‘Tis the season…

Conference/Workshop season that is.  I know this is January and you are all thinking, what, summer workshops?  There are numerous venues out there, for every fiber enthusiast to hone their skills, and get lots of inspiration and believe it or not, even though this particular conference isn’t until April, (I haven’t even booked my flights yet) the Conference of Northern California Handweavers  in Oakland, CA (CNCH 2014) registration is about to close! (January 31st) So just a quick reminder to all of my loyal followers on the west coast, I am giving four lectures and since they can all take something like 35 people in each, there is plenty of room left!  Click here to see what I’m teaching and come get inspired in April.  (For some reason the “Weave a Memory” class link is not there, but you can access the class information here.  I’m sure there are plenty of spaces left since it is a lecture.)

In addition, many of the venues where I will be teaching this summer, especially my 5-7 day are coming online with links for signing up.  I know this is really a shameless commercial announcement, but in reality, I’ve been writing this blog for more than five years and for free.  The main point here is that I hopefully encourage my loyal readers to take a workshop or two with me.  So if you are in the area or are willing to travel, and are interested in a garment construction intensive, (highly recommended for anyone who wants to make garments, whether you are a weaver or not) check out the links for the following classes…

Asheville, NC Sutherland Handweaving Studios May 12-18, 2014

Eugene Textile Center, OR June 11-15, 2014

Peters Valley, Layton, NJ June 27-July 1, 2014

Harrisville, NH August 25-30, 2014

Sievers School of Fiber, Washington Island, WI September 28th – October 3, 2014  (Registration comes online February 1st.)

 

There are guild opportunities as well, and you can view my entire schedule here.  If you belong to a guild and are interested in having me come and teach, feel free to contact me.  And there is a new venue, at a lovely farm in western NJ, Brook Falls Farm, where I’ll be teaching a speed tapestry weaving class April 5th.  A great way to spend a Saturday afternoon!  No experience necessary!

Stay tuned…

Success…

How do you measure success?  How about 13 new weavers? (A couple were just getting back into it after a long hiatus…) We had a fantastic time at the Jockey Hollow Guild beginning weaving class I taught on Saturday.  The weather was pretty iffy, and a couple of the students complained of icy driveways, even though it was pouring rain and suppose to be in the upper 50’s.  But everyone made it and all 13 looms performed like rusty little troopers.  Being Structo’s and all…

I give everyone a one yard warp, from brightly colored rug yarn, (no choice of warp colors but they can use whatever weft they want), and have them thread, beam and weave a color/pattern gamp, that plays on light dark and stripes, and straight draw/point twill.  They get to really explore color and structure on a four shaft loom, in six hours.  Whew!

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Meanwhile, I finished the crimp cloth from Dianne Totten’s class that’s been sitting on my loom since October of 2012.  I just have to pull the shibori threads, and steam set the crimps.  The weft is Orlon from Yarn Barn with a 10/2 cotton warp from Webs.  I’ve got some great ideas swimming in my head for what to do with it.  Can’t wait to see how many yards come off the loom.

CrimpClothFinishedCrimpCloth

Every time I walk by my sewing machine it gives me that look.  You know.  Same look my dogs have when they see suitcases.  Last November I pulled some fabric off the shelves and pre-shrunk it, to make a color block dress, but wasn’t married to the pattern I had.  The recent issue of Vogue patterns had the perfect pattern and there was this sale, and well, I ended up with about 10 new patterns.  They came in the other day.

