Tag: 8/2 Cotton

And so starts the holiday season…

…with a vengeance! Thanksgiving is late this year, so hasn’t happened as of this writing. But the last few weeks have been horrifically busy, because, ’tis the season.

It is the season for our annual guild show and sale. I worked furiously making stuff from leftover scraps, for the sale, like ornaments…

Like zip bags…

And I loaded up the car, helped set up the sale, spent an exhausting three days working the floor, and selling my little heart out. I sold quite a bit of work, which made me happy.

Most of the unsold work was just delivered to the Shakespeare Theatre of NJ, for them to add to their little gift shoppe in the lobby of the Kirby Theatre for the final show of the year. ‘Tis the season!

The final show is A Christmas Carol, and because I volunteer as a stitcher in the costume shop, it has been all hands on deck. I always thought my least favorite show to help with costume alterations was Macbeth. Lots of black, lots of leather, and garments that weight 75 pounds. The current production is just as challenging. Many of the garments for this show have to be rigged for quick release, for costume changes that have to occur in about 15 seconds. There are only 8 actors in this version of A Christmas Carol. That means fitted corseted jackets have to be attached to full skirts, and full petticoat attached to that. With a lapped separating zipper down the back, where some of the layers were 1/2″ thick. We have industrial machines there at the costume shop, but nothing would go through this except the costume shop’s manager’s personal $199 11 year old Singer from Walmart. Try putting in a lapped zipper after the fact in a garment that weights as much as I do… Go figure… The things I am learning… I’ll go in one more day on Tuesday, they pack out on Wednesday and go into tech this weekend. Show opens December 4th. ‘Tis the season!

This is the season of harvesting, and I had a friend collect a huge bucket of black walnut hulls. I don’t have a garage to put them in, since that is now the weaving studio, and with the animals always getting into something, I don’t dare just put them in my studio. So I left them in front of the garage bay under the overhang, to protect them, and the squirrels had an absolute field day. There were crushed walnut hulls all over the driveway. Somebody was happy! I covered the bucket and now they are all moldy. Sigh… Maybe next year my life won’t be so crazy and I can soak them immediately and use them as a dye promptly.

It has been a beautiful fall season, especially in my yard with all the wonderful native plants and the colors that they are turning, much subtler than all the invasives on my property, but beautiful in their own way. However, this is NJ. And though it flooded four times in the last year, we have been under extreme drought conditions for the last couple of months. No rain. None. Which means no fire pits, no fireworks, nothing that could spark dry leaves and create a conflagration. Nevertheless, thousands of acres have burned over the last couple weeks, which is pretty scary in this small and overcrowded state. I became obsessed with watching the weather apps on my phone, hourly, praying for some kind of precipitation, watering where I thought I had no other option, but understanding that our reservoirs were half empty, and conservation was important. So it was with extreme joy that over the last few days, we received slow and steady precipitation, that amounted to nearly 4″ of rain. Everything looks wet and healthy.

I grabbed a photo of some of the color outside my studio window.

And with the all the rain, I was inspired to wind a warp for dishtowels, because, IT IS THE END OF NOVEMBER AND I DON’T HAVE MY HOLIDAY GIFT DISHTOWELS ON THE LOOM! I grabbed the draft from last year’s 4-shaft combination structure towels, based on this design from my eShop. I just edited the colors in my weaving software, and started winding.

I put 10 yards of 8/2 cotton. I have a lot of cotton. Within two days I was weaving… I’m calling this run Autumn Rain.

With a lot of help from Mulder. NOT!

I’m about three yards in so far. I try to do about a yard at a sitting. ‘Tis the season for dishtowels!

And for anyone who plays music, this really is the season. I played recorders at a Viking festival last weekend, and our annual holiday concert is this Sunday in Montclair. I play bass recorder, with Montclair Early Music, and we have had a number of opportunities to share our music with the public. Which means lots of practice and lots of rehearsals. And a couple of us are planning to take a quartet to a memory care facility in my county to play Christmas music. More rehearsals and practicing. ‘Tis the season!

