen this little treasure, written by Mattie Phipps Todd, in 1902.  The book was revised in 1914, and that’s the version that you see here on the right.  It is a small little book, and it primarily focuses on teaching weaving in a classroom situation, using the new modern loom, which looks remarkably like one of the 25 small frame looms I have stacked up on a shelf for those occasions when I am demonstrating to a school group.  They have end rods that run through the frame to keep the weaving square, and adjustable end caps so the weaving can be sized.  The book, discarded from the New City Free Library, in New City, NY, (I’ll bet that’s a story in and of itself!), starts out with a fascinating chapter called “A Chat on Weaving”.  Small phrases in the side bars act like little highlighters, phrases like, “Community feeling continued”, and “Nature knows no hurry”.  Since this is a teaching manual, there are lots of phrases like “A child’s work should be suited to his capacity, without regard to grade”, and “If you would develop morality in a child, train him to work.”  This particular paragraph gave me  a huge smile:

“The child not only recognizes the value in honest labor, but his sympathy with all labor is aroused through his own efforts and through the stories told of weavers in all lands.  He realizes, also, although in a limited way, the interdependence of the whole world.  If the sun did not shine, and the rain fall, there would be no grass.  If there were no grass, what would the sheep do?…

Could it be this little treasure, discarded long ago from a library in an unknown city, holds the key to world peace?  🙂

TSO1Saturday afternoon my husband and I drove to western NJ, where we attended an annual holiday gathering of friends, more interesting people to meet, share, and enjoy.  We raced back home, in time to meet my step-sister and her guy, have a quick bit to eat, and race over to the IZOD center to watch the holiday extravaganza of the Trans Siberian Orchestra.  Wow!  I actually had never heard of this very popular orchestra, a combination of rock, opera, classical remakes of the greats, Beethoven, Tchaikovsky, with an added twist of pyrotechnics, fireworks, laser lights, and some pretty mean guitar work. The newest member of the Orchestra was a keyboardist from Russia who began his number with a rapid fire run on the keyboard of the third movement of Beethoven’s Moonlight Sonata!

TSO2Our seats were amazing, and the moving banks of lights, parts of the stage rising up, and walls of video images, made for quite the show.  I enjoyed it a lot, and it really set the stage for the holiday spirit.  The whole first half of the three hour show, with no break, was a lovely Christmas story of an angel flying the world in search of world peace. TSO3

Sunday I set out for my recorder consort rehearsal, we have a performance Friday night, and was horrified to see the havoc the unexpected freezing rain was having on the roadways.  I almost turned around a half dozen times, but decided it was more dangerous to do that than just keep on going.  I’ve never seen so many accidents.  When SUV’s are creeping along at 20 miles an hour on a slick interstate, with their flashers blinking, you know something is up!  And once I made it to Morristown, the sidewalks were complete sheets of ice.  I teetered along, digging the four inch spike of my new killer boots into anything I could to stay upright.  I made it to rehearsal, late, but safe, and by the time I headed home, the road crews were out spreading copious amounts of road salt and the traffic began moving at a steady pace of 45 mph.

Eric_GuardSunday afternoon, my son returned from his weekend at the Army National Guard.  This is his last weekend there, before he ships out to Boot Camp on January 4th.  It is the first time I’ve seen him in uniform, and I will say, there was a little bit of pride and a misty eye, my son has grown up.  That’s me over there lurking by the front door.

Sunday night, I had the annual holiday gathering with my “mom’s group”.  This is a group of six powerful women who all raised their kids together, meeting monthly for lunches for about 15 years, and then, once jobs took over, and crazy school schedules took over, a quarterly dinner is about all we can manage.  Still, there is a bond there that goes back 20 years, and we celebrate each time one of us hits a birthday milestone.  We celebrated Patty’s 50th birthday as well as the holiday, and everyone loved my coiled hot mats I’ve been working on for the last couple of weeks.

This morning, I’m about to shower and head out to the Frances Irwin Handweavers annual holiday luncheon, I’m really looking forward to that, and I actually bought an additional luncheon ticket for my husband, he has never attended a guild function, and I know there will be other DH’s there, so I decided it might be fun to have him along and accompany me on the hour long drive to Pennsylvania.

Tomorrow night is the High School Holiday Concert, my daughter will be playing the trombone.  And Friday night is my recorder consort performance.  Saturday we have tickets for a performance of the Baltimore Consort at the Cloisters in NYC, you cannot imagine how spectacular an early music performance is in this particular venue, the vaulted stone ceilings of the 15th century cathedral like space, it is positively haunting.

And tomorrow is the one year anniversary of this blog.  I have completely enjoyed the year, writing about my creative adventures, as they parallel my life and all of its crazy meanderings.  And I find it a great resource for me when I can’t remember how I did something.  Makes for a great record keeper… Stay tuned…

True Confessions

Bound03I have a confession to make.  This is hard for me to admit, but I suffer from Blank Canvas Disorder, a common yet debilitating disorder that makes one’s brain cells completely shut down when faced with a blank canvas, paper, or anything requiring the brain to invent content for that blank canvas.