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Anyway, the fabric was collected from my many stops over the years, over many years actually, the same fabric in three colorways, all in remnant bins, from three different venues.  Go figure.  It is all bamboo, which is what attracted me to it in the first place, and the colors together are lovely.  I’m planning black on top since the black is smaller pieces.  The aqua goes in the middle and the brown on the bottom.  The jury is out on the little pockets.  I thought they were in-seam but it turns out they are patch. Odd.  Shouldn’t be hard to re-engineer that…

Bamboo

I made up the muslin from leftover stuff in my junk fabric box in the attic (thank you Ginnie and Cindy!)  The dress is really boxy, so I pinned the sides in for a little more shape.  Otherwise, I like the dress.  The bamboo is pretty lightweight, blouse weight actually, so I’m thinking I’m going to underline it, and not sure about the lining.  I may end up making facings instead and though I don’t normally like facings, I can hand stitch them down and anchor them to the underlining for a smooth front.  I’m teaching a seminar in underlinings at the American Sewing Guild Conference in St. Louis next July, so I’ll need all the examples and pictures I can get.

Muslin

Don’t worry, I haven’t abandoned the loom clearing resolution yet, but tomorrow, I’m determined to layout and finish felting the panels for the jacket I started way too long ago (scroll down here), so I can clean up that mess out of my studio.  And the mohair yardage on that same post from March 2013 I just linked to, is still on the loom.  You are gonna get finished next…   Stay tuned…

And she’s off…

The new year has hit with a bang, and though there aren’t trips coming up on the near horizon there is much to keep me busy.  Lots of proposal writing and lots of contracts to complete.  Note to self: update schedule for the year, lots of new venues to add…

I laid in bed Monday morning, dreading what I knew I really needed to do, which was haul everything out of the front half of my studio and set up gobs of equipment and lights and do a long overdue photoshoot.  The shoot itself is fine, it is the prep and set up that always makes me cranky, but the photos once I do them make me really happy.

PhotoshootSo I started to haul everything out of my studio, into the spare room and the hallway, and it went a lot easier than I remembered.  Then I remembered that last December 2012 Brianna and I rearranged my entire studio, changing what was in the front half, as I recall, so it would be easier to move things out for a photoshoot.  Well it worked.  Suddenly I was setting up lights, and a backdrop support that my husband got me more than a year ago, that I’d never used, which made hanging the backdrop a breeze.  Everything was in place and I just had to retrieve the Nikon SLR from my husband’s cave, along with the flash unit, and recollection of the settings we needed to change because something about the prefire flash triggering the strobes too soon, and anyway, the stress started to build.  The flash unit wouldn’t turn on.  I assumed it was the batteries and when I opened the unit, well, lets just say I made a note to self, DO NOT PUT SENSITIVE ELECTRONICS AWAY FOR AWHILE WITH BATTERIES IN THEM.  The leaky batteries basically destroyed the Nikon flash unit, stupid I know, but now I’m sort of pissed because I went to all this trouble to set up the studio for this shoot, and I need that flash unit.  While my husband scampered off to see what could be done (turns out nothing but ordering a new unit) I looked at my trusty little point and shoot Canon I bought last year for travel and taking blog shots, and realized I hadn’t ever tried using it for a formal photo shoot because I hadn’t done a formal photo shoot since I bought it.  So I stuck it on the end of the tripod after switching everything to manual, and it worked.  Perfectly.  Sigh.

Once I started shooting, things went quickly.  I dug out everything handwoven I’ve done in the last year or so that hadn’t been photographed properly, and fired away.  It felt really good to see the images up on the screen, and everything was packed up and the room set back to right within an hour after completing the shoot.

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I sent off a group of images to an exhibit, deadline was today, and crossed that off my list.  The parts came in from Alabama (thanks Nancy!) and I finished building and prepping the 13th little Structo loom for the beginner class tomorrow.  I’m all packed and ready to load the car.

And I managed to almost clear one loom on my New Year’s quest to get some of this stuff off my looms that has lingered way too long.  Except I ended up with a runner nearly 50″ long, probably too long for my table, and there is still extra warp.  What could I have been thinking when I warped this loom for the workshop a couple years ago?  I’m going to be taking on an intern for the next 15 weeks from the local community college, so I think I’ll let her finish the warp, nothing like trial by fire, a brand new weaver doing an 8 shaft double faced Matelassé! It will be great for her portfolio!

