Drowning in white…

I am seriously sick of winding white warps.  I’ve solicited the help of everyone in my family and they’ve all given up.  But, I have made exceptional progress, I dare say I am probably about finished winding a huge amount of 10 yard white warps in anticipation of spending a week or two dyeing/painting, and generally turning all that white into some kind of organized color.  Or disorganized, either would work.

I follow a couple of blogs religiously, and one of them is of course, Stephanie McPhee, the Yarn Harlot.  She is hilarious, and one of the best writers, and of course a fiber junkie.  She is a knitter, and I’m really not, but it doesn’t matter, there is always something about one of her posts I find I can identify with, and come away smiling.  Except the one today.  I came away smiling, but I also came away shaking my head.  Stephanie talks about her stash being like an archeological dig, which I can identify with, but then she goes on to talk about “a ritual tossing of the stash spring and fall.  It’s the time of greatest activity for insects and rodents.”  Huh?  She also mentions she finds stuff she didn’t know she had, like the yarn from all the way back to 2005?  Huh?

Let’s be clear here.  This is not a serious stash Stephanie discusses.  A serious stash goes back to stuff from your mother, maybe even grandmother.  From retired or deceased guild members, stuff they got from the original founding guild members.  I’ve got yarns from the 1970’s, and cloth from when I learned to sew in the 60’s.  Not too much of that, but still.  I’ve got a ton of stuff I’ve inherited, and lots of cast off’s from other weavers who were de-stashing… Weavers don’t buy a couple of skeins to whip up into a pair of socks.  We buy by the cone, or by the pound.  So unless we make a couple of scarves here and there, a ball or two of yarn is merely for sampling.  I’ve been known to buy 5 pound cones of something if the price is right and there is a spitting chance I’ll use it before I die.  Even then, some lucky recipient will inherit that 5 pound behemoth if I don’t and it will live on in someone else’s stash.  Weavers are notorious for holding onto stuff indefinitely.  Since I don’t buy a lot of wool, though there is plenty in the older stash, I don’t have insect problems, at least not that I’ve discovered.  And my studio is on the second floor, so rodents aren’t usually a problem.

Winding1winding2Anyway, my recent decision to go through the natural’s stash, and wind copious amounts of 10 yard warps in various sizes, with the intent of dyeing, made me really look at what I’ve got.  And I made a dent, at least a little one.  And the rumor is from one of my guild members, that my stash is pretty modest.

So I wound, listening on my iTouch, to Barbara Kingsolver’s Animal Vegetable Miracle, her year long experiment buying only local food for her family.  I now know everything I ever needed to know about asparagus, including the fact that I’m most likely never going to start an asparagus patch.

I wound, and wound, and stopped to shop online for Christmas presents, Amazon is a wonderful thing.  My husband has already opened the new Nikon 12 megapixel Digital SLR camera, just to make sure it all works…  🙂

Warps1Warps2I wound and wound, and stopped to make my family food.  I wound and wound and stopped to change over the laundry.  My arms ache from so much winding.  But I have warps wound and ready for color.  And the best part, the upper cabinets, where I keep much of the naturals stash, is clean and dusted, and repacked and organized, and I think I must have reduced the naturals stash by half?  This should keep me busy for the next year.empty_cones There is something very satisfying about tossing (recycling) all the empty cones.

And if there was too small an amount on a cone to really make a warp that would have enough ends to seriously contribute to a 10 yard length of yardage, I wound it into approx 2 yard skeins with my AVL warping mill.

After about the 10th skein I wound, I thought I should check that indeed the circumference of the mill was 2 yards.  I was sort of shocked to find that the circumference was actually only 70″.  I’m not sure why that is, but using the revolution counter made for some tricky math calculations, # of revolutions x 70″ divided by 36″.  Then I’d know how much was on each skein.AVLWheel Of course the first 10 skeins I wound are all incorrect.

