Reflections…

Grab a cup of tea, this is going to be a long one…

After giving a lecture to the NY Guild of Handweavers last month, titled Thou Shalt Wash Thy Fabric when it comes off the Loom (which incidentally I am also giving at Convergence in Long Beach, CA in July) a Q and A session developed.  I love Q and A’s, they present thought provoking questions, ones that I don’t always have rote answers for, and the subject of my journey with breast cancer came up for discussion. After posting a blog that mentioned the lecture, I got this comment in one of the posts.

“Daryl, you gave an inspiring, educational, fun program, and the NY Guild of Handweavers was delighted. You are always so energetic, positive and enthusiastic. During your talk, you referred to your breast cancer diagnosis as freeing, and discussed how facing cancer had made you fearless, unafraid to experiment and make “mistakes” My question is this, how did you become fear-LESS? How is it that you did not become fear-FUL i.e.-that there is not enough time/life left to create all you want, explore your ideas, etc? When advised that we should “live every day as if it were our last”, that thought only provokes panic and despair in me. If it is not too personal, would you be willing to share your insights on this subject in a future post?”

This one’s for you Gail!

It was 10 years ago today, 2/22/2002 I woke up from surgery and the surgeon said to me, “I’m sorry, it’s cancer”.  You cannot imagine what goes through your mind, silly stuff, stupid stuff, disconnected stuff.  My response, the only thing I could think of was a quote I heard once on NPR.  “Nothing bad ever happens to an artist, it is all fuel for their work.”  And I really believed at that moment that this was just one more path in the journey, one more chapter in my book.

The morning of my mastectomy, the pastor from the church where I attended met my husband and me at the hospital.  He said to me, “I’m sure you are asking why me?”  I kind of looked at him in surprise, since that had never occurred to me, “Why not me, why would I be exempt from cancer?”

Those first days of my diagnosis were tough, because so much is thrown at you so fast.  You have to make instant decisions on things that can make a difference if you live or die.  So many well meaning friends wrote about all kinds of alternative treatments and helpful suggestions.  My family took the diagnosis pretty hard.  It was kind of surreal, kind of a bad dream, one where you wake up and think, crap, this isn’t going away.

There is a bit of trust that has to come, if I could give anyone one initial piece of advice, it is to find someone you can trust to guide you through this nightmare.  I chose a surgeon I instinctively knew would make decisions in my best interest, and an oncologist that I felt comfortable with, and could also trust to steer me in the direction that was best for me.

I had two young kids.  I had a wonderful husband who was having his own issues about what was happening to me.  I had a loving and supportive family even though they took my diagnosis really hard.  I had a career that I adored and I’d done some amazing things in my 46 years.  I had not a single regret.  The first order at hand for me was to come to terms with my own mortality.  It wouldn’t have been my choice to die at 46.  I really really wanted to raise my kids and see how they turned out.  But sometimes we don’t have the choice.  And I knew that to move forward for me, I needed to be OK with the fact that I might die.

One of my oldest and dearest friends, Candiss, came and stayed with me for a few days.  We cried together, we laughed together, we talked about what I’d done with my life and what I still wanted to do, and together we worked through the possibility that this aggressive, invasive thing might win.  Again, not my choice, but I decided I would accept with grace the path before me, fight with everything I had, and keep my head held high, and not be quiet about it.  I shared with anyone who asked, always with a smile, because I discovered really really early on, that people are attracted to humor and a smile, and no one wants to hear a rabid string of complaints even though they are really really well deserved.

There wasn’t Facebook then, or my blog, email and the telephone were the main ways of reaching a large amount of caring friends at the time, and I encouraged friends and relatives to use email and not the phone and asked everyone who wrote, to please send me really funny, raunchy jokes, things that would make me laugh so hard, that for a brief moment, all was right with the world.  Everyone jumped on that request and I started to measure my days with how many times I had to change my underwear from wetting myself from laughing too hard.  There is some really funny stuff out there…

And so, dear Gail, we come to your query.  How does one face the unfaceable.   You do because you have to.  It isn’t about what happens to you in life.  We all have a story.  It is ultimately what you do with it that really counts.  I knew if I lived through this ordeal, that I’d be stronger, and better able to reach and teach my students and since I spend a lot of time working with my students on body image and self awareness, having lost a breast to cancer made me able to stand on their side of the table and understand like no one else can.  But I had to live through it for that to happen.