And of course, thrown in there was the election. I don’t ever talk about politics in my blog, or my Facebook page. Most of you who know me know where I stand politically. And in the arts, most of us lean in the same direction, since we are such a diverse community. That said, I pray for some stability and kindness, and willingness to have frank discussions, and embracing those who think differently than I do. I’ve reached out to talk with those who voted differently than I did. And there is always more than one perspective, for any situation. I miss my late husband terribly, because he was the absolute best at seeing all sides of a situation and acting accordingly. And though election season is over for now, the 2025 gubernatorial primary season for NJ has already started, and there are about a dozen good candidates up for the position of NJ Governor. I’ve tried to limit my news exposure at this point. Because even though, ’tis the season, I don’t have the stomach for it right now.

And I wait. By the phone. For my son’s return from his deployment in Syria. I know the process has started for his return, but the military never gives details about troop movement, so I have no information, except that I’ll eventually get a text from him telling me he is on US soil. Soon…

And so dear readers, I’ll spend Thursday quietly with a friend, and then back to work rehearsing, weaving, and all the other things that need to be done in this season of darkness. I love the waning afternoon light through the trees, minus their leaves. I love the blowing leaves along the streets and in my yard. I left them in the beds this year, because apparently that’s the thing to do. Like covering up everything with a blanket for the winter. It rained, and I have towels on the loom, and my son will be home soon. All is well.

Stay tuned…

Spa Day

For much of my career in textiles, I’ve focused on handwoven garments, and that has been a wonderful and challenging path to explore. I’m pretty good at it. But at this point in my life, I’m pretty well stocked with clothing from my hands. Closet is full, and honestly, almost no where to wear any of it. I have my favorite go to’s, and as I write, I’m wrapped up in my handwoven sweater jacket I wear every day and wrote about for an article in Handwoven Magazine, but honestly, the longing to create more clothing just isn’t there.

However… I want to weave, I like long warps, and I mentioned last time I had decided to weave me some bath towels. Or rather spa towels. Because these aren’t like any bath towels I’ve ever used… (3.75/3 cotton from Peter Patchis sett at 12 epi.)

And then came the knots…

And then the whole ten yards was in a pile on the floor, headed to a hot wash in the machine. I was disappointed in that I miscalculated the amount of shrinkage I’d get from the collapsed Waffle structure, so the last of the four towels was about a foot short. Nevertheless, the whole thing went into the wash…

Just a warning note here, if you put 10 yards of 45″ wide Waffle weave woven from unmercerized cotton, there will be a lot of lint. A Lot! I had to open the dryer every 10 minutes to clean out the lint screen.

I mentioned last time, that these 8 shaft waffle towels had hems in doubleweave, to reduce the amount of flair that happens when the structure collapses and the hems don’t. I went to the sewing studio and carefully pinned the hems in on themselves, and handstitched them closed.

Turns out, the towel that ended up short, fit perfectly on the raised tile deck for my walk in shower. I wouldn’t use them on the regular tile floor, as the Roomba travels over it daily, and I think that these cuddly cushy towels and my Roomba wouldn’t be a good pair. And so yesterday morning I got to take my spa shower and wrapping myself in this cushy absorbent towel and stepping out on to the cushy absorbent mat were just the best. I highly recommended the spa treatment!

Meanwhile, my project for earlier in the week was to replace the disgusting destroyed cushion I had made for the bay window in the living room. This is the dogs’ favorite place to hang. They come in from outside, and go right to the window, shedding and muddy and there is just so much you can vacuum and clean a foam cushion and it ends up pretty ratty. Plus this more recent version I whipped up a couple years ago, was too small for the area, and would go flying every time the dogs jumped in the window.

I took a trip up to Joann’s, and bought a 2 yard wide slab of 2″ foam and pieced together the remainder of a fabric we had done some upholstery projects with. I had some synthetic microsuede I got as a remnant in Japan, and used that for piping. I reused the zipper from the old cushion.

And so, to keep it from flying out of the window, I added three folded vinyl tabs, that slipped under the double hung windows, and stuck out from behind the window enough to slip a small piece of a chopstick into the fold. When the window is shut, the tabs keep the cushion from going anywhere.

And to keep the animals from destroying it immediately, I tossed a couple of synthetic fleeces from IKEA on top. It is very cushy for the dogs, and I might get a couple of years out of it at least.

Friday night my daughter and I went to see the final production of the year for my beloved Shakespeare Theatre of NJ. They did a winterized retelling of Midsummer Night’s Dream and we laughed through the whole thing. The cast was amazing, and it was definitely a wintery romp. And all my hard work on the costumes paid off. They were brilliant. I’m just a volunteer stitcher but there was a lot of stitching to be done! And in the lobby of the theatre was a little pop up shop, with a table of my work, proceeds are donated to the Shakespeare Theatre. It was fun seeing all my work together in one place. The show runs until the end of the year, it is really delightful, a perfect holiday treat. Click here for more info.