So that’s exactly why I agreed to participate again in this year’s “Blank Canvas Benefit: For Art’s Sake” at the Visual Art Center of New Jersey in Summit.  Participants are given a blank canvas, and have to create something on it, and donate it for a pricey fundraiser/auction which will happen in mid December.  Those of us who donate get a lovely reception where we get to preview the work, but alas, we don’t get to attend the auction so we have no idea how much our pieces sell for, and they won’t tell us.

I have to deliver the finished piece by Friday.  Do you think I’ve procrastinated long enough?

Knowing I have this Blank Canvas Disorder, I try to compensate by not actually trying to think of what I’m going to do with the canvas.  This is a perfect place for not thinking.  I can over think myself right into a paralyzing lather, and instead, I need to just enjoy the medium, play, and see where life takes me.  In my cleaning up of my studio, in the aftermath of the photo shoot and the guild sale, I came across the now minuscule baggie of scraps left from my Sandstone jacket and tote bag I created earlier this year.  I really had no idea what I wanted to do with this canvas, and I wasn’t even sure what medium I wanted for it.

Almost all of the other participants are painters, collage artists, photographers, etc, those who are accustom to working in two dimensional media.  I’m the lone fiber person.  Last year I mounted a version of Big Sister onto the canvas, it was an actual real canvas, the one we were given this year was a 2″ deep cradled “Claybord”.  I read the label on the board or “bord” as the label explains, and the surface will take paint,  ink, gouache, egg tempera, acrylics, airbrush, encaustics, collage, photo transfers, pencil, casein, and it can be used for mounting papers, prints and fabrics…   🙂

That last word got me to thinking, and the little bag of Sandstone scraps started me to rooting around in my stash.  I came up with a few things that I liked including a scrap of ikat cotton from a bag of scraps I bought many years ago from Mekong River Textiles at a conference.  I also found a scrap of silk where I had tested some stencils with fabric paint.

So, without any idea of where I wanted to go with this, I just played.  🙂

Bound04Bound05Bound06Bound07Bound08Bound09Bound10Bound11Bound13Bound14Bound18

I played with the fabrics, and liked what happened when I took the long ikat scrap and put it together creating a “schism” between, and then taking the long selvedge of the Sandstone fabric, I began to play with the idea of binding the schism back together.  There is a lot of political content here, and I liked where the piece was headed, and loved the play of the fabrics.  I played around with yarn, making it look like brain waves, and then found my little “happy” basket of Habu yarns, I’m talking a small basket here, and found a course green cotton novelty yarn that I just started wrapping around the bundle.  I liked the effect and the purpose the binding yarn gave to the piece.

So now my next step was to actually construct the piece.  I thought about just gluing the whole thing together, even using gel medium to paint and stick everything into place, but I decided to actually sew it all together, maintaining the tactile quality of the actual fiber.  Sort of like a bound package…

Bound19Bound20Bound21To give the piece some support, I cut out two layers of a thermal fleece, the kind I use in clothing, and I also decided, as pretty as the sides of the “Claybord” were, I wanted the fabric to come all the way around the sides as well, so I could ultimately just tied the binding cords around the entire box.

Then I found an 8×10 mat I had laying around, and used it to check on the actual design that would appear on the front of the board.  I had no idea what I was doing here, just feeling my way along and having way too good of a time…

Bound22Bound24Bound25Bound26Bound27I used the sewing machine to baste the layers of fabric together, and then quilted the ikat fabric to the padding, using a metallic variegated thread in a pattern that played off the ikat.  I hand sewed the Sandstone strips in place, and then basically upholstered the box.  After making the four box corners, I covered the messy back with a piece of the stenciled silk.  I listened to the end of my Elizabeth Berg book on tape while I hand sewed the silk onto the back.

Bound29Finally, I wrapped the Habu yarn around the box, and I’ll hand sew it in place in key spots so it doesn’t shift tomorrow.

I can’t tell you how much fun I had doing this piece.  Is it good?  Will it sell at the auction?  Does it really matter?  I had one of the quietest and best days I’ve had in a long time, no stress, and I just played.  Like a kid in a sandbox.  It was good for my soul and my spirit, and I am happy with what I have sitting in front of me on my desk.  I called the piece “Ties that Bind”.  I think a trip to the art supply store for more of these “Claybords” is in order…

I can’t tell all of you how much all of your comments have meant to me in yesterday’s post about selling your work.  I’ve been emailed some comments privately, and I’m waiting until more come in, and then I’ll jot down my thoughts.  All of you have such valid perspective, and there is clearly no right or wrong answer here.  And I was sort of glad to hear this isn’t just an issue in the United States, there was a comment from New Zealand, and the discussion is pretty much the same, half way round the world.

One final note, I received the 6 1/8″ Texsolv heddles for the Structo loom I talked about last week. StructoTexsolv The one my husband magically fixed, finding all the right parts in his vast stash of hardware.  I paid my son to put the 400 heddles on the shafts, and I really think they will work fine.  They aren’t real tight on the heddle bars, so they should slide OK, and I’ll have to eventually cut the bridge cords between each of the heddles, they come all attached, because I think the hooks that raise and lower the shafts will get caught on the bridge cords.  I just have to make a trip to the hardware store for some apron rods, and I have another Structo loom in working condition. 🙂