I did everything I was told.  And I was really really lucky.  Early detection is critical, especially when the cancer you have is aggressive.  I found the lump myself.  I acted immediately.  It probably saved my life.  And I spent many many hours just hanging in the studio, thinking about who I was as an artist, a mother, a wife, a teacher, a writer and about a hundred other things.  I’d done well with what I’d been given so far.

I remember walking into the studio after one of my 3 hour chemo treatments.  I fared pretty well through chemo, the steroids and pre-drugs gave me manic energy and I had the problem of not being able to sleep.  I looked at my stash, the one I’d accumulated over the course of a lifetime, and I got sort of sad, thinking gee, wouldn’t it be a shame if I died and never used even a quarter of all the stuff I’ve acquired.  What was I waiting for?  If I lived through this, what would I do differently?  Would anyone really care if something I produced wasn’t completely wow, and what good are raw materials when they just sit on the shelf and collect dust?

I looked at a loom that had been occupied by the warp from hell for more years than I care to mention in this post. (Translate warp from hell: 8 shaft block twill with two shuttles, 12 yards long)  It was embarrassing (the photo was dated 1996).  Fear is lack of control.  And yes, I had no control over the ultimate outcome of my disease, but I could give it my best shot.  What I did have control over was everything in that studio.  I could make stuff, and I could explore stuff and I could do what makes me really happy with whatever time I had left.

I tell students all the time when they look at the handwoven fabric in front of them and look at the scissors in their hand and just can’t bring themselves to make that first cut.  I tell them, “No one will die from what you are about to do.”  And I really mean it.  Nothing I’ve ever done or will ever do in my studio can hurt me.  I needed to stop thinking that bad choices and mistakes in fiber were really critical life decisions.  It is just yarn.  And the absolutely worst thing that could ever happen in my studio would be for me to make a decision that just didn’t turn out as well as I’d hoped.  And for that, I have a pair of shears and I’m not afraid to use them.


The key for me was to put my trust somewhere, and let go of that which I couldn’t control.  And embrace what I could.  And so I dove in with abandon, making some pretty amazing pieces, with no fear, because I’m certainly not going to die from anything in the studio.  I might die from other causes, but not from a cone of yarn.  I finished the loom with the warp from hell, and made that into a pretty amazing coat.  I wrote an article for Handwoven Magazine on designing from the stash, to this day, after writing for 35 consecutive issues, that article still comes up as the most favorite from readers and students.

And bless Madelyn van der Hoogt, who gave me assignments and tasks and kept me rolling along.  When I woke from surgery, there were flowers waiting for me from Interweave Press, along with a note that the next issue was pending and they were featuring all the key players in the magazine and they needed a press photo from me and yes, they knew I had just had a mastectomy and could I put on some make up and fake it and get them a working photo in say, a couple of days?  I know that sounds cold and unfeeling but it had the opposite effect.  I had a future, something to focus on other than the tragedy that my body just experienced.  I probably wouldn’t have put make up on for months, but I came home, climbed in bed, still with the drains in my chest wall, and covered my face in make up and looked like I had the world by the balls.  My husband did a photo shoot, and for fun, we stacked up cans of my favorite comfort food, cling peaches, which is sort of a private joke, and we acted as if…  It was the greatest therapy I could have ever experienced.  We had a magazine to produce…

In the ten years since my diagnosis, I’ve lost a number of friends to cancer.  I’ve seen a number of friends go through the ordeal and come out the other side with many different interpretations of how to move forward.  The pastor who asked me the morning of my surgery “Why me?”; I had the opportunity to remind him of that question years later when he was diagnosed with cancer.  He didn’t make it.  In fact none of us know how long we have, or what kind of quality of life we will have with the life we are given.  We really only have today.  If I can get up and crawl under a loom and still find a way to use the day to celebrate life in some way, then I’ve done my job.  And if I can’t crawl under a loom any more, I’ll find another way to be creative.  It isn’t about what happens to you, it is what you ultimately choose to do with it that counts.