Matelasse

And so the next loom up for clearing is one with an undetermined amount of remaining warp (originally 5 yards of which I’ve done a sampler about 18″ long) from the Diane Totten crimp cloth workshop way too long ago.  Again, I gave myself some major angst thinking about how I was going to figure out what I had done, but once I looked at my notes, and pushed a couple of treadles, I figured it out in about 40 seconds.  So I’m happily weaving away, and when I finally dragged a floor light fixture over since it was getting a bit dark in the room, I was shocked to find that there were little skips in the warp all across the 10″ or so I’d woven.  Seems that dust on a loom can build up and cause dense warps to stick?  Note to self, Swiffer Dusters apparently don’t pick up dust on unused loom warps…  Anyway, I undid everything I’d woven and am now carefully moving in a forward direction again.  The photo on the left is the sampler from the workshop.

CrimpClothCrimpClothLoom

Stay tuned…

Holiday Wind-Down…

Almost done.  The decorations are still up, but I’m just fine with that.  We had a fresh snowfall last night, it is cold and beautiful.  We still have one more holiday gathering at my sister’s cabin in the Catskills this weekend and the holiday season of fun and festivities will be over and then it is all business.  The fun kind.  The kind where my resolution for the new year is to clear off the eleven looms that need clearing off.

I had a wonderful holiday;  simple, and surrounded by those I love.  We went to Maryland and spent time with my sister and her family, and got to spend the day with my mom and her husband.  We spent New Year’s eve with old friends.  We spent Thursday morning with an even older friend and her husband, I actually went to college with Carol, and she was in from the west coast.  We talked of knitting and weaving and looms until the men at the table did an audible eye roll…

I’m a real grinch when it comes to gifts.  I need nothing and want nothing, unless it is something I really need or want.  You know how that goes.  Usually starts with the “f” word.  Fiber or fiber related tools.  But I have so much, and space is such an issue anymore, that I really discourage gifts unless they are edible or consumable because then they don’t have to be stored or dusted or maintained. Just eaten. 🙂

Still my husband loves to buy me things, and I gratefully unwrap them, and once in awhile he scores with something that I can’t believe I’ve done without for so long.  Take this mug warmer from Brookstone.  Sits on my desk, plugs in, and keeps my mug of tea hot all through the morning.  Score!

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And this one, which was a gardening tote with utensils also from Brookstone.  I actually have numerous totes and such for the garden, and I’m sort of happy just using an old Spackle bucket, stuff like this just gets dirty.  But I kept looking at it and started to think what a great knitting bag it would be.  Compact, flat bottomed with little pockets around the front and sides for things like my scissors and tape measure and little bottle with tapestry needles and such.  Even a place to hang markers.  So I tossed the garden tools in the shed and brought the tote to my studio and I just love it.  Simple and perfect for my knitting.  Score!

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And my daughter.  She made all her gifts this year, perfectly appropriate for a poor college student, and I absolutely love hand made gifts, so this little drawstring crocheted bag from the leftover Noro Silk from a tank I knitted a couple summers ago means the world to me.  Score!

Gift1

And after visiting my sister and discovering that there was such a thing as wine charms to identify which glass was yours, she got the idea to take the hundred’s of little paper stars she’s made over the years, cover them with gel medium, and string them on wine charm findings from Amazon.  So I now have my own set, all different, and really really pretty.  Score!

