Blogging is not publishing…

Or so the word came down from the mountain last night, as I finished up my blog post.  I’m guessing Julie Powell (of Julie and Julia fame) would probably disagree, look where her blog got her, and of course TLo, with thousands of followers, probably the best source for who is wearing what in the fashion world, a fashion icon in and of itself, I’m going to guess they would probably disagree that blogging is not publishing.  It all doesn’t matter really, as long as the answer is, for the purposes of HGA and entries into their Convergence exhibits, “Blogging is NOT considered published by anyone’s standards.”

So there you have it.  Thanks to those who emailed me about this subject, and thanks Cally for starting the conversation.  I have so loved following the whole design process, especially in bloggers like Tien, from the initial idea, “I’m going to weave my wedding gown…” to the final days of hems and appliqued lace, and beaded trim.  It would be so great to see a garment you’ve been following like that in a Convergence exhibit, so I’m glad to hear that blogging doesn’t count as publishing as far as the HGA is concerned.

That said, I woke up this morning, and rethought how I finished the piece I pulled off the loom yesterday.  First, the piece is titled, Rest in Peace.  It is a diptych, for those who haven’t studied a lot of medieval art (like my poor husband who said last night in the pizza restaurant, “What’s a diptych?”) here is the definition courtesy of Answers.com.

diptych n. A work consisting of two painted or carved panels that are hinged together. An ancient writing tablet having two leaves hinged together.

Having looked at my share of ancient art, diptychs and triptychs have always fascinated me, two or more images that tell a story of sorts, where the images together tell a more powerful tale than each alone.  With that said, I had two images that I thought, needed to be “hinged” together, and so I wove them side by side in my inlay technique I’ve used for much of my two dimensional artwork over the last two years.

RestInPeaceHere is the shot I showed yesterday of the two images before I cut them off the loom and separated them into two.  The image on the right, is of my two children on top of the World Trade Center, in August of 2001, two weeks before 9/11.  We decided on the spur of the moment, to take a couple of days at the end of the summer, 2001, to take the kids into Manhattan, we live so close we never think of it as a vacation destination.  The view from the Top of the World was breathtaking.  And I noticed that all around the perimeter of the tower, behind the fence they were leaning on, was barbed wire, coiled high, to prevent the ultimate suicide I guess.  Little did they figure two weeks later…

The photo on the left was a shot either my husband or I took of the towers, graphic, like monuments rising to the sky, like tombstones in a graveyard.  (We both shot lots of images that day, and are both claiming rights to this one…)

I created little postcard packets from each of the images, like I’ve done with others in my Personal Post Series.  And then I went in search of a way to hinge the two together, like a book, like a diptych.  My first attempt didn’t work at all, I took apart a small notebook, but the spine wasn’t a continuous spiral, and it was too big and cumbersome.

Diptych_RestInPeaceMy second attempt, shown here, was to hand sew jump rings between the two halves of the diptych.  The rings were small, and problematic, without soldering them together, they kept slipping out of the thread connections that held them in place.  I didn’t want to have to take a trip to a store to look for round rings that weren’t split.  So this is where I left off last night.

This morning I woke up with a brain storm, I keep a stash of office supplies in the guest room cabinet, and I rooted through to see what notebook spines I could find that could work here, like a spiral tube.  I found the perfect spine in an old notebook of my son’s.  (He would start a notebook, three pages into it, he’d lose it, so I have a lot of almost knew notebooks from his school days, with only two or three pages written on…)  How poetic.  So I cut off all the jump rings and replaced them with this continuous black ringed spiral which so much more resembles barbed wire.  Or a kid’s copybook…

I called the piece “Rest In Peace”, it tells the story of two buildings that were brought down in a horrific way, and I paired it with an image of my children standing on top of those buildings, the day the towers fell is the day my children’s childhood ended.  Life would never be what it was for them before 9/11.Rest_In_Peace_DiptychDetail They now live in a world where people are willing to die to make a point, where orange alerts, and bag searches just to Rest_in_PeaceFinalgo visit an art museum are all very ordinary.  They now live in a world where we are at war, in places they had yet to study on a map in elementary school.

My son is in boot camp, as I write, training to fire an M-16, to become a soldier.  (On a brighter note, I got another letter from him today!  Woo Hoo!)  So this piece is pretty powerful to me.  I don’t expect a juror looking through hundreds of images on a computer screen to get all that from my drab little piece, but I’m really happy with it.  Here are the final shots, with the barbed wire/copybook hinge.

Must be the full moon…

What a bizarre day, I never left my desk, stuff just kept coming in faster than I could take care of it.  I had high hopes of working on more of the hot mats/mug mats, but alas, the universe, or the full moon, or whatever forces were causing a cosmic redirect, I was stuck in front of a glowing screen all day.  Now I’m not saying this wasn’t a positive thing.  I got the best news today.  If you followed my blog back in the end of September, I worked hard for a couple of weeks, reworking all of my lectures/workshops to make them more appropriate for the sewing community instead of the handweaving community.  I had been asked to submit proposals for the American Sewing Guild Conference in Atlanta next August.  It is a market I’d dearly love to be more connected with, after all, I am a sewer (sorry, I’ll never get use to the new PC word ‘sewist’) and I weave to have something to sew.