Cancer has a way of really defining what’s important in life.  When it comes right down to it, very little is that important.  Family is right up there, at least for me.  My relationship with my sisters really began in earnest after my diagnosis, my relationship with my husband wobbled a bit, but we got back on track stronger than ever.  And my kids and how they fared through all this was vitally important to me.  I now pick and choose where I put my energy.  I was able to cast off a lot of situations that were weighing me down and not in my best interest.  There is no greater excuse than, “I’ve got cancer”.  And I didn’t judge.  Many of my friends couldn’t be there for me through my ordeal, I understood.  I’m not always able to be there for everyone I love either.  Yet other “angels” stepped in when the need was there, they came in the oddest forms. One magazine reader wrote to me, “Daryl, I’ve just heard you have cancer and I’m devastated.  Please don’t die because I haven’t been able to take a workshop with you yet.”  If that isn’t enough fuel to keep me going I don’t know what is.  Another reader’s dog wrote to me in what turned out to be a year long correspondence.  Duchess had been diagnosed with breast cancer as well.  Duchess and I carried on a wonderful email exchange, and I mourned when Duchess’ owner wrote me to tell me that Duchess had finally died.  I was never alone, and never without the support I needed to make it down the path.  I just had to be open to finding it in places I’d never expected and from people I’d never expected were capable of filling that need.  We are all in this together.  We all walk along different paths, but they cross frequently, and sometimes parallel.  Life marches forward with or without you, and the worst thing I could do for my family and for myself was to drown in self pity and fear.  I wanted to live, but understood that I may not be one of the lucky ones, only time would tell, and I didn’t want to waste a minute of it waiting to find out.

This piece titled "Survivor" is part of my Weave A Memory series, printed on silk, and rewoven back together to celebrate life.

So I made it through ten more years.  I hope there are many many more years to come, because somehow my stash, no matter how hard I tried, is worse than ever.  Way worse…  I want to celebrate each cone of yarn, each new thing I learn, each mistake I make, each seemingly insurmountable task.  And if I only have today, then it will be the most productive and useful day I can make.

Thanks Gail, for asking.  It is good to be reminded how vulnerable we are, how fragile life is and how those of us in the fiber community have a rare gift, that things that come from our hands are healing and will live well beyond our life expectancy.  As a matter of fact, so will that stash…

 

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Coming up for air…

With everyone gone, and some real alone time in the studio, and absolutely nothing on the calendar for two blissful days (except the season finale of Downton Abby Sunday night) I hunkered down with my sewing machine and the dog, and I sewed like I haven’t sewed since I was young.  Course my neck muscles screamed at me the whole time, since I’m not quite so young anymore, and I had to rip out areas more than once because I forgot to attach the rear waist belt, but all in all, I adored the adventure and I’m really really pleased with the end result.

In case you missed the previous posts, the vest design is a modification of a Kenneth Cole vest I purchased a couple of years ago in Atlantic City.  I traced off the pattern and did some serious modifications, reworking the fit and the length and changing out the belt for a front zipper.

The vest fabric is a gorgeous khaki linen, from my stash (I think from Vogue Fabrics in Illinois) and the colorful bands came from my inkle loom, from hand dyed rayon, leftover warp from another weaving project.

The trim on the inside is a rayon challis I had, scraps from the lining of a project I did many years ago.

Since I am alone, it was tough to get photos on me, but I love the fit, so excuse the bathroom mirror!

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No complaints…

I’m thinking about having a revolving door installed on the front of the house.  It really feels like my family is stuck in one, and when they do come home, it is barely long enough to circle around the revolving door and head back out, changing suitcases on the way ’round.  My husband has returned to Saudi, where the staff at the hotel calls out, “Welcome home Mr. Kevin…”.  Somehow that doesn’t feel quite right to me.

There is actually a silver lining in all this, which is why I don’t want to come across as complaining, because when my family, any one of them, does come home, it is really special, something I don’t take for granted, and I cherish the moments with all of them.  I went on more dates with my husband these past two weeks than I’ve probably be on in the last ten years.  We ate out every chance we got, strolled into town together, just sat in the den watching TV together, and last weekend, we headed for Princeton to experience part of my Christmas present.  Kevin was able to do a lot of his shopping online, since he was living in Saudi last December, not all URL’s will accept a Saudi IP address, but he managed to find some interesting gifts, and one of them was actually something he won on an online auction to support Art Pride in NJ.  Most of the charities we donate to each year involve the arts, so I’m thrilled that my gift came from a fundraiser.