And I continue plodding along on block number two of the appliqué quilt block of the month, which my mom unceremoniously handed to me in a paper bag last year, from 1999, after she broke her shoulder and realized that at 92, her arthritis and multiple broken achy bones would prevent her from doing the fine handwork she once loved. So I took a look at it, and after getting advice from a couple of my students on how to do this kind of appliqué, I reluctantly jumped in and found that I adore this kind of lovely easy zen like challenge. I finished block one back in September then took a break to make stuff for my guild sale.

So block 2 is almost complete, a bit more appliqué work on the face, and then the embroidered whiskers and name, and I’m on to block 3. I believe there are 10 blocks, or something like that, so I’ll be at this for awhile.

And we are now up to the week before Christmas. Which means my holiday gift towels should be just about hemmed and ready for distribution. Except they weren’t even on the loom. As a matter they weren’t even designed… I was too busy making myself spa towels.

Thank goodness for facebook memories. Facebook to the rescue. This popped up in my inbox the other day. I loved these towels from 2014, especially the color combo. This yarn was a cotton linen combo, which is no longer made, but hey, I have a wall full of 8/2 cotton and there had to be cones in there that could replicate this feeling.

I pulled down what I had, and used the 4 shaft draft I did for the custom runner I made back in the spring. The draft is available here in my shop. I wound the warp. This was Saturday morning.

I threaded yesterday afternoon, before leaving for another theatrical production at a different venue, and this morning I beamed and dove in on the weaving. I probably don’t have enough black 6/2 weft for the whole 10 yards, but I have navy, so that should work.

I’m in love with these towels. I might even save one for me, even though my drawer is full, I’m finding great fun making textiles for the home, which I can use daily, instead of garments which sit in the back of my closet.

As we close in on the end of the holiday season, give thanks for what you have, no matter how challenging the world is around you, for it is the little miracles that pop up in the oddest places that give us the nudge to keep moving forward. I hope your days are full of brightly colored yarn, and warm furry friends, and I highly recommend a spa towel or two just because…

Stay tuned…

The great quest continues…

There is probably some sort of literary word that describes multiple plot lines of a story, all coming together to create a spectacular ending. I won’t say this is a spectacular ending, but I’m at least amused by it all…

A little backstory here…

When Covid shut the world down, I was not unhappy to have to cancel all my bookings and reevaluate my life. I was tired, and Covid gave me a great excuse to just stop. Get off the merry-go-round of endless airports, suitcases, shipping and prep and doing it all over again just a couple weeks later. Most of my peers (not in the weaving world) were retiring from their careers, moving to warmer digs, but I’m an artist. Sort of. Creative people don’t retire. They just reinvent themselves.

For most of my creative life, I’ve had to focus. That’s sort of a thing in the art world. Defining your vision, narrowing your focus for your work, is really important if you want to show/exhibit/sell your work. I started my career as a production weaver, making other people’s work, and then narrowed my own vision so I could get into craft fairs. You can’t do one of everything. It doesn’t work that way.

My first craft booth, circa 1980, did have everything I’d ever done to that point, tapestries, table linens, scarves, shawls, garments, rugs, throws (we called them afghans back then). I found out that to get into serious shows, I needed to narrow my vision.

I make clothing. I’m good at it, and I pretty quickly found a way to link garment construction and handweaving, and though I’d often wander off the path, my work is pretty consistently mine, and I’m proud of it all. Wander through my gallery…

From the beginning, I avoided participation in weaving guilds. I didn’t have the time to devote, and take workshops, and be a part of a team of guild members, and I was lecturing to many of them, so it was sort of a conflict of interests. But truth be told, I was jealous. I was jealous of the family a guild creates, and the exploration of different structures, ideas, cool things to try. I didn’t have the time anyway, but I always wondered what it would be like to do what I do as a hobby, and not as a career.

So when I found myself unexpectedly retiring from teaching on the road, and locked down in my studio for a couple years, I thought to myself, what’s the one thing you always wished you could do? I started telling people, “I want to try all the things…” As a matter of fact, I said something to that effect when Kathi Grupp, host of HGA’s Textiles and Tea asked me, “What’s next for you?” when she interviewed me March 22, 2022. I just wanted to try all the things…

I managed to take a few workshops where Covid allowed, and I listened to a lot of remote lectures and conferences. All sorts of things crossed my radar, but the one thing I really wanted was to be better at woven structures. I am a good weaver, I should be, I’ve been doing it long enough. But I stayed in one path, and rarely deviated.