Anyway, I spend lots of time writing proposals, entering exhibitions, and doing the waiting game once I package everything together and send it off.  Sometimes I even forget I entered or submitted, which is probably not a bad way to handle the stress of waiting.  Today in my inbox, I got a “Congratulations, you’ve been accepted to teach…” letter from the American Sewing Guild, and they want me to teach 4 classes at their 2010 conference in Atlanta.  Can I tell you how excited I am?

On top of that, I just finished most of the final details for the April 2011 Ontario Canada provincial conference.  I will be teaching there, and giving one of the keynote addresses.  That’s been in the works since last summer.  I spent a good deal of time today, coincidentally, on the phone with a woman from Ontario, who found me searching the internet, and wanted to know more about my monographs on sewing, I had trouble realizing that she just found me on the internet, completely independently from the Ontario conference and Convergence in Albuquerque, where I’m also teaching next July, the booklet just became available for that.  Anyway, the woman was lovely to chat with, and towards the end of the conversation, she had me convinced that I need to look down the road a bit to one of my next goals, and bring it up further on the to do list.  That would be turning my monographs into DVD’s.  I bought the camera equipment last year, to be able to film the Step by Step process.  I’ve been looking at some of the sewing videos out there, and haven’t seen anything I really thought would work for how I would want my DVD’s to read.  The woman from Ontario encouraged me to pick up David Coffin’s DVD on shirtmaking.  She raved about it, and so of course, I immediately clicked on my trusty Amazon.com account and stuck it in my shopping cart, along with his book/DVD on making pants.  I’ll let you know what I think.  Always love an excuse to buy books on Amazon.

Speaking of books, my neighbor/friend is a media center specialist for a neighboring High School, and her school’s book club was sponsoring a fund raising event at a local Barnes and Noble.  Again, not to pass up a chance to just hang around in a book store all evening, I managed to dump a couple of hundred dollars, mostly on books for my daughter, she is seriously into Manga, but I did pick up a couple of movies I’ve had on my Amazon wish list for awhile.  I love the movie genre that takes a close look at a creative genius, uncovers their pain, their obsessions, their muses, and their passions.  I got a copy of Pollock with Ed Harris, and Goya’s Ghosts with Natalie Portman.  I also picked up Frida, with Salma Hayek.  I’ll let you know what I think of them once I’ve viewed them.

I cruised through the bargain book section of Barnes and Noble, and found a couple of little treasures, Maureen Dowd’s Are Men Necessary?  First, I love Maureen Dowd, she is a Pulitzer Prize winning columnist for the New York Times.  And secondly, how could you go wrong with the title? The book is a snarky look at feminism and the collision of the sexes.  The reviews are all over the place, so for $5.98 for the hard cover, I’m game.  I’ll let you know.

I also picked up Julia Cameron’s memoir, Floor Sample.  It had a dress form on the front cover. Julia Cameron wrote the well respected creativity book called “The Artist’s Way”, which has been on my shelf forever.  Again, the reviews are all over the place, but I thought it was worth picking up for $5.98 for the hardcover.

I mentioned that the latest issue of Shuttle Spindle and Dyepot came in yesterday, finally, I was probably the last to get my copy.  In it is the brochure for the HGA’s conference in Albuquerque next July, called Convergence.  Since I am teaching, I get to participate in early registration, but I couldn’t really do that until my magazine came in.  And come in it did!  All four copies.  I am all over the place in this magazine.  Which is why I got four copies!  I have a book review starting on page 9, a photograph of my piece The Spouse, on page 20, from the Small Expressions exhibit, and my article starting on page 31, the second installment of a three part series on the Designer’s Challenge from the Tampa Bay Convergence in 2008.  I ripped the Albuquerque conference brochure out of the middle of the magazine, and started to look through all the offerings.  It isn’t hard for me to fill out the registration, since I am teaching in every time slot, I don’t get to pick anything, but the tours before the conference look wonderful.  So wonderful that I booked two tickets for the Georgia O’Keefe Ghost Ranch tour and I’m dragging along my husband.

So, the bottom line here, is my next summer is pretty set, I’ll be on the road more than I’ll be home.  With two 5 day classes in August, at Sievers and at Harrisville in NH, along with the ASG conference in Atlanta and Convergence, and a 4 day class in fiber basics called Fiber Boot Camp at the Newark Museum in NJ, it doesn’t look like it will be much of a summer!  I’ve also got to write up proposals for two conferences for the summer of 2011.  Can you see my eyes rolling around in my head?  It is hard to follow the “One Day at a Time” way of thinking, when you are writing proposals for 2011, and 2009 isn’t even finished.  Oh the life of an artist…

All of the scheduled events I’ve mentioned above can be found with contact information on my website.

Art ConnectionsOh, and I almost forgot, the invitations for Art Connections 6 at the George Segal Gallery at Montclair State University are out, I will have two pieces in the show.  The opening reception is January 17, 2010 from 2-5 pm if you are in the north Jersey area.  The show runs from January 17 – February 13, 2010

Stay tuned…