I did keep a notebook of all the yarns I wound both for skeins and for warps.  I did a yield calculation with the McMorran Yarn Balance, to determine how many yards/lb. and then noted now many ends I wound for the warps, at 10 yards long, and assigned it a letter which I copied onto a hang tag with a Sharpie Marker, so later I’d know what the heck was actually in that warp/skein.

Anyway, I’m tired.  And I’m cross-eyed.  And I’m really really grateful I don’t do the whole Thanksgiving cooking thing.  I’ll get together with my bonus sister tomorrow (she came with the package when my mom remarried a couple of years ago), she only lives a half hour away, and we will share dinner duties, I get the easy no cook stuff, store bought pies and salad fixins, and we will have fun for a couple of hours.  I could use a break from all this white…

So, enjoy your day of gratitude, what ever makes you happy.  Sometimes it is the little things, like a stash dig.  Sometimes it is getting together with people you care about.  Sometimes it is just knowing that for today, the body parts are working and there is a pile of fiber just waiting for the swan dive into…

White Yarn Everywhere…

I actually thought I had a rather good idea when I wrote my last post.  I really do need to get all my naked looms warped, especially the large one, I fear I haven’t actually put a warp on it since I started this blog, and that was almost a year ago.  Shame on me…

Largely I need to dye more warps, I was so inspired with the last set of warps I dyed, and I spent the better part of 2007 weaving up the yardage from all the dyed warps.  I spent the whole spring of this past year sewing garments from that yardage, and I’m completely out of all my handwoven yardage (except vintage scraps) and there are no more dyed warps just hanging around to inspire me.

I am probably sitting on 50-75 pounds of white yarn.  All kinds of white yarn.  I’d say the bulk is rayon, and there is of course a lot of cotton as well.  I’ve only a couple of large cones of a loop mohair and some beautiful cashmere and something, again, all white.  All of it needs dyeing.  I also have a cabinet full of MX dyes from Pro-Chem.  I’ve been talking about doing a week of dyeing, but that would mean a week with nothing on the calendar demanding my time, where I can turn my space into a dye studio, and work uninterrupted.

Now I actually have the time, all my calendar commitments are finished for the year, and the yardage deadline for HGA Convergence Exhibit is a mere two months away.  I need to get cracking.  I decided to take advantage of the fact that my son is into me for more than $200. and put him to work.  Winding warps is basically mindless work, hard to mess up, and I’d be working right next to him making sure that there are no screw-ups.  He worked very slowly and very carefully, and I was pretty proud of how he stuck with it.

Eric helps me wind warps for dyeing.
Eric helps me wind warps for dyeing.
Using a cone holder and a paddle, I wound eight ends at a time.
Using a cone holder and a paddle, I wound eight ends at a time.

I pulled down all the white cones I thought I wanted to wind into 10 yard warps.  I grouped cones together,  If I had one gigantic cone, I gave it to my son, and he started to wind, single thread, listening to his tunes, and plodding along.  I took advantage of cones where I had multiples of the same yarn, and used the paddle on another warping mill, and we both spent the weekend winding white warps.

Some of the warps we wound, and lots of yarn still to wind...
Some of the warps we wound, and lots of yarn still to wind...

One of my readers, Diane, commented on the last post, asking why I didn’t use the AVL warping mill for this task.  I thought about it, and decided that the standard warping mill was still the best, easiest to get a cross, and put a large amount of ends, I usually wind anywhere from 250-500 ends, depending on the size of the yarn and how much is on the cone.  I’ll figure out later what I want to do with it.  And I think it is easier to be able to tie everything off before chaining, when it is on a standard mill.