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And there were the edible gifts.  I confess I love fruitcake.  I know it is probably the most trashed food of all time, but I adore it.  My mom made the best fruitcake on the planet every year while I was growing up.  It is like comfort food for me.  The kitchen would smell like brandy for a  month.  Her fruitcakes were probably 100 proof.  She stopped making them for many years, but her second husband loves fruitcake so she started making them again a couple years ago.  It was worth the drive to Maryland.  I love her fruitcake and got a big hunk for Christmas.  And my friend and recorder player Misa (she is the tenor to my alto) made me cranberry vodka cordial and homemade truffles.  OMG!  Huge score!  Yes, the bottle was full when she gave it to me and there were more than four truffles in the bag. 🙂

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And so Brianna, who is heading back to Massachusetts on Sunday, (I am sooooo going to miss her) is finishing up loose ends, pun intended, and one of her goals this trip home was to warp up her table loom for a guild project.  It is easier to warp the loom in my studio than her cramped apartment.  Our guild is doing its annual swatch exchange, this year the theme is tied weaves.  I’m not planning to participate but Bri had been talking about weaving the Star Trek insignia and this was the perfect opportunity.  She explored some of the suggested tied weaves and decided on Summer Winter and sketched out the design on home made graph paper.  Keep in mind I own expensive weaving software and she has a copy and knows how to use it, but there is nothing like the old fashion pencil and paper and it did my heart proud to see a 21 year old shun technology and do something the old fashioned way.  The draft was eventually put into the computer, but you have to love a pieced together scribbled draft.

SummerWinterDraft

So yesterday morning, we did a quick calculation of how much yarn she had and how much she wanted to weave, figuring samples for the guild followed by something like a scarf for her. She wound the warp, and was threaded in record time, and when I asked if she needed help beaming she looked at me confused and said, “I’m all done!”  She was tied on and ready to weave.  So here is one repeat of the Star Trek Insignia, with a shot of the underside.  For the weavers in the group, this is 8 shaft summer/winter woven in Dukagång style.

BriWeavingSummerWinterStarTrekSummerWinterUnderside

And I randomly picked the first loom I wanted to clear.  This table loom has had this project on it since May of 2011 when Robyn Spady came to our guild to teach a workshop in Double Faced Cloth.  It was a round robin, so each participant warped their loom with a structure from a draft she gave us, mine was an 8 shaft loom controlled Matelassé.  I loved the sample I did in my notebook and probably have a yard of warp left on the loom. I’m not actually sure, but I can’t just cut it off.  Since this is one of the oldest warps I decided to just bite the bullet and dive in.

Note to all the weavers.  I’ve long stood by the old adage, that if you really really want to understand structure, work on a table loom.  Especially an eight shaft one.  Hand manipulating the shafts for each row really teaches you about structure and what each shaft contributes to that structure.  I am always amazed that the knowledge and understanding I gain is totally worth the time it takes to hand lift each shaft as opposed to just tying them up to a group of treadles and just following a treadling pattern.

I tend to procrastinate with things that are really technical.  Which is sort of silly since I’m happiest when I’m figuring out something technical.  But the conditions have to be right, I can’t focus intently when there are all sorts of distractions and I get cranky when people interrupt me.  But I sat down and looked at what appeared to be an overwhelming lift plan, and tried to re-figure out what I actually had done.  The fog started to clear and suddenly it all made sense and of course, mostly that was due to Robyn’s excellent notes and handouts.  I highlighted the pick up pattern since the plain weave part was easy to see.

DraftMatelasse

 

And so I’m off and running, this will be a runner, with a border at each end and I’ll stay with this until I clear this loom.  There are other studio things calling to me, like a photo shoot I need to do first thing next week, and prep for a beginning weaving workshop next Saturday, crossing my fingers the snow stays away.  Truth be told I accidentally took one more student than I had a loom for, and scrambled to build a loom from Structo parts I had laying around.  I am waiting for the package with a crank and a 15 dent reed that Nancy C, the Structo goddess from Alabama shipped me on Thursday.  Big thanks to my husband for his use of power tools to get the rust off the base.  But I’ll have a 13th Structo loom for use in the class, and I’m really happy about that.

A very happy New Year to all of you who have kept me blogging, I’m reaching my 600th post and entering my 6th year.  Hugs to you all, and may you have many fiber related journeys!

Stay tuned…