Over the last couple of years, since my daughter and I built a new weaving studio in the garage, after she moved back home with her five looms and paraphernalia, more looms have found their way in to add to the mix. Especially Structo looms. There are 26 small metal Structo looms, and 5 small 10″ Leclerc Sample looms alone. I have 14 Tools of the Trade looms, 4,8, and a 12 shaft loom, some are floor looms and some are table looms. And we have a mix of others, from Leclerc and Ashford, a huge assortment of inkle looms, Ashford, Schacht, Beka, Gilmore, and Glimakra, and a custom tablet weaving loom from John Mullarkey. I lost count after 50…

During one of my remote guild meetings, someone asked me when it came up that I had this ridiculous number of looms, “Are they all warped?” I laughed, of course they weren’t all warped. But that thought sort of nagged at me. Over the last year, I became a bit obsessed in seeing if I could set up all of the looms. I loved researching a structure, and coming up with what I thought would be a draft that would interest and inspire me, and then pick the loom most appropriate. I’d put on however many yards the loom could hold based on how much yarn I had and again, what I thought was appropriate. There is no plan as to what any of these warps will become. For the first time in my life I’m just exploring. I had a blast doing something like a warp a week. I didn’t have to actually weave any of it off. I just wanted to see if I could actually get all of the looms operational at once. Many of them came in needing some major tender loving care. The Macomber (yeah, I’ve got on of those too), was in really poor condition and I spent more than $1000 getting it up and running, much to the annoyance of all of my Tools of the Trade looms. They weren’t happy when I brought in this “other” brand floor loom. Did I mention I think of my looms and equipment with anthropomorphic traits?

With more than 50 looms, there is a lot of noise in the studio on a daily basis, all of them shouting for attention, all of them needing to be “dressed”. They quiet down when they have a cool warp on them, and know I’ll eventually get to weaving on them. So I’m coming down the home stretch. There were only four looms that were left to be warped, one is a 12 shaft Dorothy from Leclerc, which belongs to my daughter, which isn’t mine to warp, but I had two 4 shaft Tools of the Trade looms, both 25″ wide, one a floor loom and the other a table loom left to dress. I hesitated, because it is always good to have a loom at the ready for emergencies. I couldn’t imagine what that might be, but it seemed like a good excuse.

The fourth loom was a “frankenloom” of sorts named Burnham. I created it from all the piece parts I had around the studio and in the attic after that huge shipment of Structos and parts I got from a school across the country. I blogged about that here.

It was 8 shafts, and I actually had some spools with usable cotton thread left on them, so I thought, what would be fun on this loom that I haven’t already tried. And “Rosepath” popped into my head. Strickler’s book of 8 shaft patterns has a number of pages devoted to Rosepath designs, a basic point twill, but the designs give the ability to weave little pictures of simple flowers, trees, hearts, anything that can mirror repeat itself over 16 threads. And so I set up this odd “FrankenStructo” and it is really happy to be part of the mix.

I was driving to music rehearsal the other night, and I got a call from a friend, who wanted to know if I would weave a commission for a table runner. I immediately said, “No”, and then continued to ask what the specs were, what was she looking for. She couldn’t do it herself, because like me last year, she was out of commission after a fall. I was driving so couldn’t get too involved, but I told her to send me pictures, of what she was looking for, and thought I was 99% sure I was not doing a commission for anyone, I said I’d check it out when I got home.

That kind of thing is like a light switch for me. I did have two looms without warps, but this would need to be woven quickly, so it would need to be a floor loom. I couldn’t stop thinking about how I would do something like this, with the limited equipment I had left. This is the sort of emergency project I figured might come along, needing a loom. I could always clear a loom, but I had this now ridiculous goal of warping every one of them. I asked my friend what kind of structure she had in mind. She said, “What’s your favorite?”

Well my favorite structure is all of them, I mean combining as many as I can into one warp. I wrote an entire issue of Heddlecraft magazine, issue #38 specifically on the subject. Typically I use an 8-shaft loom, but alas, I only had a 4-shaft floor loom available. I sent her one of the WIF files from the issue, one I used from G.H. Oelsner’s Handbook of Weaves that was actually 4-shaft.