Last Friday Kevin and I headed down to Princeton, NJ, which is about an hour south, depending on the time of day, typical in NJ.  We had a stay in the historic Nassau Inn, which is perched beside the Princeton University campus, and had a fantastic dinner at the Yankee Doodle Tap Room.  It was all part of the Princeton Getaway weekend celebrating the arts, part of the package my husband won in the online auction.  The evening entertainment was a pair of tickets to the Princeton Symphony Orchestra, Pops concert featuring the Three Broadway Tenors, who took turns belting out some great Broadway tunes.  What a fantastic event.  We still have a couple of tickets to the McCarter Theater, and Grounds for Sculpture, one of my favorite places on earth, and we will try to use those in May when everything is in bloom.  It was such a great weekend, and the gentle snowfall covering the grounds made for a magical experience when we left the theater.

My son just came skidding in and skidding out again, he had a short break from his month long artillery training down at Fort Dix.  He is off for a weekend party at a University in Pennsylvania.  Sigh.  And my daughter will only be home for about 48 hours over spring break since she was accepted to a program to train her in artificial insemination, purportedly in a slaughter house in Pennsylvania.  Sigh.  All this is good, the kids are launching and I really do love my alone time, but it is sort of bittersweet and it makes the times we are together really really special.

Since I am alone, the mice get to play… :-)

When last we left the studio, I was waiting for a khaki linen to dry so I could start making a vest using the trim I finished weaving on the inkle loom.

Since there hasn’t been any real studio time the last week or so, I hesitated to jump right in, and in reality, I am not happy with the fit on the original vest, and needed to do some serious pattern alterations.  I did spend some time trying to lay out the trim I had to see where the best placement would be, and how long I could actually make the vest.

The original vest if you will remember, was a Kenneth Cole design that I picked up on a sale rack when I was in Atlantic City a couple of years ago.  I loved the style and the finishing, but the fit was always problematic.  The vest was very shortwaisted, in fact you can see where my fingers are, that’s my actual waist.  I felt like the tie was up under my boobs…

In addition, there was too much fabric across the upper chest, and the parallel front panels bent inward at the neck, which was going to be an issue when I put the trim down the front.  I wanted the trim to hang straight, perpendicular to the floor.

So I copied the vest and then  reworked the pattern, reshaping the front, and lengthening all the pattern pieces.  I wanted to make up an actual prototype, more than a muslin really, since this was a complicated design and I not only wanted to make sure I got the pattern pieces right, but that I understood how everything went together.  So I fished around in my stash.

I found the scraps from the skirt I made back in 2007, from a gorgeous wool, the skirt went with a vest I wove and constructed with a fur lining.  I’ve sold the vest, but I still have the skirt.

I carefully laid out the pattern pieces, there wasn’t enough fabric to completely match all the pinstripes in the wool, but I wasn’t concerned, and by the time I got everything cut out, I had what I like to call “dust” left on the table.  ”Dust” to me is scraps so small even I won’t save them… :-)

So I’ve spent the last two days constructing this prototype, I ripped out the collar four times, the zipper three times, and I’m so glad I went through this because now I understand what has to happen when I begin the vest in the khaki linen.

Here is the finished prototype, I love the changes, I ditched the belt, which would have interfered with trim, and I replaced it with a zipper.  The longer length works better on my body.  I played around with the back, trying to find the best use of the trim avoiding the typical skunk stripe down the center back.  I liked the idea of a back waist belt, stitched on and into the side back seams, and I cinched in the waist with a couple of tucks to narrow the silhouette.

Now I’m happy.

Stay tuned…

 

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Waiting…

The pattern for the vest I copied (one from Kenneth Cole I love) is all ready.

The khaki linen fabric has been preshrunk and the inkle band has been cut from the loom and wet finished in cool water.  Both are hanging over the shower curtain rod in the bathroom.

Watching fabric dry is a pointless task.

I picked out a scrap of fabric that would be perfect for the binding trim for the inside seams.

Watching fabric dry is still a pointless task.

So I try to clear my cutting table, because eventually everything will dry and I can start trying to lay everything out and see what I have.

