A Cast of Characters

I could not get focused today.  Maybe it was because I got up at 3am to drive my husband and son to the airport.  They are taking advantage of some frequent flyer miles, my son’s spring break, and some new snow in Utah, and off they flew to Salt Lake City for the week to enjoy some guy time on the mountain.  🙂

I did go back to bed once I returned from the airport, and I did manage another four hours of sleep, but the day felt very disjointed.  So I puttered.  I did a little of this, a little of that.  After all, it is Sunday, and most normal people get off a day or two a week.  That would be a foreign word for me.  I did some grocery shopping, cleaned my bathroom, started cleaning the kitchen, the dirt doesn’t stop coming just because I left for a week for a conference.  I tackled a pile of files, deciding that my son’s progress reports and school files from elementary and middle school, now that he is in college, didn’t need to be taking up space in my file cabinet any longer.  They’ve been on my floor for awhile.  So that pile is gone.

Speaking of piles.  loom1

This is what happens when a loom is left unused for a period of time.  Piles start to cover it.  It looks lost amid the debris.  I had a major guilt attack today over my poor naked looms.  I’m in the middle of too many other projects to even think about getting a warp on this puppy, my beloved first loom, a 45″ 8 shaft double sectional back beam Tools of the Trade, I bought in 1978, right out of college.  I love this loom, I will never part with it.  I have woven thousands of yards of fabric on it.  But at the moment, it is looking like a neglected child.

Enter the twins.

twinsThis pair of looms sits beside the big loom.  I never named my looms, not sure why. It was hard enough to name my kids.  So this pair, both from Tools of the Trade as well, bought in the 1980’s at different times, helps me out when my big loom is busy.  The one on the right, 25″ wide, is four shaft, and it is warped with 10/2 cotton for my daughter’s and my placemat exchange we are doing with the Jockey Hollow Guild.  More about that later.

The one on the left, is pretty well equipped, for a 25″ wide loom, it has eight shafts, double sectional back beams, and is a little work horse.  I wove the Arctic Sky fabric on that loom.  It currently has the remaining yard or so of tencel warp from a Bonnie Inouye class I took last October (oh how embarrassing).  It had my only 25″ 12 dent reed in it, which I needed for the placemat exchange loom on the right, so I stole it.  Just pulled the warp out of the reed and moved it over.  So I couldn’t have woven the rest of the warp if I had wanted to.

loom2To the left of that loom, I have a 25″ Tools of the Trade table loom, also four shaft, that I keep warped with a Theo Moorman 10/2 cotton structure, for my art pieces.  I just finished the Big Sister piece, and I had originally needed the 12 dent reed for that one, but settled on a 6 dent reed, though I wasn’t completely happy with the reed marks it left.

So I was pretty embarrassed that nothing was happening on any of my four looms, one without a reed, one with the wrong reed, one with a warp and nothing started, and one with no warp at all.

So I looked through my vast stash of reeds, and found an extra 12 dent reed I had purchased used many years ago, for my 45″ loom, and I had my daughter hacksaw the thing into two pieces.  I decided that I needed to spend the day paying some attention to my poor neglected looms, and I resleyed the tencel warp into the replacement reed, and I switched out the reed on the table loom, tied both warps on the front beams, and they are ready to weave.

dog_tracksI turned my attention to the placemat exchange, and spent some time getting the structure to work right.  I took it from a workshop I took many years ago with Barbara Miller on 18th Century Structures.  It is a four shaft overshot pattern called Dog Tracks.  My daughter and I are both participating in this exchange, each of the 16 participants picks a 5/2 cotton weft color, and winds off a couple ounces and passes a ball off to each of the other 7 participants in their group.  My daughter and I are in two different groups.  So we will each have eight different overshot placemats at the end, all in our selected color.  I chose a grayed green, and I started the whole thing with mine.  Once I reworked the treadling, to give me the placement of the blocks I wanted, it started to weave quite well.  warp

I detest two shuttle weaves.  I know, I know…  But I am use to weaving yardage, lots of yardage, I like my shuttles to fly, and two shuttle weaves just don’t produce the speed of a one shuttle structure.  Part of the problem here is the size of the loom.  There isn’t room for the two shuttles to fit on the web, when I beat, they bounce right off the loom into my lap and onto the floor.  I solved this problem on another warp I did, by taking the unused second back beam from the eight shaft (remember two warp beams require a second back beam), and clipping it onto the front of the loom, with a heavy plastic ruler clipped to the surface so I have an extra ledge to support the shuttles while I’m weaving.