She liked it, but I kept thinking, how can I make this more of my own? I went back and read the issue that I wrote…

I picked four colors from my vast stash of 8/2 cotton, based on the interior photos she sent, and she liked those choices.

I spent a few hours working on a draft, playing with repeating side by structures and tossing in some basic straight draw twill. I added a bit of color and weave effect, and she liked it as well. I was really shocked at how varied the draft was, with only 4 shafts. So I wound the warp, dressed the loom, and this morning I started to weave.

Needless to say, I’m pretty proud of myself. Necessity is the mother of invention? Or using up all your looms and not leaving any options? I’ll eventually make the draft available, maybe put it in my shop as one of my $2.99 downloads.

And while I was winding the warp, I heard this pitiful little voice back in the corner on the floor of the garage studio, “What about me?”

So I assured the one remaining loom of mine that needs a little TLC, that I would be addressing that matter soon. I started to think about what other structure I could play with. The voices in the room shouted, “Rep!” Completely impractical on a table loom, Rep is a very dense warp face structure, but there is a big difference between impractical and impossible. And I want to try. I’m already pulling yarn, and getting an idea of where I want to go with this, and I promised that little loom in the corner named Kim (Star Trek Voyager) that I wouldn’t abandon him. I’m on it…

Stay tuned…

Everyday feels like a year…

This is the weirdest year I’ve ever experienced, and there have been a lot of them.  You’d think by 65, especially having lived through the 60’s and 70’s that you’ve seen it all.  Hahahah!

I’m not going to comment on any of the current world situation.  You don’t need one more voice in the cacophony of voices and events and situations screaming at you for attention.  Because you all know or should know that the world is imploding like some sci-fi novel and that we just all have to buckle our proverbial seatbelts and hold on for the ride.  A bottle of wine or something more powerful would help for fuel.

That said, my last couple of weeks have been wild and crazy, and that has nothing to do with all the drama and sturm und drang happening in the world.  

In case you missed it, I did finish my Confetti vest, lined with a vintage leopard coat.  It makes me smile in so many ways when I look at it.  I’m ready for winter, this will be warm as s**t!  

So this week is Spinning and Weaving week.  It is a big deal in the fiber community, usually full of events, and gatherings and all sorts of fibery happenings.  The Handweavers Guild of America is giving it the valiant try of doing a bunch of fiber related events virtually.  While not ideal, in essence it allows participation by anyone, anywhere, in the comfort of your own home.  I know our homes are getting too comfortable and we are looking to get out and go anywhere, but inspiration comes in odd packages, and basically all this is free and all you have to do is register for a specific event.( I think it helps if you are a member, because everything is free, but there are modest fees if you aren’t a member.)  All this coming week, the HGA is sponsoring studio tours of various fiber artists they have selected, whose studios they think might be of interest to the fiber community at large.

And guess who is featured Thursday at 4pm EDT.  Yeah, so there is that hanging over me.  In preparation for a virtual studio tour, I mistakenly said, when they inquired if I would be willing to be a part of this, that sure, I’ll even have something on every loom that I can talk about and explain, and fill up space for an hour.  I need to learn restraint!

So, in anticipation of Thursday’s live virtual studio tour, filmed by my daughter who will be tethered to the laptop, camera and sound system, we will walk through my wonderful new garage space, and then on to the basement where I have my cozy sewing room.  But all the looms had to be warped…

So, my 8 shaft 36″ loom was unwarped and very lonely.  I still had a couple of cones of Silk City Fibers yarns to test out, one was a Cotton Bambu, in Silver, and the other was a Chenille Tapestry variegated called Japanese Red Maple.  I envisioned a light dark shadow weave, something sett well enough to keep the chenille from doing silly things like worming out of the structure.  Some day I’ll recount my early experiences with chenille, but with a lot of experience behind me, I thought I’d give it another go.

I used the Powell book for inspiration, but since I’m aiming to publish the draft and specs for this fabric, I needed something that was mine.  I started out with this 8 shaft version, and wasn’t completely happy.  (Actually I started out with 24 epi, alternating the CottonBambu and the Chenille.  Resleyed to 20 epi, and then resleyed again to 16epi.  Don’t ever be afraid of changing course mid stream.)