However, I did get to thinking about Diane’s

The AVL mill comes in handy once again, for winding 2 yard skeins for dyeing.
The AVL mill comes in handy once again, for winding 2 yard skeins for dyeing.

suggestion of using the AVL warping wheel and thought it was a pretty good idea for winding skeins for dyeing.  I don’t think a three yard skein would fit on the umbrella swift for winding back into a ball once it is dyed, three yards being the outer perimeter of the AVL mill, but if I moved the brackets down the struts, I can get a two yard circumference, and that’s perfect for winding a skein.  So I played around with the mill, I haven’t ever moved the brackets to the two yard set up, and I was surprised at how easy it was.  I had a full skein on the wheel in no time, a lot faster than winding yarn for  skeins around the standard mill.  I just used the little reed to help guide the yarn into position on the wheel.  Once the skein was wound, I just unbolted two of the brackets and popped them out and I could easily pull off the skein.

The yarn does me no good on the shelf, so I might as well just wind.

Using stretcher bars as a frame, we warped with strips of quilt fabric, and started twining a mat.
Using stretcher bars as a frame, we warped with strips of quilt fabric, and started twining a mat.

Meanwhile, I mentioned the Frances Irwin Handweavers meeting  Monday the 9th, where member Jeri Shankler gave a lovely presentation on twining a mat.  She made little frames for everyone, with nails across both ends, and we cut 2″ strips of quilt fabrics and warped with the fabric strips.  Twining is actually a technique I use to use for texture when I did tapestry, so the concept came pretty quickly.  She had an illustration and I can’t tell you how much fun I had just twining away with the fabric, chatting with the guild member next to me.  I wanted to clear the project off my cutting table to make way for all the white yarn.

The finished mat.
The finished mat.

So I sat down the other night, and just finished it off.  What a fun technique, so many techniques, so little time…

And last Sunday, in the middle of the guild show and sale, I went to Bergen County to the opening of the Focus on NJ exhibit at the Art Center of Northern NJ in New Milford.  I enjoyed the exhibit, mostly painting and drawing, a few sculptures, but I got a shot of my two pieces hanging in the gallery space, happily living side by side with the other works.

My woven piece Big Sister is hanging in the upper center of the photograph.
My woven piece Big Sister is hanging in the upper center of the photograph.
My woven piece Watching Death Come is hanging in the lower right hand corner.
My woven piece Watching Death Come is hanging in the lower right hand corner.

It is interesting to view my work in a two dimensional context, surrounded by more traditional fine art medium.  I’m rather enjoying the exposure, and living in these two different worlds.  In the handweaving community, the emphasis is on technique, how you did it, and the complexity of the structure, are really important.  In the art community, how you did it is sort of a novelty, the tag only says, Mixed Media, but more importantly, it is about content and imagery.  The piece is judged on the strength of the image.  The technique is a distant second.  And of course, the metaphor of weaving, constructing a life row by row, is so commonplace among the handweavers, we sort of take it for granted, and it isn’t important to the visual imagery of the piece, but in the art community, that metaphor of reconstruction becomes a critical part of the voice of the artwork.

Friday night, my husband and I took my daughter and a friend into NYC to see the off Broadway show, Avenue Q, for her birthday.  My husband and I had seen the AvenueQsmshow many years ago, before it won the Tony Award, and now that it has moved off Broadway, into a smaller venue, we decided to take my daughter who has been dying to go every since she got hold of the score.  To say this show is funny and biting would be a bit of an understatement.  If you haven’t seen Avenue Q, it is an adult version of Sesame Street, with Henson puppets, and incredibly talented puppeteers, a biting  satirical score, and some wonderful poking fun at some of the stupidity of the human race.  My daughter didn’t stop laughing for the entire show.  Her favorite characters were these two overly cute bears, that popped up at the most unfortunate times, called the “Bad Idea Bears”.  They acted like the conscience of my 19 year old son and his friends, why buy a 6-pack when a case is more economical?  And of course all of their bad ideas had some wickedly bad consequences.

Anyway, after the show, the cast sold merchandise and a photo-op with the Bad Idea Bears and actress/puppeteer Maggie Lakis, as a fund raiser for Broadway Cares: Equity Fights Aids.  I think Brianna felt this was the best birthday present ever.

Tomorrow:  More warp winding…