Sidebar:  Last summer I worked on a series of felted pieces that I worked into three 9 x 9 x 3″ boxes for a Textile Study Group of NY exhibit, which I did not get accepted to, but are currently on display at the Creation Myths exhibit in Glens Falls NY, the brainchild of the Northeast Felters Guild.

Anyway, I still had a large mound of colorful carded batts of hand dyed corriedale fleece, that I kept moving around my studio.  They’d end up on the ironing board, the sewing table, on top of any loom not in service supporting other looms, or of course on the cutting table.  Which is where they were when I decided that I was bored with watching fabric dry, and I desperately wanted the batts someplace else, so what else could I do?

I grabbed the nearest large plastic container, which sits on the floor at my feet and holds all my long rulers I use for measuring and pattern work (plus my tape gun, don’t ask)…

No silly, I didn’t throw them away, I wrapped the batts around the trash can, and sacrificed a pair of nude panty hose, which no one wears anyway…

and I took the whole thing to the kitchen sink where I dunked it in hot soapy water and worked it until it was time to leave for physical therapy which of course was not one of my better ideas because I’m really really sore today, and I turned it into this…

Which got the batts out of the way, and gave me another large decorative storage container (once it dries, a week from now),  and space on my cutting table to do the layout and assessment for the vest.

Stay tuned…

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Rrrrrroute recalculation…

I miss Thomas.  He was the British guy that lived in my old Mio GPS unit, which I ditched when I switched to an Android and Google Maps.  Sigh…

Whenever I would turn in a different direction than Thomas had mapped out, he would scream at me in his proper very British accent, “Rrrrrought recalculation”, with what I would swear was a harrumph at the end.

Where was Thomas when you needed him…

So the story goes like this…

I occasionally get asked to do community service events, I liken them to missionary work as we like to say in the weaving world.  About the only way to get a younger audience in the handweaving world, to show them what a great skill this is to explore and all the really cool things you can do with a loom, you sort of have to go out find the audience, looking for every opportunity to bring the looms to them.  There aren’t a lot of places to learn weaving, certainly I found weaving in college as many others of my generation, but that was three generations ago.  There aren’t a lot of college weaving programs anymore, and I’d be shocked if there were more than a handful of High Schools that offer it.

Anyway, a local friend with a youth group asked me to do a demo and hands on activity with her teen youth group next Sunday night.  I’m always happy to help when I can, and she came over Tuesday to explore the direction we could take this given the audience and time frame.  All that was fine…

1960's Ad for the Peacock Loom

I got the idea of bringing just a simple two shaft kid’s loom, I had one already warped sitting unloved on the shelf, I’m so not into two shafts, and I brought it down, dusted it off, and planned to head over to the venue with the loom in tow, plus examples of my work, and some colorful funky yarn, each participant can weave a couple of rows, and if necessary, I can leave the loom for a couple weeks.

So far so good…

I just needed to clean up the loom, and remove the beginning part of the weaving, since kids last worked on it (unsupervised) and it didn’t look great.  I figured I’d just go back to the beginning, and all would be well.

As I was weaving in the header, a bright purple variegated yarn, I noticed that the heddles were fraying.  Those are the string things on the roller bars that guide the warp threads up and down.

The heddles are probably original to the loom, which probably dates back to the 60′s, and they didn’t look too happy.  I thought I could just dab a spot of glue on the tops of the worst offenders and all would hold through Sunday night. The heddles just disintegrated in my hands as I tried to grab a hold of them to put a dab of glue on the ends.

This is where Thomas needed to be in the room shouting “Rrrrrought recalculation…”

I really didn’t want to unthread the loom, and make all new heddles and rethread the loom.

I really really didn’t want to do this.

But if I didn’t you know that the first kid that comes up to the loom, or worse, just from transit, there would be a number of popped heddles, and the whole evening would be really really unfortunate.  I’ve been teaching for a long time.  There are some things out of your control, and there are many many things in your control.  To deliberately take a loom that I knew had issues would be unforgivable.

So, I made a jig.  The heddle disintegrated as I banged in the nails.

Then I made 96 new heddles.

Then I replaced all the heddles on the heddle bars on the loom.

Then I re-threaded the loom.

And now, the loom is ready to go, with the header rewoven, and all the heddles are new and sturdy and though things may still go awry, broken heddles won’t be one of them.

Sigh…

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