I did manage to get to Morristown today, to practice with my recorder group.  I probably didn’t mention that I play Baroque recorder, I play alto with this group, and we got all new music today, something new to practice, a whole play list of French love songs from the 1600’s.    And I did manage to get down to my neighbor’s house for our Sunday night ritual, a gathering of the women to watch Desperate Housewives.  We hoot and howl all the way through it, and will be really sorry when the season ends, it is a long way until September….

It turned out to be a productive day after all, and the looms (all except my big one) look so much more happy.  I think tomorrow I will clean off the big loom so it doesn’t feel so burdened with my junk…

Big Sister Revisited

What an odd day.  I had some very sad news this morning, after my celebration yesterday of my 7th anniversary of my cancer diagnosis, one of my very best friend’s was diagnosed with breast cancer.  I’m so sad for her, this is such an epidemic, that I almost feel like it isn’t a matter of if, but when…  The good news is that it is in a pretty early stage and with careful treatment it should all be fine.  But that doesn’t help right now, you still have to go through the misery and fear of a diagnosis, not everyone responds to your news in the best most supportive way, and the road will be a thorny and uncomfortable one.  But like I told her this morning, what ever side of the spiritual fence you sit on, I firmly believe that the universe sends angels, lots of them, to guide you through this maze, and they are always there in disguise, you just have to know they are there and look for them.  The fiber community really rallied around me when I was diagnosed, I got some lovely cards, handwoven scarves, cookies in the mail from Connecticut, love and support through phone calls and emails.  Oddly enough my favorite emails came from Duchess, a lovely black Labrador who had also just had a mastectomy and we corresponded through her owner for a couple of years.  Oh, and I loved the email from some wonderful angel who said to me, “You can’t die, because I haven’t taken a workshop with you yet.”  That might sound like an odd thing to say, but it gave me a good laugh and kept me going through another couple of chemo treatments, it lifted my spirits in a way that said, I was so much more than this disease and I wasn’t done here yet.

I also had a phone call which thrilled me, the rumor from a very reliable source, is that Pellon will eventually be printing the red dot plates onto a pattern medium they already had in the archives with seems to be identical to the base fabric of the original red dot tracer from HTCW, which has sadly been discontinued.  If you haven’t followed this thread of the blog, I’ve been in hot pursuit of a suitable pattern tracing medium to replace the discontinued Red Dot Tracer, and it seems I only have to wait a bit longer.  🙂

I had to switch gears today, I wanted to send a piece to the members exhibit at the Surface Design Conference in Kansas City.  The deadline is March 1st.  I was under the assumption that they wanted an image by March 1st, but when I reread the prospectus, it calls for the actual piece, 18″ square to be sent to them by that date.  I had been planning to use the photo of the 16″ version, and if accepted would weave the 18″ version.  But alas, they need an actual piece.

release_backingSo I brought my table loom over to the cutting table , which is really convenient because I can stand and cut the strips as I weave them in.  The second or third blog I wrote back in December described the process and gave the draft, using a Theo Moorman threading. I weave about a quarter inch of ground fabric, then lay in on top a thin strip of silk, and hold it down with poly sewing thread which is warped in with the cotton ground. The strip is part of a childhood photograph I printed on 10mm silk Habotai, which comes on an 8.5″ x 10′ roll, pretreated for ink jet ink, and mounted on paper for easy transport through the printer. I got this from Dharma Trading. By running two  lengths of this silk, 8.5″ x 16″ long, I could print a much larger image, since I’m stripping it anyway, it doesn’t matter if it is in two  pieces.

table_loomIn the first photo, I found if I score the paper backing with a sharp ruler edge, I can get it started easier than fumbling with the corner.  In the second photo, I am peeling the paper backing off the silk.  In the third photo, I am remove_backingcutting the strips of silk, I cut them about 3/16″.  You can see there are two big sections that make up the image.  The last photo is of the table loom, you can see I have two strips woven in already.  I’ll describe more about the weaving process later.  I figured out a way to do a pick up of the tie down threads so only the ones I need are actually held out, the rest on the side get woven into the ground.

This will be a slightly larger version of one I sold, called Big Sister. The photo is from around 1957, of my younger sister and me, caught in an intimate moment. The photo  is the smaller version.  In the December blog, I was weaving the same piece, but 24″ wide.  My sister saw it on my blog and tearfully requested one for her, she even offered to pay me, but since she is the other child in the slice_photophotograph, it is only fair she gets this one once I have exhibited it.