The change might not be obvious, but I redesigned it to reverse in a more pronounced way, and to better square up with the sett.  I’m pretty happy with this.  Now I just have to weave it off, but not before Thursday…

And my big loom, the 45″ 8 shaft Tools of the Trade, my first loom and first love, still with me after all these years, purchased in 1977, delivered in 1978 was also naked and really not happy.  Since every fall I put on a run of dishtowels for holiday gifts, I decided that that would be an appropriate thing to put on the loom, and then at the end of October into November, I could weave it off and have my holiday gifts.

Social media can be really challenging and full of untruths and misinformation and a lot of passionate people on both sides of the fence no matter what the subject.  But the social media sites dedicated to fiber and specifically weaving has some very dedicated moderators and some very talented contributors and every morning when I wake up I feel like I have just been to a fantastic inspirational gallery opening.  

The Facebook site Strickler in Color has been a tremendous source of inspiration.  Carol Strickler wrote a lovely book, now considered essential for every weaver with 8 shafts on their loom, full of patterns, all black and white, and you could spend a lifetime with this book and not make a dent.  So this Facebook site has talented contributors who post what they’ve woven, but in color, with a nod to the draft.  Strickler 728 keeps coming up, and if you looked at it in the book, you would have just turned the page.  It really is rather boring and not very inspiring.  But I’ve seen so many people use this draft in eye catching ways that it was on my list to try.

In keeping with the need to stash bust, because I’ve acquired a lot of 8/2 cotton in the last year or two, I pulled a length from all of my cones and sat with weaving software until I was happy.  I decided to put 15 yards on the loom because turns out, I can never have enough dishtowels.  I’m always needing one as a gift, and I’m tired of running out in July. (I still have two left from last year because I haven’t been anywhere since March, but hey…)

My table top warping mill technically holds 10 yards.  I’ve successfully pushed it to 14, but I decided that my AVL warping mill, now 20 years old, would probably serve for this purpose.  I rigged up way to make a cross, and I wound 15 yard bundles in 2.5″ widths.

I threaded the loom.  My ott-lite magnifier has changed my life!  

I beamed the 15 yards.

And I started weaving.  I am completely in love.  This is why we do this.  I am so thrilled to have been forced to fill up my looms, because now, after Thursday, I can walk in my studio and just weave.  A lot.  I have a whole fall’s worth of looms to clear.  Which will mean, except for the dishtowels, a lot of sewing this winter.  I can’t wait when we reemerge from this protective cocoon to wear half the stuff I’ve made this year.

Speaking of…

In addition to studio tours and virtual vendor halls, the Handweavers Guild of America is also sponsoring a virtual fashion show next Sunday.  Not the same as sitting in an auditorium at a conference and watching cool handwoven garments strut across the stage, but they are trying to put together a virtual fashion show.  That would be next Sunday at 2pm EDT.  Of course I’ll have a piece in the show, but I hear they could use more participants.  WHERE ARE ALL MY STUDENTS, AND WHY ARE THEY NOT SHOWING OFF THEIR WONDERFUL GARMENTS!  This isn’t like where you have to be juried.  Just sign up!  You need the ability to Zoom, log in and they will tell you what to do.  The rehearsal was today, but I think they still want more participants!  Come on guys, you have some great work!  The link to enter is here.  I know the deadline has passed, but I believe they are still looking for participants.  The link to view the virtual fashion show next Sunday is here…

And finally, there is my new Youtube site.  We now have four episodes of The Weaver Sews.  Every Friday we film a new episode on something related to sewing handwoven fabric.  Four are launched with Closed Captioning, which my daughter writes, so it is accurate and synced.  Two more are shot and I’m planning the topic for next Friday as I write.  I will create a script, which makes it easier for my daughter to write the Closed Captioning, and then I work all week on creating the samples and supplies I need for the video shoot.  We are having fun with this and I hope it is helpful and informative.  Sales of my patterns are certainly picking up!

So my head is spinning with all that is on my plate.  I’m old enough to remember The Ed Sullivan Show, and the guy from some Baltic country that did plate spinning.  He would keep 10 or 20 plates spinning all at the same time.  I remember watching with fascination and thinking, “How does he keep them all going at once?”  Well now I know.  Somehow that skill managed to rub off on me and I’m doing that every day.  And I wouldn’t wish for anything different.  My days are full, I have plenty to keep me busy.  I am lecturing virtually almost every other day, somewhere in the country.  It is so great to log in and see familiar faces.  I can do this… (though sometimes I wish I could redesign the plates).

Stay tuned…